Product Description

Life holds a fundamental irony for four-star chef Eric Ripert - the more successful he becomes, the further he is taken from the love that made him a success in the first place. As his days get consumed with business decisions and staffing issues, the question arises - "But when do I get to cook?"

A RETURN TO COOKING is Ripert's personal quest for the answer: a journey in four different seasons to four different locales to "cook the landscape" and "cook from the guts," using local seasonal ingredients in home kitchens and experiencing the joys - and occasional disappointments - of this spontaneous, creative act.

From California to Puerto Rico, Vermont to Long Island, Ripert was joined by Colombian artist Valentino Cortazar and photographers Tammar and Shimon Rothstein, who captured his journey in their artistry. Dozens of essays on subjects such as handling raw fish, the power of vinaigrette, the virtues of Tabasco, shallots, and lemon confit enhance this eminently practical book's richly flavorful recipes.

Product Details

• Amazon Sales Rank: #509033 in Books
• Published on: 2002-11-04
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 336 pages

Amazon.com Review
Eric Ripert, chef and part owner of New York's Le Bernadin, discovered that as his chef star rose he drifted far, far away from cooking. A Return to Cooking is his response to this sorry predicament, the result of a self-imposed challenge: to gather together disparate souls--a painter (Valentino Cortazar), a writer (Michael Ruhlman, author of The Making of a Chef and The Soul of a Chef), photographers (Shimon and Tammar Rothstein), and a personal assistant (Andrea Glick, who would write and test the spontaneously created recipes)--and simply cook.

The settings (and fresh food ingredients) are spectacular. Sag Harbor in summer. Puerto Rico in winter. California's Napa Valley in spring. Vermont in fall. Rent a house, shop for food, and make the meals happen. For anyone who has ever wanted to understand how a great cook looks at ingredients and settles on a plan, A Return to Cooking is it. In Puerto Rico the reader is treated to Caramelized Pineapple Crepes with Crème Frâiche; Shrimp with Fresh Coconut Milk, Calabaza, and Avocado; and Seared Tuna with Escabeche of Pear Tomatoes.

What Ripert does with food, the Rothsteins do with photos, Cortazar does with paints, and Ruhlman does with words. The stimulating recipes rise out of a young lifetime of experience. This is a big, lush book (330 pages, 150 recipes, nearly 400 color photos and illustrations) dense with information, technique, and flavor. For anyone who has wandered far from the kitchen and the pleasures inherent in cooking, A Return to Cooking will bring you right back home. --Schuyler Ingle

From Publishers Weekly
What happens when chef Ripert exchanges the rarefied atmosphere of New York City's Le Bernardin for the sometimes melodramatic company of artistes- photographers Shimon and Tammar Rothstein, Valentino Cortazar, a Colombian painter who doesn't rise until noon and writer Ruhlman (Soul of a Chef) -to experiment in four locales and get back to his roots as a cook? Readers get a peek at the spontaneous inspiration behind such imaginative recipes as Halibut with Grapes and Red Wine-Port Sauce, along with tips for preparation, and colorful paintings and elegant photographs. Ripert cooks in four locales-Sag Harbor, N.Y., Puerto Rico, Napa Valley, and Cavendish, Vt.-though recipes do not always correspond to local produce (a lobster dish in Vermont, eels and frogs legs in Napa, and truffles in Puerto Rico). In Puerto Rico, Ripert's love for everything Latin shines in such recipes as Shrimp with Fresh Coconut Milk, Calabaza. In Napa, emphasizing mushrooms, Ripert makes Portobello and Eggplant Tart and Double-Cut Veal Chops with Morels and Herb Butter, and on Long Island he prepares Snapper with Caramelized and Braised Shallots and Shallot Jus. Ripert offers invaluable insights into sauces-practically everything has a sauce or a pesto. Interspersed throughout are sections on, for example, how to make Lemon Confit and how to humanely kill a lobster. The narrative can become precious: Ripert says "I touch an onion, and something happens inside me." Overall, however, this is a practical and rare look into what happens when a chef comes out of the industrial-sized kitchen and into the fire of his reativity.
Copyright 2002 Reed Business Information, Inc.

From Library Journal
Ripert, chef of New York City's four-star Le Bernardin, and food writer Ruhlman (The Soul of a Chef) collaborated on this handsome, oversized work, which could become the cookbook of the fall season. Filled with gorgeous illustrations and complex flavors common in celebrity chef cookbooks, it is also a meditation on what cooking means and its relationship to art. Ripert found that his success as a restaurateur ironically meant less time to cook, so he embarked on a journey to rediscover cooking, taking along Ruhlman and painter Valentino Cortazar, who provided the illustrations. Ripert selected four locations-Sag Harbor, Puerto Rico, Napa Valley, and Vermont-and at each, he chronicles his recipes and thoughts. Although Ripert initially struggled with being cut off from his New York suppliers, he soon found new connections among his cooking, his environment, and his friends. The recipes are doable for the experienced cook; many call for ingredients that may be hard to obtain, but substituting what's available and fresh is entirely in keeping with the book's philosophy. For all public libraries.
Devon Thomas, Hass MS&L, Ann Arbor, MI
Copyright 2002 Reed Business Information, Inc.

Customer Reviews

Another smashing success for Michael Ruhlman!
This is the second cook-book that Michael Ruhlman has taken part in if I'm not mistaken (the first being "The French Laundry",) and yet another smashing success!

Eric Ripert is one of New York's finest chef's, and in this, his second cook-book, he shows us exactly why he and Le Bernadin have been given the honor of "Best Chef" and "Best Restaurant" by several different sources! Ripert shows us his inner thoughts, his soul if you will, in many of the recipes that you will find here within this tome. Dishes such as: "Figs Wrapped in Bacon", "Seared Tuna with Escabeche of Pear Tomatoes" and "Mussels with Spicy Italian Sausage" show us how simple and yet exactly how refined Eric Riperts cooking and tastes can be!

Beyond the recipes, this 320 page book includes intermitant stories of Eric Ripert and fiver other friends and their experiences living together in four different locations during four different seasons! At the same time, readers will find commentary from the authors as they watch Ripert cook, or preparing his ingredients; Riperts own wistful thinking of Food and the Food Culture; many BEAUTIFUL photographs, equally beautiful paintings by Valentino Cortazar, and culinary advice from all involved in the making of this wonderfully crafted tome!

The most important aspect that I have to say about this book before I finish is that virtually ALL of these recipes are scaled to portions adequate for the home cook; and that they are often easy enough for nearly any novice or home cook to re-create for themselves, and yet refined and inspired enough that a professional would want to use them at their own restaurant!

Bon Appetit!

I love to cook, I love Le Bernadin and this book gets close!
For a foodie, this is a five star book!!
I have eaten at Le Bernadin several times (during the joyous excesses of the late 90s), and was fortunate to have also dined twice in the cozy 'private room' that gives diners a view of the kitchen. I have Ripert's other book, the Bernadin fish book,and when I have managed to have almost everything needed on hand, (except the 5-hour stocks, etc), I was able to make a few outstanding dishes. "Return to Cooking", however, is less complex and less fussy in some, but not all, of its recipes. I have made several recipes from "Return" with great success, the easiest and best being Cod with Chorizo, Soy sauce and Sherry Vinegar.
This book is not for the beginner cook, or even for the timid intermediate cook. In my opinion, this is a cook book for someone who had tasted fine restaurant food and who has the desire, skills and budget to attempt to replicate their best dining experiences. My warning: if you need explanations about technique or don't have access to the freshest ingredients, you probably cannot bring these marvelous recipes to life.

A look inside the head of a very good chef..
This combination cookbook, art book, and memoir is the story of a major celebrity chef's retreat from restaurant cooking to spend four weeks of culinary invention with a supporting cast of one culinary journalist (Michael Ruhlman), one painter (Valintino Cortazar), two photographers (Shimon and Tamar Rothstein), and a sous chef / recipe scribe Andrea Glick, all in a rather pricy package.

For the $50 list, one gets about 156 recipes, 15 of which are for condiments and ingredient preparations such as a vinaigrette and confit of lemon. Included in the price is the text by Ripert and Ruhlman which can be read in less than 4 hours, very good photographs of some, but not all of the dishes and photos of Rippert staring at and fondling ingredients, and about 100 paintings by Cortazar.

The most valuable aspect of this book is what it reveals about how Rippert reached his level of excellence in the culinary arts, and how he works to maintain that level. Rippert appears to follow the same path as Bobby Flay, Emril Lagasse, Tony Bourdain, and, if you can believe it, Alton Brown, where these people were mediocre at school and other vocations until they discovered cooking, which, along with some very important mentors, they came alive with the passion needed for excellence in the culinary arts. Rippert's primary mentor was the great French chef Joel Robuchon, who demanded a level of excellence and discipline which only a handful of chefs can accomplish. The insights of this sort you simply don't get on the Food Network. Wolfgang Puck will give you his secret for a poached beef, but not for the way he thinks when he creates and tests recipes.

The recipes are much more a part of this narrative of revelation than they are a worthy source of material for the food hobbyist, much less for the everyday cook. The recipes are not organized by ingredient, taste, or course. Some are simple, but many are very involved and use uncommon ingredients such as the always elusive Kaffir lime leaves and expensive ingredients such as foie gras and truffles. Each recipe give an estimated prep time and cooking time. This is an excellent reature and probably should be included in every worthy recipe book, but I suspect the prep times are a bit ambitious for the average home cook, even for an enthusiastic hobbyist who is not under any time pressure. Twenty-five (25) minutes is not a lot of time to perform some type of preparation on eleven (11) different ingredients unless you are Eric Rippert. One symptom of the impracticality of this cuisine is that an important ingredient for several dishes is lemon confit, which requires THREE MONTHS to prepare. And, it is not an ingredient you will commonly find even at the local megamart. True to Rippert's history and the cuisine of his restaurant, Le Bernardin, the majority of the more interesting recipes are for seafood and I think he includes several important techniques for dealing with them. You will want to prepare more than a few of these recipes, but I think the bottom line is that the recipes are much more valuable as a part of the narrative than they are a part of a cookbook.

The photographs are very good; however, they are basically eye candy, except for the few glimpses of the attractive Ms. Glick, The paintings are pleasant. Somewhat more interesting eye candy than the photographs. The text in Mr. Ruhlman's voice is primarily background scenery, about as useful as the non-food photographs. Ruhlman has serious credentials in culinary writing, so I suspect he made a serious contribution to the words Eric Rippert's voice. The text in Mr. Rippert's voice is the main game. The only real dissonance I found in his discourse was when he shows his disinterest in pastry, claiming it was `too scientific' requiring far too many measurements. The great irony of this statement is that Eric Rippert's methods represent the scientific method at it's best, constantly tasting and adjusting based on his experiences with intermediate steps.

The overall package is attractive, with one glaring sour note. The font of the text is FAR TOO SMALL. This is a major annoyance, something which would have never gotten out the door at Knopf or Harper Collins. The book has much value for serious foodies with very good eyesight. The recipes are very good and well worth the investment, if you can get the book at a discount.