Product Description

The firm of Patkau Architects, founded in 1978 and based in Vancouver, British Columbia, has achieved international renown for work that draws on the principles of modern architecture and is simultaneously inspired by the traditions and often spectacular landscape of the Pacific Northwest. The office is known for a straightforward, multifaceted expression of material and detail as well as a focus on the sculpture that is inherent in architecture.

This comprehensive monograph includes cultural and institutional projects, such as the Canadian Clay and Glass Gallery, the National Library of Quebec in Montreal, and a major addition to the Winnipeg Centennial Library; schools, notably the Seabird Island School and the Strawberry Vale School; and a series of residences, including the Shaw house, with a dramatic elevated lap pool, and the inventive Petite Maison du Weekend (Small Weekend House), a prototype for a self-sufficient holiday house for two.

Product Details

• Amazon Sales Rank: #523946 in Books
• Published on: 2006-06-08
• Released on: 2006-06-08
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 240 pages

About the Author
Kenneth Frampton is the Ware Professor of Architecture at the Graduate School of Architecture, Planning and Preservation at Columbia University. Among his numerous influential books is Modern Architecture: A Critical History.

Customer Reviews

Long waited Monograph
For a long time I have been looking for a book that compiles all the work by these Canadian architects. The recent Monograph by Monacelli presents their recent work and illustrates all the way back to their first House, with plans and sections. I have a personal fascination for their analytical models and how these models help to explain all the different aspects of the projects. Spatially, Scale and materiality are the main focus of these explorations. If you like the work by architects like Williams & Tsien (New York), Mathias Klotz (Chile), Morphosis (Los Angeles) or Mecanno (Holland); you probably will enjoy the fine forms by these architects based in Vancouver.

Long overdue monograph,,, finally in bookstore !
Based on Frampton, PA's architecture can be divided more or less chronologically into two groups.

First group are the buildings that emphasize the combination of earthwork
and roofwork. This group holds the indigenous spirit of the specific
place, telling the story of totem and genius loci expressed in the
irregularity of forms. On the other hand, second group are the projects,
built more recently in an urban setting, that speaks and advocates the
modern approach of universal values manifested in the form of orthogonal
approach.

Chronologically different in attitudes, all the projects have same
attitude towards the poetics of construction. Its organic forms expressed
in wood, its attention to the details and play of light, and its almost
mythical symbolism to site aligns to the approaches of Aalto, Scarpa, and
Fehn. (Per Frampton)

Personally, three projects were favored: Barns House (`93), Canadian Clay
and Glass Gallery (`92), and Grande Bibliotheque du Quebec ('05).

Barns House and Canadian Clay and Glass Gallery is an interplay of
lightness and heaviness. Almost bird's wing-like roof is paired with
smooth hard concrete floor. Likewise, light wooden fenestrations
ungravitate the presence of cmu wall. The anchoring of floor and walls
really emphasize the freedom towards the sky and forest.

One of the most current built projects, Grande Bibliotheque du Quebec,
illustrates PA's future potentials. More advanced and innovative in its
use of materials, but still, basics are same. Structural concrete is in
striking contrast to the light veil systems. This winning scheme of
international competition proved that PA's architecture does not bind
itself to the rural site with single-story program.

Less oriented in theory and abstraction, the projects provide ample
pleasure of making and specificity of architecture.

The great Architect of Northern America of Today
I have met her through my school days in MA. As a guest critic, she was a great mentor and great designer herself. She even showed up to give an unscheduled private review sessions with one or two of us before she was heading back to Canada the next day and, I was impressed and much thankful for her passion and care for the education.

The book itself does not cover all of her professional works as an architect or as a professor but it was good enough to introduce her name out as it is somehow difficult finding her name or works out internationally.

If you are a student looking for a consistent yet tectonic architect, this book is a good introduction to what a passionate $ insightful architect produces over the time. I hope to see more of her great works in the future.