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Juan Rulfo's Mexico

Juan Rulfo's Mexico
From Smithsonian

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Product Description

Juan Rulfo was one of the great literary innovators of the twentieth century. His 1955 novel Pedro Páramo is considered one of the foundational classics of magic realism, predating One Hundred Years of Solitude by more than a decade. Lesser known are his haunting photographs of Mexico, which exhibit remarkable parallels to his prose. The photographs, mainly taken between 1945 and 1955, do not tell stories: they present. The images of people and their land, women in their traditional dress, musicians with their instruments, capture the calm, quiet, inner rhythms of Mexico's rural population. Rulfo extracts unique moments through his photographs; his images of desolate, abandoned buildings, their walls destroyed by artillery shells, are expressions of his nation's painful history. His quietly dramatic landscapes recall the work of Ansel Adams and Edward Weston while displaying a style that is truly his own.

This collection of 175 images is the only comprehensive collection of Juan Rulfo's photographs available. The six essays preceding the images illuminate the photographs and pay tribute to one of Mexico's most enduring literary and visual artists.


Product Details

  • Amazon Sales Rank: #498422 in Books
  • Published on: 2002-09-01
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 215 pages

Editorial Reviews

About the Author
Juan Rulfo's (1918-1986) contributions to literature were recognized in 1970 when he was awarded Mexico's National Prize for Literature and in 1985 when he received the Cervantes Prize from Spain.


Customer Reviews

A master of words AND pictures4
In addition to being a Nobel-caliber novelist, Rulfo was a world-class photographer. His pictures capture the landscape, architecture, and indigenous culture of Mexico. This book provides a beautiful collection of his work in a well-designed package. I didn't care much for the accompanying essays, however, which are heavy on the type of psychobabble and postmodern philosophy only an art historian could love. If the writing were worthy of the master himself, this would be a five-star book.