Product Description

Everyone knows what modern architecture looks like, but few understand how this revolutionary new form of building emerged little more than a century ago or what its aesthetic, social, even spiritual aspirations were. Through illuminating studies of the leading men and women who forever changed our built environment, veteran architecture critic Martin Filler offers fresh insights into this unprecedented cultural transformation. From Louis Sullivan, father of the skyscraper, to Frank Gehry, magician of post-millennial museum, Filler emphasizes how their force of personality has had a decisive effect on everything from how we inhabit our homes to how we shape our cities.

Why was the sudden shift in architectural fashion that wrecked the career of the Scottish designer Charles Rennie Mackintosh not enough to destroy the indomitable spirit of Frank Lloyd Wright, who rose from adversity to become America’s greatest architect? Why was Philip Johnson, “dean of American architecture” during the 1980s, so haunted by the superior talent of this less-fortunate contemporary Louis Kahn that he could barely utter his name even at the peak of his own success? How did Ludwig Mies van der Rohe’s dictum “Less is more” give way to Robert Venturi’s “Less is a bore”?

Surveying such current urban design sagas as the reconstruction of Ground Zero and the reunification of Berlin, Filler also trains his sharp eye on some of the biggest names in architecture today, puncturing more than one overinflated reputation while identifying the true masters who are now building for the ages.

Product Details

• Amazon Sales Rank: #466980 in Books
• Published on: 2007-07-17
• Released on: 2007-07-17
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 352 pages

Features

• ISBN13: 9781590172278
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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From Publishers Weekly
Starred Review. Made up of essays that originally appeared in The New York Review of Books, this work is a wonderful introduction to 20th-century architecture. Filler focuses each chapter on a single architect or firm, discussing their place in the history of architecture as well as some of their most important works. For some architects, particularly those who have become synonymous with high-profile projects-such as Frank Gehry or Richard Meier-Filler uses a single signature building to shed light on the architect by reading its structure and features as representative of their style. For others-such as Louis Sullivan and Frank Lloyd Wright-design philosophy is his focus: Filler demonstrates how their aesthetic vision shaped everything they created, from furniture and fixtures to residences and office buildings. The result is magnificent from start to finish. Filler writes elegant prose that captures the feeling of these buildings in a way that makes the illustrations almost unnecessary. He also discusses architecture in a way that will be both satisfying to specialists or practitioners and accessible to non-specialists. No matter the level of previous experience with architecture, anyone with an interest in the subject will find Filler's work rewarding.
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Review
"Most of these 17 short essays by Filler (architecture critic, House & Garden) originally appeared in the New York Review of Books; some have been expanded and updated. They touch on aspects of the work and lives of 20-plus giants of modern architecture (e.g., Mies van der Rohe, Le Corbusier) as well as contemporary practitioners (e.g., Frank Gehry, Richard Meier)...Filler's engaging observations and insights are worth reading." --Library Journal

"Since the mid-1980s, Martin Filler has contributed a medley of long critical essays on architects and architecture to The New York Review of Books. A new book by that publisher released on July 17 collects and updates Filler's essays in a single offering entitled Makers of Modern Architecture: From Frank Lloyd Wright to Frank Gehry. Arriving in time for the dog days, Filler provides something to sink our teeth into. Delicious!...Filler's essays consist of a rich amalgam of biographical analyses, emphasizing each individual's career trajectory, with some formal analysis of the architects' built work. Refreshingly, he avoids too much of the latter, preferring to delve into matters often unexplored in the popular press. Along the way, we encounter quotable quotes, digressions, obsessions, professional sympathies, categorizations, personal prejudices, pronouncements, analogies, refutations, as well as political and social observations, and a rich, fulsome exercise of the English language.In our superficial era, when architectural criticism gasps for column inches in the newspapers, and blogs woefully lack erudition or research, Filler's assessments in The New York Review stand apart, eschewing fashion and offering polished, carefully edited and backed-up, though highly personal, assertions.says, clearly a fascination, if not minor obsession, of this New York-based writer...In the course of 300 pages, he engages 17 architects, including the Eamseses (positive review) and Calatrava (less sanguine), but manages to omit Robert Stern, Peter Eisenman, and Michael Graves, all 1980s rock stars, as well as a shopping list of current galactic lights such as Zaha Hadid, Rem Koolhaas, Jean Nouvel, and Thom Mayne...Ultimately, Filler's engaging book entertains and informs as it opines; then the language ceases, leaving us hungering for more of this piquant, yet savory intellectual dish." --Architectural Record

"Martin Filler's Makers of Modern Architecture...should eclipse other works in the field. He incisively places many 20th century architects and their work in a social context. He is also a refreshingly colorful, on-target observer, as when he limns, hilariously, the agonizing approach to (and his disappointment in) Richard Meier's Getty Center in Los Angeles, or notes that Louis Sullivan 'sometimes edged toward the crackpot in the relentless of his passionate obsessions.'" --House & Garden

"Imagine a Vasari's Lives for architects, ranging from Louis Sullivan to Gehry, Piano, Calatrava. That's what Martin Filler has written with vivacity, concision, and encyclopedic erudition in Makers of Modern Architecture. If you're an old architectural hand, you'll need this book as an essential point of reference; if you're an avid amateur who wonders about the built world, you'll find it the best college course you never took. Filler's passionate observations on architecture and art, morality, commerce, and politics will ignite debates for years to come." --John Guare

About the Author
Martin Filler was born in 1948 and received degrees in Art History from Columbia. His writings have been published in more than thirty journals, magazines, and newspapers in the US, Europe, and Japan. Since 1985 his essays on modern architecture have appeared in The New York Review of Books, and he is now architecture critic of House & Garden. Filler was elected a fellow of the American Academy of Arts and Sciences in 2003. He and his wife, the architectural historian Rosemarie Haag Bletter, were guest curators for the Whitney Museum exhibition “High Styles: Twentieth Century American Design” (1985), and wrote the documentary film Beyond Utopia: Changing Attitudes in American Architecture (1983). They live in New York and Southampton, and have one son, Nathaniel.

Customer Reviews

A Mature Critic at the Top of His Game
Martin Filler has been a contributor to The New York Review of Books for the last twenty years. During that time, he produced a series of remarkable essays on the "Giants" of Modern Architecture. "Makers of Modern Architecture" is a compilation of seventeen of those essays. Filler starts with the first Modernists (Sullivan, Wright, Mies, Corbusier) and then moves on to the second (Eames,Kahn, Johnson) and third generation (Gehry, Meier, Foster and Piano) of Modernist architects.

Martin Filler is one of the nation's best architectural critics and this book finds him at the top of his form. With great style, he praises the noteworthy and pillories the cynical. There is an erudition and honesty to his writing that is at times, thrilling. His chapters on Phillip Johnson's opportunism and the political wrangling over the Twin Tower re-construction are especially good. "Makers of Modern Architecture" is criticism at its finest. Highly recommended.

Good, but marred by pretentious diction and invective
I enjoyed Filler's strong opinions and revelatory biographies of modern architecture's major figures. The book is not without flaw. The omission of a chapter on Walter Gropius surprised me. Two things distracted from the otherwise strong criticism. The first is Filler's choice of flowery language. This choice distracts the reader from the analysis (often because the eyes must roll back into place).

However, Filler's repeated attacks on Philip Johnson's architecture and character were most peculiar and interesting. Filler's bête noire haunts every chapter of the book. I am not a fan of Johnson's architecture either, but as I read each chapter out of sequence I began to anticipate when Filler would compare some unfavorable characteristic of Architect X to Johnson. A common pattern is X lacked originality, but certainly possessed more than Johnson. This antagonism began to overshadow the criticism. I became more interested in what about Johnson led to Filler's obsessive attacks. Johnson's Nazi sympathies? Johnson's sexual orientation? Johnson's privileged roots? Some unmentioned personal slight?

The book is a nice survey of major architectural figures and their works. In doing so it provides more of a history than an analysis of modern architecture.