Product Description

Product Details

• Amazon Sales Rank: #756899 in Books
• Published on: 2006-03-07
• Released on: 2006-03-07
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 320 pages

From Publishers Weekly
Over 16 novels, Trollope has explored a plethora of the modern family's permutations; her 17th is a tender, funny ode to empty nest syndrome. Edie Boyd is a middle-aged, part-time actress and London mother of three whose youngest is packing up and moving out. Husband Russell is delighted with the chance to rediscover and retune their marriage, but Edie can't quite face life (or herself) without being "Mum" on a daily basis. Not to worry: the children almost simultaneously fall prey to a series of mishaps and financial troubles, and Edie is delighted when her wish to have her brood back is suddenly granted. At this point, the transformations one expects in a flown coop begin to take hold, as does the comedy. Embedded in the novel's sometimes soap opera turns, which cut expertly from the children's points of view to Edie's, are Trollope's somehow insightful takes on the perennial career vs. child-rearing dilemma. The struggles of Edie, of Russell, and of children Rosa, Matt, Ben and their various partners are deftly rendered in the dialogue that dominates the book; it has a good pace and marks out the narrative decisively. The things her flawed but lovable characters say to each other, in fact, save Trollope's tidily concluded latest from feeling too much like chick lit for the PBS set. (Mar.)
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Review
'As subtle as Austen, as sharp as Bronte. Trollope's brilliant!' Fay Weldon, MAIL ON SUNDAY 'She writes so beautifully in a style so graceful and judicious that you would call it restful if it were not also palpably intelligent' EVENING STANDARD

Review
"With her acute observation and lyrical writing, she has few peers when it comes to laying bare the lives of today's middle-aged middle class. . . This book, on a stage in family life that many parents dread, is one of her best."
— Irish Independent

"Utterly absorbing, constantly surprising, and often extremely funny."
— The Independent

"Accessible but sophisticated."
— The Times

"Playful, unguessable and clever."
— Sunday Express

"The ebb and flow of relationships is brilliantly handled by Trollope. This is a much more metropolitan crowd than her normal characters — no timid country wives here. There is a very believable cast of characters, all in different and complicated relationships . . . Trollope has perfectly captured what it takes to be a mother."
— The Observer

Customer Reviews

Will the Real Joanna Trollope Please Stand Up!
This is the real Joanna Trollope! The author who writes insightful novels about "real" life, who adds humor, who uses prose, and "hits the nail on the head" so that the reader has to savor those certain lines that come from one's own experience! This is a novel one enjoys so much that the reader is disappointed when it's over and sits savoring its aura. If you're looking for enjoyment and a realistic view of those punches life pulls this is the story for you! Read it!

Empty nest
Edie is distraught...her youngest child, Ben,22 years old, has moved out of home to live with his girlfriend. Edie and her husband, theatrical agent, Russell have two older children who have both moved into their own flats and the shock of being without any children at home has just hit Edie like a blow. Unless you've had this happen, it probably seems to be an exaggerated state of mind, but if your last child or your only child has gone, it is truly like a gaping hole that you can never imagine being filled, and is a genuinely terrible sense of loss...If you've been there, you'll know what I mean! Russell has been trying to persuade Edie to resume her stage career, abandoned many years before, to give her a new sense of purpose but she simply can't rise above her depression until she meets a thin, needy but talented young actor who moves into their house as a lodger. They play together in an Ibsen revival, most successfully, until Edie's three children all move back into their parent's home because of varying difficulties. Edie finds herself in the situation of getting exactly what she'd prayed for and then discovering that one can't go back, and that the past is just that..the past. This was a very moving read and one with which a lot of readers will identify, especially mothers.

A poignant novel about the small but crucial details and turning points of life
SECOND HONEYMOON: This dangerously mushy-sounding title is ironic, thank God. In the hands of a less clever and disciplined writer than Joanna Trollope, it really would be about a man and wife "finding" one another after the kids move out. This never exactly happens, mostly because the empty nest contemplated in the first chapter by Edie Boyd, part-time actress and former full-time mother, is rapidly re-populated as the book progresses...much to the chagrin of her husband Russell, who had secret hopes of being liberated into post-parent bliss.

The plot rocks along at a comfortable real-time pace --- not urgent or momentous, but with a pleasant tension that keeps you reading. Although the crazy-quilt of overlapping events sometimes feels a bit soap-opera, what with three semi-adult children (any older parent will know precisely what I mean by that characterization) and Edie's sister to keep track of, SECOND HONEYMOON is definitely a cut above your average page-turner. Edie, the emotional center of the book, is endearingly three-dimensional, a blend of clear-eyed honesty and sheer emotional goo. Her struggles with the loss of her maternal role, and its return in a different form, are paralleled by the play in which she is performing: Ibsen's Ghosts. A tremendous scandal when it appeared in the 1880s --- it was banned in England until 1914 --- the drama centers on Mrs. Alving, a widow whose "revered" husband turns out to have given her syphilis --- which she passed on in the womb, fatally, to their son Osvald --- as well as to have fathered an illegitimate daughter.

It is to Trollope's credit that she does not belabor the play's relevance (and assumes that readers will know its basic scenario --- frankly, I hadn't read it in so long that I had to Google it). True, Edie forms a quasi-parental relationship with the young actor, Lazlo, who plays Osvald, and certainly, as in all families, there are secrets and shadowy presences in the Boyd clan...there is even a child conceived out of wedlock, though of course with none of the moral shock it delivered in Ibsen's day. Mostly, however, SECOND HONEYMOON is occupied with what being in the play means to Edie.

Character, in fact, is Trollope's chief strength (dialogue, too, at which she is a pure genius) --- even Arsie the cat, an enormous, lazy beast, has terrific personality. The dramatis personae are likable, recognizable people, with the usual human capacity for self-delusion, but doing their best to cope with what life throws their way. The portrait of Edie and Russell, for example, manages to suggest both the affectionate bonds and the heedless taking-for-granted moments of that most challenging of relationships, a long marriage. There are really only two "bad guys" in the book: Max, the ex-husband of Edie's sister Vivien (who struck me as a tad too much of a feminist success story), and the nasty, sexy Cheryl, who plays the daughter in Ghosts. They are no match, though, for the forthright Boyds and their allies.

Does this sound humdrum? Deficient in suspense? It isn't, strangely, as long as you remember not to expect the grueling, melodramatic or macabre, but something more like the small but crucial details and turning points of your own life. And, as in life, there is no sugary ending or neat summary of Lessons Learned. In Trollope's previous novels --- THE RECTOR'S WIFE and THE CHOIR, by the way, were made into absolutely addictive TV miniseries that were broadcast in the U.S. --- time after time I remember expecting a riding-off-into-the-sunset finale, only to be left with something more ambiguous. It takes courage to resist the temptation to tie up a novel with a pretty sash, like a party dress. Trollope's books are plainer, messier, more honest. Her women and men don't "save" each other. They are their own champions.

--- Reviewed by Kathy Weissman