Product Description

The first ever collection of Iain Banks' short fiction, this volume includes the acclaimed novella, The State of the Art. This is a striking addition to the growing body of Culture lore, and adds definition and scale to the previous works by using the Earth of 1977 as contrast. The other stories in the collection range from science fiction to horror, dark-coated fantasy to morality tale. All bear the indefinable stamp of Iain Banks' staggering talent.

Product Details

• Amazon Sales Rank: #46498 in Books
• Published on: 2007-04-25
• Original language: English
• Number of items: 1
• Binding: Paperback
• 188 pages

From Publishers Weekly
Accompanied by a lengthy essay, "A Few Notes on the Culture" (1997), these seven arresting short stories and the disturbing novella that provides the title for Banks's latest SF collection all date from 1984–1987, the period of his bizarre mainstream novel The Wasp Factory and the extravagant genre novel Consider Phlebas, both cult-inspiring works. In short pieces like "Road of Skulls" and "Piece," Banks turns convention upside down and inside out, with shocker-endings that linger like smoke rising from a crematorium. "Odd Attachment" traces a marooned spaceman and his AI suit on a tortuous survival trek across an uninhabited planet, illustrating Banks's preoccupation with the "self-generative belief system" that applies to both humans and AIs in the Culture, the setting for the title story and some of his SF novels. Viewing Earth and Homo sapiens through the eyes of the Culture, a galactic group-civilization spawned by a handful of humanoid species several thousand years in the past, allows Banks to speculate on his dearest philosophical topics: the preferability of anarchy in space, denunciation of market economies as "synthetic evil," never-ending education for both humans and machines, and genetic manipulation. For all their wrenching images and sadistic twists, Banks's unsettling tales bestow a grim gift, the ability to see ourselves as others might see us.
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Review
'Banks is a phenomenon: the wildly successful, fearlessly creative author of brilliant and disturbing non-genre novels, he's equally at home writing pure science fiction of a peculiarly gnarly energy and elegance' William Gibson 'Few of us have been exposed to a talent so manifest and of such extraordinary breadth' The New York Review of Science Fiction 'Unfailing inventiveness and wit' Guardian

About the Author
Iain Banks came to widespread and controversial public notice with the publication of his first novel, THE WASP FACTORY, in 1984. He has since gained enormous popular and critical acclaim for both his mainstream and his science fiction novels.

Customer Reviews

Great sampling of his brilliance
There are a few versions of this floating around. The one pictured on top of this page is the one I'll be talking about and is a collection of short fiction. There's at least one other published earlier that only contains the title story. "The State of the Art" is probably what this book is best known for, it's over a hundred pages long and thus dominates by far all of the other stories in the volume. It's also by far the best, probably because the length allows Banks to really run with his ideas and themes. Basically his ultra-advanced Culture runs into Earth circa 1977 and decides to hang around and observe for a bit. This allows Banks to indulge in quite a bit of social commentary in the form of "aliens telling us what we do wrong" but he keeps it balanced,... some of the Culture think Earth is a great place and there are more than a few arguments that the Culture itself is stifling and stagnant (not that these are new arguments to anyone who has read the other Culture novels), all in all it feels like a complete novel as opposed to a novella, and just about everything works. The book is worth it just for that story. Fortunately the others are all pretty decent, most are pretty short and thus don't have as much impact either because they're just downright weird (the one with the sentinent tree or whatever was just odd) or experimental (the last story especially, I suspect I missed a wagon-load of comments on British society) but most of the others, such as the other Culture story or the guy stuck in the astronaut suit work just right and show the depth and extent of Banks' vision. He's not concerned with working in just SF or just genre fiction or "just" anything, his stories run the gamut and are unmistakeably his, in whatever genre or strange mix thereof. These new to Banks would be wise to sample this and see what he's capable of before moving onto the (hard as it is to believe) vastly better novels. I wish I could say he's underrated, but it wouldn't be true.

Simply the best sci-fi short story of the last 20 years.
Look at it this way - State of The Art is a great short story with some additional filler between the covers. But what a great short story it is. State of The Art finds the Culture arriving at Earth in 1978. By all accounts, the outlook is bleak for the human race. Contact, and our favorite Culture gal Dziet Sma, have to decide whether to get in touch with a world locked in a seemingly desperate arms race and the slow and painful destruction of the planet's ecosystem. Banks casts an ascerbic eye over the "state of the art" - both the Culture's and Earth's. By setting the story in the recent past, the reader knows that if the Culture had turned up just 10 years later the whole story would be different. Or would it? Sma and her crew-mates travel around the world sampling the delights and the horrors of Earth. Despite various cosmetic changes, is the planet in any better shape than it was 21 years ago? Is the Earth beyond hope? In a fitting gesture to the Culture's perverse tolerance for dissent, a crew member decides to stay. Why? And what, asks Banks, makes us human - and the Culture alien? A clever, philosophic and beautifully written story. Worth the price of the book alone.

Not a short story collection.
...this is not a collection. There is a short-story collection of Banks', but it was only released by his British publisher (Orbit, in 1991). That collection is also called The State of the Art (the title novella does takes up close to 2/3 of the book...)... Any edition that is from 1989, or published by Mark V Ziesing, is the origional American version and only contains the novella.

Hope that helps out.