Product Description

Weathering critical scorn, "Lady Audley's Secret" quickly established Mary Elizabeth Braddon as the leading light of Victorian 'sensation' fiction, sharing the honour only with Wilkie Collins. Addictive, cunningly plotted and certainly sensational, "Lady Audley's Secret" draws on contemporary theories of insanity to probe mid-Victorian anxieties about the rapid rise of consumer culture. What is the mystery surrounding the charming heroine? "Lady Audley's Secret" is investigated by Robert Audley, aristocrat turned detective, in a novel that has lost none of its power to disturb and entertain.

Product Details

• Amazon Sales Rank: #1862732 in Books
• Published on: 2006-04-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 296 pages

Review
Natalie Houston compellingly brings home the connection of this novel with many important issues today. -- Kate Flint, Rutgers University

This impressive, scholarly new edition brings together a wealth of supplementary material, much of which is almost unobtainable elsewhere... -- Chris Willis, Birkbeck College

About the Author
Mary E Braddon (1835-1915) began writing at the age of eight but it was not until she won an admirer as an actress that she could settle down to write serial fiction. She became a bestselling 'sensation' author and was read avidly by Tennyson, Dickens and Thackery. She wrote over eighty novels. Jenny Bourne Taylor studied at York and Warwick universities and is currently a Senior Lecturer in English at the University of Sussex. She has published widely.

Customer Reviews

A Victorian Bestselling Novel That Still Fascinates Us
The 1860s in England saw the boom of "sensation novels" which is best represented by the gripping thrillers "The Woman in White" and "The Moonstone," written by Wilkie Collins. Immediately after the success of the former one, Mary Elizabeth Braddon wrote "Lady Audley's Secret," which also became an instant bestseller, quickly making her a celebrity. But, in more than one sense, as you see later.

The story of Braddon's book is clearly inspired by Collins's "The Woman in White" (especially by Laura's story), but it is quite unfair to call "Lady Audley" a poor imitation. (And remember, Collins's story is also said to be based on a French book recording actual crime cases). Lady Audley takes a more defying view on the Victorians, roles of women in particular, and that's the real reason she was such a "sensation," and is again getting our attention now.

The story goes like this: Lucy, a governess without family, is loved by Sir Michael Audley, a rich landowner of Audley Court, Essex, and marries him to the chagrin of some people who look at her as an adventuress. No matter how people think, however, they are living happily.

In the meanwhile, George Talboys, after his long, hard days in Australia searching for goldmine, finally comes back to London, after many years, with money to make his wife happy. But when he encountered his old friend Robert Audley, nephew of Sir Michael, he accidentally knows that his beloved wife is no longer alive.

Those two seemingly unrelated events begin to get entangled after George's sudden missing. Robert starts his own investigation, as if beckoned by a fate, and he, collecting evidences, gradually comes to one inevitable conclusion.

And ... let me say this first; "Lady Audley" is an absorbing book, but absorbing not in the way a good detective story is. The "secret" in point is, one often mistakes, NOT the secret you can easily discover in the early stage of the plot. (You must wait to see the nature of Lady's secret at the end of the book, which is still controversial.) The story is melodramatic and sometimes predictable, but the real virtue of the book is the portrait of the strong-willed heroine, who dares to challenge the social codes of women in Victorian era.

The book is full of action that you might find in any potboilers, shocking for the comtemporary people, which includes: murder, arson, secret passage, blackmail, you name it. But the way Braddon handles them is always steady and well-controlled, and at some places they look unexpectedly modern, reading like a movie script, anticipating the cinematic treatment in the early 20th century (this had been made into films three times in silent-film days, and once on TV even in 2000) Her book has many flaws, surely, but should be never called dull.

Mary Elizabeth Braddon, when she was working on this book, was living with John Maxwell, ambitious publisher in debt, and she was the main provider of income. While living together (and John was still married to another woman in asylum, which makes an interesting parallel with George Eliot), she wrote with a frantic speed. Through 1861-62, when she wrote "Lady Audley's Secret," -- and she was also writing for cheaper periodicals under false name! -- Braddon confesses that she wrote the Third Book (the final third part) of the "Lady Audley" in a fortnight. Considering the fact, the book is incredibly tight, and infallibly engaging.

Hugely enjoyable
I read this for a Victorian literature class, and sandwiched as it was between the imposing density of Middlemarch and Dickens, it was a real holiday. "Lady Audley" was written for pure narrative pleasure, and it delivers big-time. I had no idea Victorian literature could be this tantalizing. It's really kind of trashy, falling into the sensational genre, but don't let that deter you - it'll keep you up at night AND provide the romantic bygone otherness of say, a Jane Austen novel. It's also an interesting window into Victorian femininity, undermining as it does the ideal of the passive angel in the house, and replacing her with a kind of femme fatale anti-heroine. (Everyone in my class enjoyed it, even the whingers who typically bemoan everything on the reading list.) A really good read.

More of a guilt novel than I mystery I think...
...I was suprised at how much I liked this book. I am not one for Victorian "sensationalists" preferring swashbuckling but Miss Braddon (as she was then called) is a great writer who gives explainations for her character's wild behavior. Considered quite a trashy novelist in her day, her stories are much tamer than what is on network television.

Read, enjoy this escapist novel