Product Description

This magesterial new work is the first to focus on Rembrandt's portrayal of women. Accompanying a major exhibition at the Scottish National Gallery, Edinburgh, and the Royal Acadmey of Arts, London, it examines the women in Rembrandt's life, as well as his unique approach to depicting the female form in paintings, drawings, and prints.

Product Details

• Amazon Sales Rank: #925925 in Books
• Published on: 2001-07
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 269 pages

Amazon.com Review
Rembrandt famously had three women in his life: Saskia, the burgomaster's daughter, who died at 30; Geertje Dircks, the housekeeper with whom he had a bitter quarrel; and Hendrickje Stoffels, the servant girl who bore him a child and loyally stood by him in bankruptcy. Part of the mystique of his art, fueled by its emotional depth, is that his female figures are portraits of members of his household. The truth of the matter is more cloudy, though, since no documented portraits of the two servants exist. But scholars are interested in many other aspects of Rembrandt's women, as this exceptional book explains in six lively essays and detailed discussions of 140 works. They range from major paintings (Susanna and the Elders, Danae) to intimate etchings and drawings of women in domestic settings.

The essays explore a variety of issues, ranging from the 17th-century Dutch notion of female beauty (was flab more attractive then?) to the significance of handkerchiefs held by women in portraits of the era. A key theme in these pages is the way Rembrandt's transformation of traditional mythological and biblical scenes featuring nude women created a new level of erotic immediacy. Scholars have unearthed some interesting answers to questions like, What sort of woman in 17th-century Amsterdam would allow herself to be portrayed nude in a work of art?

Published to coincide with an exhibition of the same name organized by the National Gallery of Scotland--on view at the Royal Academy of Arts, London through December 16, 2001--Rembrandt's Women offers an abundance of color and black-and-white reproductions in an attractive format. The fresh and far-ranging approach to the artist's life and times make the book a must for every Rembrandt lover's bookshelf. --Cathy Curtis

From Library Journal
This catalog is published to coincide with an exhibition the first to focus on women in the art of Rembrandt being held at the National Gallery of Scotland, Edinburgh, and the Royal Academy of Arts, London. Edited by the assistant keeper of Dutch art at the National Gallery of Scotland and including essays by various international scholars, the book considers how the physical features of three key female figures in the life of Rembrandt (Saskia, Geertje, and Hendrickje) might have been translated to the female figures in Rembrandt's art. The text also explores the status of the different classes of women in 17th-century Holland, showing that because the reputations of chaste women were highly valued, it was probably the prostitutes who served as the nude models for Dutch artists. A discussion of the clothing shown in the portraits concludes that many of the fanciful costumes were taken from a vocabulary of dress borrowed from previous periods in art history such as the Italian Renaissance with its velvets, brocades, and fitted bodices. Beautiful reproductions accompany scholarly catalog entries on each artwork in the exhibition. Recommended for all art collections. Sandra Rothenberg, Framingham State Coll. Lib., MA
Copyright 2001 Reed Business Information, Inc.

From the Publisher
The book features 140 superb works drawn from the finest collections in the world -- sketches of women eomplyed in household chores, mothers with babies and toddlers, paintings of smiling servant girls and wizened old women, studies of the female nude, pictures of goddesses and historical heroines, and his little known erotic prints. It traces how mother, wife, mistress, maid, and models appear in compositions, and follows how, throughout his life, Rembrandt combined classical and northern traditions, the personal and the universal, with an extraordinary breadth of vision in his depiction of womankind. The essays by major Rembrandt scholars discuss the painter's biography in relation to the portrayal of women in his household; the social position of women in Rembrandt's time, the artistic context of Rembrandt's nudes; the identity of women who modelled for artist's in 17th century Holland; the significance of costume and jewellry in Rembrandt's images, eroticism in Rembrandt's works, and responses to Rembrandt's portrayal of women of later artists through the 18th and 19th centuries up through Picasso.

Customer Reviews

An excellent collection.
This book is by far the most complete collection of drawings and paintings of women by Rembrandt. Very well-written and organized, the book reveals how Rembrandt perceived and expressed the beauty of the female body. Interestingly enough, Rembrandt went above the common practice of his time, that is the use of "goddess-like" proportion in painting females. At one time considered hideous by his contemporaries, Rembrandt's paintings of women are among the most beautiful, earthly, and sensual. Each painting reproduction is so vivid; readers who understand the process of painting by the Old Masters can somewhat picture how ingenius effects may have done just by looking into these plates.

A must-have for any art lover!