Product Description

Wassily Kandinsky was undoubtedly one of the most exciting artists of the twentieth century. He brought an equal passion and commitment to his work as a painter, a theoretician and a teacher of art. After conventional beginnings in Munich, he devoted his intellectual and artistic energies to pioneering new dimensions of expression in art. He ultimately arrived at an abstract style of painting based on the inner properties of colour and form. Although Kandinsky may not be the first truly abstract artist, he was nevertheless the first to experiment with non-representational forms in a logical manner and to develop out of them a homogeneous style. His writings on art, including his ground-breaking work "On the Spiritual in Art", have lost none of their significance, and the Compositions which caused such a furore at the first Blaue Reiter exhibition in 1911 are full of the same dazzling power and modernity today.

Product Details

• Amazon Sales Rank: #345426 in Books
• Published on: 2007-07-01
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 199 pages

About the Author
Ulrike Becks-Malorny studied free painting in Geneva and art history in Bochum, Germany. Since gaining her doctorate in 1990, she has worked as an exhibition organizer and freelance author.

Customer Reviews

The power of art!
"The artwork is composed of two elements. The inner and the outer. The inner element, regarded individually, is the emotion that feels the artist' s soul . That emotion is capable to provoke a parallel emotion in the spectator. Generally, while the soul remains bounded to body, only the vibrations will be able to be attracted though the sensation. Hence, the sensation is a bridge from the materialness toward material (artist) and vice versa (spectator). Emotion-Sensation-Work-Sensation- Emotion." (Wassily Kandinsky)

Wassili Kandinski represents by far, one of the highest peaks in what concerns the reinvention and redefinition of art, deeply worried about Theosophy, inaugurated several artistic movements in pursuit of new forms of expression. Indeed, his memories from Moscow, his unforgettable impressions from the childhood, generated a vigorous inner creator impulse that would become a true driving force.

The text describes with zealous detail, his metamorphoses in Munich since 1896 to 1911, his decisive meet with Gabriele Munter, his settlement in Murnau, as well as his breakthrough toward the abstraction "The blue rider" his interlude in Russia 1914-1921, his fruitful period in Bauhaus 1922-1933 until his last stage: the bio-morph abstraction in Paris 1934-1944.

That febrile disposition respect the perpetual innovation, the same fact he could live in worlds so opposite (October 1917, respect the new tendencies of Paris and Munich as gravity centers of fevered proposals), the sharp contrast between tradition and innovation, the breakthrough of so many paradigms, the Fauvism, Cubism, Impressionism, Constructivism, enlivened in his soul the imperious necessity to transcend the Halls of his art and thence, his concerns for publishing and divulgating his standpoints.

His life was a worthy example of Camus statement. "To create is to live twice" and this book provides of a very ordered sequence, every one of his different stages of transformation.

Highly recommended.

jammed packed
Ulrike Becks-Malorny has brought recent perspectives on Kandinsky's career to further light with this new biography.

The density of the layout is phenomenal: so much is crammed into this volume it is almost unbelievable. It includes many plates in colour and numerous documentary photographs.

The handsome large format paperback begins with his artistic life in Munich, in the process showing many of his earliest impressionist, fauvist and folk inspired paintings, photographs and sketches, lino- and woodcuts, etchings and drawings never seen before.

Most illustrations are captioned with insightful comments about the work and matters of relevant historic interest.

It also shows how his work developed in dialogue with other artists, architects and musicians of his era, especially the Jugendstil artists, Gabriele Munter and other Blaue Reiter painters, Paul Klee, Adolf Hoelzel, Kasimir Malevich and Alexander Rodchenko.

My only problem with the book is in the non-justified text and choice of font in Times Roman, which in this particular leading, is not the easiest typeface to scan these days.

Kadinsky
The book was received timely and in good condition. I am enjoying the art work. The book is verything I expected to be, very abstract.