Product Details
Open City

Open City
Directed by Roberto Rossellini

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Product Description

The stars play an impoverished mother-to-be and a parish priest whose loyalties are tested by the sinister German forces that occupy their homeland during World War II.


Product Details

  • Amazon Sales Rank: #43918 in DVD
  • Brand: Image Entertainment
  • Released on: 1997-11-05
  • Rating: NR (Not Rated)
  • Aspect ratio: 1.33:1
  • Formats: AC-3, Black & White, DVD, NTSC
  • Original language: Italian
  • Subtitled in: English
  • Number of discs: 1
  • Running time: 100 minutes

Editorial Reviews

Amazon.com
The Allies had barely driven the Nazis out of Rome when Roberto Rosselini went to work on Open City, considered by most to be his greatest work. Shot on bits and short ends of scavenged film, this film helped define Italian neorealism. Audiences were convinced that the actors were all amateurs (they weren't) and the whole film was improvised (it wasn't; the three screenwriters included Federico Fellini). With its semidocumentary camera style and use of actual locations, the film does feel very real. Of course, so does the opening half-hour of Saving Private Ryan, and like that film Open City is at its heart a classic war yarn any Hollywood studio would feel at home with. The story involves members of the Italian underground trying to smuggle badly needed cash out of Nazi-occupied Rome to partisan fighters in the mountains, while the Nazis are hunting down one of the underground, a notorious freedom fighter and seditionist. Anna Magnani (an actor well established in her own country who became an international star with this film) is often singled out for her portrayal as the pregnant, unwed woman who gets caught up in the action on her wedding day, but the entire cast is topnotch. The sparse subtitles are both a blessing and a curse--there is less to read, which allows the viewer to concentrate on the visuals, but there are times when non-Italian-speakers will feel like they're missing out on some juicy dialogue. --Geof Miller


Customer Reviews

great film ruined by bad transfer2
I agree with most of reviewer here that Roberto Rossellini's Open City is a great film - ground-breaking work that is yet entertaining in the most simple way. However, it appears that most of the reviewers refer to the VHS version. I bought this DVD the moment I heard that it was on DVD, and am much disappointed. Overall transfer is substandard, subtitles miss a bulk of dialogues, and most of all, there is at least one missing shot that I noticed in this transfer (It is the famous shot in which the resistant is being tortured by blowtorch). I had VHS released by Connoisseur, which is superior to this DVD on every level.

So buy VHS or better yet tell Image to restore this gem.

So dark, and so brilliant.5
I wonder about some complaints over this DVD. The transfer is fine - it's an old, black-and-white film and for all that looks pretty darn good. Less than 5% of the dialogue is untranslated in subtitles, and as an Italian speaker I can tell you what's left out is insignificant chit chat.

See it for the fine performances, the achievement of its making, and for the history it portrays.

In the smallest list of the greatest films of all time5
Open City is generally considered to be in the top ten films of all time in terms of historical cinematic importance, stylistic achievement, and emotional power. It established the modern film, using available light, actual settings and a mix of theatrical and non-theatrical actors. Its musical score is breathtaking. It remains the first modern film, the first Italian neo-realist film, and possibly the most powerful film ever made. I have seen it three times in a theatre. Each time, virtually the entire audience was overwhelmed, sobbing uncontrolably at the end of the picture.

There has been so much written about this picture, I will only mention a few details. It was shot in Rome using captured German newsreal film as the Nazis left town. (Which is the reason the film quality bounces around as the differing film stocks were used.) When Ingrid Bergman saw the picture, she fell in love with the director she had never met, left her husband, flew to Italy, and married Rossellini.

There are too many great scenes to list. Let me just say that the near-final scene when the little priest damns the German officer and then apologizes to God is, for me, the single greatest moment in film.

Open City should be seen and owned by anyone interested in the movies.