Product Description

Based on the best-selling book -- now experience for yourself the erotic tale of forbidden love that seduced both critics and audiences nationwide! Tita and Pedro are passionately in love. But their love is forbidden by an ancient family tradition. To be near Tita, Pedro marries her sister. And Tita, as the family cook, expresses her passion for Pedro through preparing delectable dishes. Now, in Tita's kitchen, ordinary spices become a recipe for passion. Her creations bring on tears of longing, heated desire, or chronic pain -- while Tita and Pedro wait for the moment to fulfill their most hidden pleasures!

Product Details

• Amazon Sales Rank: #2936 in DVD
• Brand: BUENA VISTA HOME VIDEO
• Released on: 2000-03-14
• Rating: R (Restricted)
• Aspect ratio: 1.85:1
• Formats: Color, DVD, Letterboxed, Subtitled, Widescreen, NTSC
• Original language: Spanish
• Subtitled in: English
• Dubbed in: English
• Number of discs: 1
• Running time: 105 minutes

Amazon.com essential video
Expect to be very hungry (and perhaps amorous) after watching this contemporary classic in the small genre of food movies that includes Babette's Feast and Big Night. Director Alfonso Arau (A Walk in the Clouds), adapting a novel by his former wife, Laura Esquivel, tells the story of a young woman (Lumi Cavazos) who learns to suppress her passions under the eye of a stern mother, but channels them into her cooking. The result is a steady stream of cuisine so delicious as to be an almost erotic experience for those lucky enough to have a bite. The film's quotient of magic realism feels a little stock, but the story line is good and Arau's affinity for the sensuality of food (and of nature) is sublime. You might want to rush off to a good Mexican restaurant afterward, but that's a good thing. --Tom Keogh

From The New Yorker
Alfonso Arau's sticky, lusty, and rather ludicrous movie is set on a Mexican ranch in 1910. The head of the family is the unyielding Mama Elena (Regina Torné), who determines the destinies of her three daughters. The youngest, Tita (Lumi Cavazos), must stay at home and never marry. Needless to say, she promptly falls in love. It's the old story, passions trying to burst through the shell of repression, and it infects the rest of the film: well-behaved wedding guests suddenly grow weepy or horny, and the old social order is menaced by bands of roaming revolutionaries. But what should be a struggle turns into a giggle; Arau's style loses its balance, swooning into endless closeups of damp brows and heaving bosoms. Just in case we miss the point, there's also a persistent voice-over designed to boil our blood ("voluptuously, ardently fragrant and utterly sensual"). The plot is full of cookery, but it's an overloaded metaphor; the kitchen stands for the bedroom, and that's that. There's none of the patient, civilizing artistry that we saw in the cooking scenes of "Babette's Feast." Scripted by Laura Esquivel from her own novel, the movie feels like second-hand Magic Realism: it takes a shortcut to weirdness without hooking into anything substantial. This peaks at the end, when a couple makes love inside what appears to be a giant barbecue. Some like it hot, sure, but this hot? In Spanish. -Anthony Lane
Copyright © 2006 The New Yorker

Customer Reviews

Where's the Rest of the Film?
The movie on its own (like the book) is imaginative and very good and -- at least with the Spanish language soundtrack -- I would rate it between four and five stars. I have only given the DVD two stars, however, (and that is being generous), because approximately one-sixth of the film (18 of its original 123 minutes) has been inexplicably cut, leaving a sadly truncated 105-minute version. It is unclear why Buena Vista Home Entertainment chose to delete nearly a sixth of the film, but even if they believed that a shorter version would appeal to a wider audience (maybe, maybe not), it is unforgivable that they did not include the missing footage as "deleted scenes" so that those who wanted to see the entire film would be able to do so. This is simply too big a cut for buyers to accept (even at this rather attractive price). Rather than pay for a film that has been so badly butchered (the only worse case I know of is the Region 2 (European) version of "The Big Country," from which nearly an hour was cut, for reasons no one can explain), I will avoid buying this film on DVD until Buena Vista provides a "Collector's" or "Director's Cut" version that restores the film -- one way or another -- to its full original length.

THE MAGICAL AND MYSTICAL PROPERTIES OF FOOD...
This film is a feast for the eyes. Based upon the best selling novela of the same name by Laura Esquivel, who also wrote the screenplay, the film successfully captures this tale of forbidden love. Well directed by Laura Esquivel's husband, Alfonso Arau (The Magnificent Ambersons, A Walk In the Clouds), the cast delivers wonderful performances in this mystical tale.

During the early twentieth century in Mexico, just south of the border, a girl catches the eye of boy. A number of years later, the boy, Pedro, now a young man, speaks to the girl, Tita, now a young woman, and declares his heartfelt, passionate love for her. Pedro (Marco Leonardi) wants Tita (Lumi Cavazos) to marry him.

He and his father meet with Tita's mother, Elena (Regina Torne), and ask if she would give her consent to a union between Pedro and Tita, Elena's youngest daughter. Elena forbids such a marriage to take place, as it is an unbroken family tradition that the youngest daughter remain single, so that she may take care of her mother until the mother dies. Such is the destiny of Tita. Elena, instead, cruelly offers to have her oldest daughter, Rosaura (Yareli Arizmendi), marry Pedro.

Surprisingly, Pedro agrees to marry Rosaura, his twisted logic being that this is the only way he can be close to Tita. Thus, begins an untenable situation. Tita, forced by her selfish, harridan of a mother to prepare the wedding feast for Rosaura and Pedro, begins a lifelong sublimation of her passion and emotions with food. Its mystical properties become self evident in the expert hands of Tita, as she becomes a superlative cook. She has the ability to imbue the food that she prepares with the fervor and feelings, both good and bad, that she dare not express. Her love, her pain, her passion is evident in every delightful and delicious dish that she creates, and her feelings manifest themselves in those who ingest her meals.

This is a glorious film about love, filled with mystical, magical, and supernatural portents. Sensual and evocative, it details the road that Tita and Pedro must travel before their journey is complete. Wonderfully acted and beautifully told, theirs is a story that will long linger in the mind of the viewer. Awash in amber tones, the brilliant cinematography contributes to the mystical properties of this film. Sumptuous and surreal, it is a feast for the eyes and not to be missed. Bravo!

The DVD offers clear visuals and great sound. It does not offer much in the way of special features. Watch it in the original Spanish with English subtitles in order to retain the intended flavor of this superlative film.

Mas profundo que las palabras
"Como agua para chocolate" truly takes Laura Esquivel's emotional and magical story and brings it to life. Taking the romance of "Romeo and Juliet" and combining it with the magic from "Cinderella", "Como agua para chocolate" includes 'ingredients' for almost any viewer. With the film's predominantly female cast along with the kitchen as the main setting, many often assume that this film only pleases a female audience. However, anyone searching for a multisensory experience. in which taste, smell and touch seem to become possible, should rent this movie. Even those who are unable to understand the words, whether they be in english or spanish, will never feel left out during this film. The director's interpretation of color, ilumination and angles, along with the actors' facial expressions and body language, is what truly make this film magical. Esquivel succeeds in her novel by making a reader savor each one of her words and descriptions, and this adaptation, even without the words, allows its audience to savor and experience the same themes of unconditional love, struggle and liberation. Scenes of passion and frustration, of sadness and sheer relief, only add to the film's ability to reach out and become a story of our very own. From the first moment when the narrator talks to us while peeling an onion, we are invited into Tita's kitchen and asked to join this family on a journey. The only problem is being able to leave Mama Elena's ranch at the end of the film and return to 'reality.' "Como agua para chocolate" is truly HOT, and anyone who finishes this film without being entertained as well as emotionally satisfied has not taken in the whole experience that this film has to offer.