Product Description

When Bess, a naive young woman, marries Jan, a handsome oil-rig worker, she experiences passion and physical pleasure that she never imagined. Their bliss is cut short when an accident on the rig leaves Jan paralyzed. Believing he will never make love to Bess again, he tells her to take other lovers, convincing her that this will help his recovery. Bess is sent spiraling into a world of dark emotions she cannot understand

Product Details

• Amazon Sales Rank: #43956 in DVD
• Released on: 2000-07-25
• Rating: R (Restricted)
• Aspect ratio: 1.85:1
• Formats: Color, DVD, Letterboxed, NTSC
• Original language: English
• Number of discs: 1
• Running time: 152 minutes

Amazon.com
Set in an unmercifully rugged, coastal village in Scotland in the 1970s, this extraordinary film by Lars von Trier stars British actress Emily Watson as a barely contained naive named Bess, who holds regular conversations with God and whose pure and intensely personal faith is hardly tolerated by the gruesome Calvinist elders of her church. Bess marries an oil-rig worker (Stellan Skarsgard) and comes to believe that erotic discovery is a part of God's grand plan. But after her spouse is hurt in an accident, she decides that divine instruction is leading her toward the life of a prostitute--with disastrous but somehow beautiful results. Von Trier (The Kingdom) has made a wonderful, entirely unexpected, and rigorous work of discovery in this film, with a formal visual design that recalls classic films by Carl Theodor Dreyer and Robert Bresson. Watson is a phenomenon, her wide-eyed wonder at the world as God's handiwork a breathtaking portrayal of conviction. --Tom Keogh

From The New Yorker
The Danish director Lars von Trier tells the sad story of a devout Scottish girl (Emily Watson) who becomes a whore in order to save the life of her critically ill husband (Stellan SkarsgÅrd). She is, unmistakably, a female Christ figure, and, as von Trier follows her up the steep road to her carnal Calvary, he seems to be rediscovering some forgotten magic formula for art-house success: he gives the highbrow audience precisely what it wanted in the boom years of the fifties and early sixties-nudity plus theology. The erotic-metaphysical hokum would be somewhat easier to take if the picture displayed anything resembling a genuine religious impulse. But von Trier is no Bergman or Dreyer: he's just a peddler of cheap miracles, a wily postmodernist mountebank. Also with Katrin Cartlidge and Adrian Rawlins. -Terrence Rafferty
Copyright © 2006 The New Yorker

Customer Reviews

We do not need bells in our church to worship God.
This is the story about love. Everyday we experience this breathtaking emotion with both inanimate objects and with other souls. It is when we finally find true love that nothing else in the world seems worthy or good. We work as hard as we can to continue this warmth that we feel in our hearts when true love exists, and sometimes that means going to a level we never thought imaginable.

That is the central theme of Lars von Trier's epic, Breaking the Waves. Love has no boundaries as we watch Bess do everything possible (and more) to keep the relationship with her husband together during the roughest of times. Emily Watson controls the character Bess giving her best performance ever. The emotion and serenity that is felt, not only behind the character of Bess, but also behind Watson's eyes is phenomenal. It is not often that Hollywood is able to capture this sort of raw emotion, but Watson pulled it off with incredible talent.

Outside of Watson's character, there is the story. Lars von Trier does a spectacular job of continually building on the foundation that he has begun. Watson is his foundation, and Trier builds this amazing world around her. In this film, everything from talking to God to reverberating stories to her husband while he is in the hospital only helps build the story to even higher heights. I will be honest; I shed tears at the end of this film. It will pull at every heart muscle that you have and really make you look at your significant other and truly feel the power of love.

This is a love story, but not like one we have seen in a very long time. I don't think we will see anything similar to this again. It will be hard for Hollywood to emulate such raw talent, groundbreaking direction, and life-changing story.

Thank you Lars von Trier for your imagination and passion for love.

Grade: ***** out of *****

von Tier's relentless tragedy about faith, loss, and love...
Bess McNeil (Emily Watson) is a naive woman who was brought up in an oppressive environment with patriarchal Christian believes where Christian rules are worshipped above all else. Nonetheless, Bess gets the Church elders approval, after some hesitation, to marry an outsider. This outsider is Jan Nyman (Stellan Skarsgård), an oil rig worker on the North Sea. Bess and Jan are so much in love that Bess declares her love for Jan in the bathroom of their reception by saying "You can love me now!", which leads to Bess loosing her virginity. This is the beginning of her sexual transformation as her love expands for Jan and in appreciation she thanks God for the gift of love that he has given her. However, the honeymoon must come to an end as Jan must return to the oil rig to earn a living. On the oil rig Jan is seriously injured in an accident, which leads the audience into a relentlessly tragic story about faith, loss, and love.

Breaking the Waves is broken up in different chapters and in between the chapters von Tier uses scenic shots that are artistically enhanced. These shots cue the audience on the upcoming chapter as it deals with different issues around Bess and Jan's relationship. The film is shot in a Dogma 95 style that von Tier introduced to the public in 1995, which adds to the realism of the story. In addition, the cast performs brilliantly as they help paint the true vision of Lars von Tier in a brilliant cinematic experience that some will love and some will hate as the story forces the audience to choose a side.

An incredible, deeply moving experience
"Breaking the Waves" is one of the best films I've ever seen -- I have added it to my list of top ten best films ever (right up there with "Citizen Kane" and "The Piano"). It is not for the faint of heart, however, nor is it recommended for those who like their movie endings tied up neatly. The film has stayed with me and continues to raise questions about the nature of faith, the power of religion and community, and the meaning of love. Emily Watson's performance was pure and sincere -- she should have won an Oscar. The breaks between "chapters" filled with great music and breathtaking scenery were an inspired device to give the viewer a necessary breather, a moment to allow the previous scenes to sink in. This movie will stay with me for a very long time. If you liked "The Piano" or "The Rapture," then I strongly recommend "Breaking the Waves."