Track Listing

Disc 1:

1. Lost Train Blues [Instrumental]
2. Railroad Blues [Instrumental]
3. Rye Whiskey
4. Old Joe Clark
5. Beaumont Rag [Instrumental]
6. Texas Oil Fields
7. Greenback Dollar
8. Boll Weevil Blues
9. So Long (It's Been Good to Know Yuh)
10. Talking Dust Bowl Blues
11. Do-Re-Mi

Disc 2:

1. Hard Times
2. Pretty Boy Floyd
3. They Laid Jesus Christ in His Grave
4. Jolly Banker
5. I Ain't Got No Home
6. Dirty Overhalls
7. Chain Around My Leg
8. Worried Man Blues
9. Lonesome Valley
10. Walking Down That Railroad Line

Disc 3:

1. Going Down the Road Feeling Bad
2. Dust Storm Disaster
3. Foggy Mountain Top
4. Dust Pneumonia Blues
5. California Blues
6. Dust Bowl Refugee
7. Will Rogers Highway
8. Los Angeles New Year's Flood

Product Details

• Amazon Sales Rank: #1306135 in Music
• Released on: 1994-01-03
• Format: Box set

Amazon.com essential recording
In was in March 1940 that Alan Lomax, then a young folklorist at the Library of Congress in Washington, D.C., brought Woody Guthrie into a recording studio at the Department of the Interior. What emerged from three days of sessions is one of the purest documents of Americana ever released. Originally appearing as a three-LP set, this collection of "songs and conversation" features Guthrie classics such as "Do Re Mi," "Pretty Boy Floyd," "They Laid Jesus Christ in His Grave," and "I Ain't Got No Home." Interspersed are autobiographical reminiscences of his boyhood in Oklahoma and his freight-train-riding hobo days as well as his biting, wry observations of the effects on the common man of everything from the Depression to crooked politicians. That the U.S. government paid for this is as ironic as it is miraculous. --Billy Altman

Customer Reviews

Fascinating for folk lovers
It's one thing to hear Woody Guthrie perform his songs. His impromptu style (wherein he delays a few entries while he plays, seemingly because he's forgotten the words for a bit) belies his genius...or maybe even showcases it. Guthrie is one of a handful of musicians who can compose music--and perform it--on a moment's notice. If you're interested in this work, though, understand that the other aspect you get here is some detailed interviewing by folklorist Alan Lomax--which sets this recording apart. I myself stared at the speakers like radio listeners of the '20s and '30s, transfixed, like I was listening to stories told to me from a spiritual grandfather I never had known. His stories are alternately hilarious, wise, painful, and tragic--and utterly fascinating. The recording is not the best. The third CD in particular wavers due to an unevenly played vinyl or wax record, from which this set was recorded. However, the whole set does full justice to an American genius and an underappreciated musician. (Also recommended, if you enjoy these recordings: Bound for Glory, Guthrie's incredible autobiography.)

Library of Congress Recordings
I have owned these recordings for nearly five years and I have yet to grow tired of hearing Woody speak and sing. While the recordings document his music, they also illuminate a significant moment in American history. Woody Guthrie both witnessed and validated the myth propogated by Steinbeck in "The Grapes of Wrath." Gurthrie's commentary is as rich with red politics as his music; and while he speaks without pretention, his ideas are sophisticated and his deliverery is calculated and genius. I have probably listened to these recordings a hundred times, each time another layer of Woody's mind and era is exposed.

I would NOT begin with this set
As a historical document, indispensable. Woody's first recordings! As a listening experience, sometimes a little tough going, sometimes even frustrating. Poor micorphone placement compromises clarity of Woody's voice, both speech and singing. Sometimes a bad room echo obscures it even more, Woody doesn't always seem to be next to the microphone. Sound levels not adjusted when he's speaking as opposed to blowing harp and stumming away. Etc.

These also are much looser performances than "Dust Bowl Ballads" (his seminal album, recorded a month after this Library Of Congress recording) or the amazing 1944-49 recordings for Mose Asch (the Asch Recordings box set)-Woody is mellow and laid back, frequently blows guitar chord changes to some of his best songs....no big deal! We still love him! But the versions of most songs are better on "Dust Bowl Ballads" (exception: Talkin' Dust Bowl) and especially the Moe Asch recordings (which is what I recommend starting out with). It's great-fascinating-hearing long extended conversations with Woody Guthrie and Alan Lomax (even though it's not exactly loose conversation....it was intended to be broadcast as a radio series) It's conversational.....long and drawling. It's beautiful. Woody suddenly and unexpectedly describing his childhood tragedies is riveting.

Three discs of loose version of song, followed by 5 minutes of conversation-sometimes it requires concentrated attention to really get the most out of. Sometimes Alan himself joins in and sings with Woody.....it's that loose.

If you've never gotten the Asch Recordings four disc set, that's the one I'd start with, unbelievable. All 4 discs are indispensable. Woody with Cisco Houston is one of musics great rewards, and he's on a lot of that set. Add to that the equally indispensable Dust Bowl Ballads and you have the absolute essential Woody Guthrie. After you've got those two under your belt, then I would pick up these Library of Congress recordings, I place it as number 3.

A side note, Woody's harp playing is beautiful, I never see anyone mention that.

Also, you can't program out the interviews So each track starts with a song and has up to 6 minutes of conversation.

PS-I hope this doesn't sound like a bad review, because it's not! It's an amazing documentary.