Maramaros: The Lost Jewish Music of Transylvania
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Average customer review:Track Listing
- Khosid Wedding Dances
- Rooster Is Crowing
- Dance from Máramaros
- Lamenting Song
- Ane Maamin
- I Have Just Come from Gyula
- Farewell to Shabbat
- Jewish Dance from Szászrégen
- Hat a Jid a Wejbele
- Jewish Csardás Series from Szék
- Khosid Dance
- Greeting of the Bride
- Haneros Halelu
- Farewell to the Guests
Product Details
- Amazon Sales Rank: #38593 in Music
- Released on: 1993-05-04
- Number of discs: 1
Customer Reviews
Beautiful music, not all of it "lost"
This is a fine performance of some beautiful Old World Jewish melodies. As the very complete liner notes explain, most Eastern European musicians in the pre-Holocaust world knew both Jewish and non-Jewish music, because they would play at all kinds of events for both communities. Sadly, the Jewish musicians who played this music perished in the Holocaust, but the music was remembered by non-Jewish musicians and later collected. Hence the reference to "lost" music. However, some of it is not really as "lost" as the notes imply. For example, "Ani Maamin" is well-known among Jews in the USA and is almost always sung at Holocaust Remembrance Day services. The words (not sung here -- the CD is instrumental) are from Maimonides (12th century) and the tune is attributed to the Breslover Hasidim, whose 18th-century Rebbe, Nachman of Breslov, taught them never to despair under any circumstances. Because of this theme, the tune later became popular in the concentration camps and among the resistance fighters. Hence the current association with the Holocaust.
There are other pieces on this CD that I've heard at Jewish weddings, long before this CD came out. In short, the music may have been lost in Eastern Europe, but much of it had already crossed the Atlantic before the Holocaust. I found myself wondering if the ethnographers who collected this were familiar with the American Jewish community. Nevertheless, what makes this CD special is the performance itself, which is based on the Hungarian/gypsy style, rather than the "Americanized" versions. It's definitely worth buying.
Transylvanian Klezmer 2
When you first hear the first notes of Maramaros, The Lost Jewish Music of Transylvania, you are in for in for some treat. This is no ordinary klezmer music. The album features Hungarian Jewish music once thought lost, but reconstructed here with the help of material collected in the 1940's, and from two Hungarian Gypsy musicians familiar with this music.
Both Gheorghe Covaci, lead violinist of Farkasrev, and Arpad Toni, a virtuoso cimbalom player, played for Jews before the War. They are featured on this album leading most of the songs accompanied by Muszicas on bass, guitar, and violin. The performances are excellent throughout the album. Most are instrumental pieces, with the exception of two, and Marta Sebestyen provides vocals on those.
The liner notes for this CD were written by Judit Frigyesi, and are very informative containing history, personal anecdotes, and a very technical section on Jewish music theory. If you like Hungarian folk music, "old-time" klezmer, and/or are curious about an aspect of Hungarian/Romanian Jewish music and culture that has disappeared since World War II and Communism, then this album comes highly recommended. rkchin. http://www.nychinatown.org
Musical Archaeology
This is the closest we can get to musical archaeology. The Muzsikas Ensemble did a marvelous work, researching the remnants of a dead culture. But, even if you consider its musical quality only, this record still stands on highest ground. The music, rhythm, the voice of Marta Sebestyen... This is the kind of CD you'll like the first time you hear. I do highly recommend it.
(And yes, the theme of 'The English Patient' is there also. It is an old Yiddish prayer).




