Product Details
ABBA - Gold: Greatest Hits

ABBA - Gold: Greatest Hits
ABBA

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Track Listing

  1. Dancing Queen
  2. Knowing Me, Knowing You
  3. Take a Chance on Me
  4. Mamma Mia
  5. Lay All Your Love on Me
  6. Super Trouper
  7. I Have a Dream
  8. Winner Takes It All
  9. Money, Money, Money
  10. S.O.S.
  11. Chiquitita
  12. Fernando
  13. Voulez-Vous
  14. Gimme! Gimme! Gimme! (A Man After Midnight)
  15. Does Your Mother Know
  16. One of Us
  17. Name of the Game
  18. Thank You for the Music
  19. Waterloo

Product Details

  • Amazon Sales Rank: #88 in Music
  • Published on: 1999
  • Released on: 1993-09-21
  • Number of discs: 1

Editorial Reviews

Amazon.com essential recording
Anyone looking for the key to Abba's enduring appeal should look no further than "Voulez Vous" and "Gimme! Gimme! Gimme! (A Man After Midnight)" for their answer. There was an innocence to the Swedish quartet, even when they were singing about one-night stands and the invitations to them. Gold establishes that the band, while appreciated as campy, were actually multifaceted in their execution. "S.O.S." has a raw urgency in its chorus, and "Does Your Mother Know" draws its energy from classic '50s rock & roll. Likewise, you don't have to be Priscilla to swoon over "Mamma Mia" or "Dancing Queen." And when it comes to drama, those soaring vocals on "The Winner Takes It All" turn the song into a bitter anthem of every relationship that has ever fallen apart. The much-covered "Lay All Your Love on Me" is practically epic. --Steve Gdula


Customer Reviews

Songs You Didnt Know You Liked...The ABBA Enigma4
I was in high school when most of ABBA's work was originally released. At that time, no one considered cool would have admitted to enjoying stuff like this. All the cool people I knew were listening to Lynyrd Skynrd and Bachman Turner Overdrive. Now, all these years later, it is at last safe for me to admit I love these songs.

There is a whole new generation of kids listening (or perhaps pretending not to listen) to ABBA's music as interpreted by the new Swedish group, the A-Teens. I must say, I'll have to stick with these originals. If you think you need only one silly seventies pop-dance album, this may be the one for you.

Most of ABBA's songs are syrupy sweet with a dance-able swaying thump in the background, ala Dancing Queen, Fernando, Knowing Me, Knowing You. I love them all. I can never quite decide whether these are smirky camp or absolutely serious, but perhaps that is part of the appeal. The enigma of ABBA.

What surprised me, revisiting some of the early songs, like SOS and Waterloo, is the almost rock and roll feel. The beat is harder and faster before the group went completely disco.

Still, I think if ABBA has a live-forever pop classic, it has to be Dancing Queen, which has pride of place here as the first track. This really sums up everything you need to know about Pop.

Uncool? Not anymore!5
I also was in Jr. High School and High School when Abba was cranking out top 10 hits. In those days I snuck into the record shop and hid my Abba albums under the cover of Led Zeppelin and then ditched the Zeppelin at the check out counter. It was imperative to hide your face while purchasing Abba albums. They were that uncool. To admit you loved Abba in geometry class was to court disaster and be ostracized for the rest of your life.

Such nonsense mattered as a 14 year old, now I can openly say Abba's music is wonderful and their arrangements were as innovative as anything coming out of the 70's. It is simply impossible to listen to Dancing Queen or Take a Chance on Me and not want to hear the songs again and again. The vocal intricacies on Take a Chance are equal to the harmonies on most Beach Boys records. How about Waterloo? Three minutes of the most pulsing, catchy music ever put on a disc.

Abba's music sounds better today than it ever did, particularly when you know what dreck was produced by other bands in the intervening years. They might not have been Dylanesque lyrically, but few have ever written songs with such clever hooks, bridges and infectious rhythm. Thirty years after the fact, the impossible has happened: Abba has finally become cool!

ABBA Platinum5
Gold is an impressive and valuable mineral. But the most impressive and enduring of all is platinum and for that reason alone, this album should be retitled for future editions.

It is almost superfluous trying to review a body of the "greatest" work from arguably the best pop-act the music world has ever known. How do you evaluate a collection of songs that has seeped into the consciousness of pretty much anyone who was around in the mid to late 70's and which continues to impress even the most cynical music listener today?

The best that you can do is merely to remember the exhiliration on first hearing the soaring strings and harmonies of "Dancing Queen" and not quite believing a song could sound so beautiful. Or to recall the moment you thought you might stop breathing as you listened to the aching resignation and almost gorgeous pain in "The Winner Takes it all". Or to decribe the marvel when you first recognised the maturity and balance contained in the mini-opus "The name of the game". Or maybe to smile at the day you knew you had died and gone to pop heaven whilst being serenaded with the delightful suggestiveness of "If you change your mind, I'm the first in line, Honey I'm still free, take a chance on me". And I could go on in similar vein with and each and every one of the remaining tracks.

"ABBA Gold" is a only a sample of music that has transcended time and genres and (now it can be said) generations. A souvenir if you like of the joy and fun and the sheer brilliance of being alive which was contained in just about all of ABBA's 3 to 4 minute pop gems.

Hyperbole and exaggeration? Maybe. But the fact remains that ABBA's music and genius continues to impress people and critics all over the world with its timeless simplicity and complexity, its technical brilliance and a mastery of that most essential element of all great songs - the "hook". Add to that the glorious sounds of Agnetha and Frida harmonising together (every time) and you know that ABBA will never be bettered.

The real point to buying this album is not to be reminded of the days when a pop song could be equally sublime and fun nor to confirm in one sitting that ABBA were (and are) the absolute masters of songwriting and singing the perfect tune. The real point of this collection should be to lead you to discover the wealth of treasures contained in ABBA's lesser known albums and album tracks.