Track Listing

1. Tiny Dancer
2. Levon
3. Razor Face
4. Madman Across the Water
5. Indian Sunset
6. Holiday Inn
7. Rotten Peaches
8. All the Nasties
9. Goodbye

Product Details

• Amazon Sales Rank: #3954 in Music
• Released on: 1996-05-14
• Number of discs: 1
• Formats: Original recording reissued, Original recording remastered
• Dimensions: .22 pounds

Album Description
Japanese-only SHM-CD (Super High Material CD) paper sleeve pressing of this classic album from the British singer/songwriter and entertainer, originally released in 1971. SHM-CDs can be played on any audio player and delivers unbelievably high-quality sound. You won't believe it's the same CD! Universal. 2008.

Amazon.com essential recording
Named for a cut that originally appeared on his Tumbleweed Connection album, Madman Across the Water yielded some of Elton John's earliest AOR staples. "Tiny Dancer," like the previous "Your Song," was introduced and carried by John's masterful piano composition. The song's sense of longing also employed the falsetto chorus that would become as much of a trademark as his costumes. "Levon," another entry into the John/Taupin "ballad of" category, is one of their finest pieces. The orchestration gives the song not only its sense of foreboding, but also its release of tension as the song ends. "Rotten Peaches" became a favorite, as did "Holiday Inn." There's also a different interpretation of the title track than appeared on Tumbleweed Connection. --Steve Gdula

Customer Reviews

Elton's best work
The magical period of 1970-1978 now known as Elton John's "Classic Years" yielded many wonderful albums in a short frame of time. Many people seem to single out "Goodbye Yellow Brick Road" as his best. This may be because of the fact that Sir Elton was at his most popular by that time.

In my opinion, "Madman Across the Water" is his best. Recorded in 1971, it contains some of the most soulful songs Elton John and Bernie Taupin ever created.

Yes, it contains the commercial hits "Tiny Dancer" and "Levon" but unlike some of Elton's late 70s albums, this one goes a bit deeper than that. The title track is a haunting epic that evokes frightening images while leaving a melody in your head that urges to sing along. "All the Nasties" and "Goodbye" also stand out as favorites, but as a whole this album works better than any other EJ recording.

One major reason is the overall sound. On many of the songs, orchestration is used to intensify the emotional anthems to higher levels than a piano will allow. Also, the album gives some room to breathe between the more serious songs like "Indian Sunset" with transitions to more fun songs like "Razorface" and "Rotten Peaches", which are all great tunes in their own right.

This was the album that really got me rolling on my Elton John collection. I would also highly reccommend "Tumbleweed Connection", "Honky Chateau", and "Captain Fantastic and the Brown Dirt Cowboy". But start here. You won't stop.

On a 1 to 5 scale, this is a 10!
In my opinion, Madman Across the Water stands nobly as one of the greatest albums ever recorded. This album, produced at the height of the Elton John/Bernie Taupin frenzy during the early 1970's, is nothing short of a masterpiece. Although this album went platinum, it has not received the same level of historical attention as other Elton John albums. The reason for that escapes me, but suffice it to say that those who own Madman Across the Water have discovered the secret treasures of this album.

This album includes two Elton John hits that you may still hear occasionally on adult radio stations: "Tiny Dancer" and "Levon". While these songs are excellent, they are only the beginning, the first two tracks, on this incredible CD. This album contains what could be my favorite song ever: "Indian Sunset" is an epic, soaring, affective song about the Native American Indian at the time of colonization, and it's unforgettable. The title track is a mesmerizing journey led masterfully by Elton's haunting, intense vocals. (I like this version of "Madman" better than the one on the remastered Tumbleweed Connection because of the embellished instrumentation.) "All The Nasties" and "Goodbye" are equally compelling and representative of how marvelously Elton presents brooding, melancholy, thoughtful melodies. "Holiday Inn", "Razor Face", and "Rotten Peaches" are more upbeat and up tempo, but they follow the pattern of interesting lyrics from Taupin and infectious music and vocals from Elton.

At their peak, Elton John and Bernie Taupin were an unstoppable combination in writing extraordinary music. Madman Across the Water contains some of the best contemporary songwriting ever, and Elton's vocal performance on this disc is superb. For me this album has truly stood the test of time; I like it just as much now as I did when I initially heard it so many years ago. Don't overlook Madman Across the Water; it undoubtedly deserves to be a part of your CD collection.

The Best of Elton's "Serious" Phase.
If you read the reviews for this and other Elton John albums you will notice a definite split in reviewer's opinions. Many people seem to consider Yellow Brick Road his finest work, while others prefer his earlier albums. I place myself firmly in the latter camp. I was a huge fan of Elton John ever since his first major single, "Your Song". I can remember seeing him performing it live on the Andy Williams Show on TV. Originally his music was entirely serious, with none of the outrageous costumes and clowning that later became a trademark of his work.

It was only after being savaged by the critics that he eventually turned into a pop-star parody. His music suffered as a result. In my opinion his early albums, Elton John, Tumbleweed Connection, Madman Across the Water and Honky Chateau were the only 'serious' albums he ever made (with a few exceptions.. sprinkled in over the past 30 years, but they don't compare in quality to those early works.)

There isn't a single weak song on this album. Tiny Dancer, Levon and the Title track are classics. This album has perhaps the most beautiful string arrangements of any of his albums (something that the critics of the time took particular delight in attacking as "pretentious"). If you like beautiful melodies, haunting intelligent lyrics and superbly crafted songs, then give this one a try. His later 'pop-star' phase produced some wonderful music as well, but they lacked the artistic integrity and heartfelt passion of his early masterpieces.