Track Listing

Disc 1:

1. Act One: 'Ave, sera gentile' - Robert Gambill/Chor of the Royal Opr House/Nina Walker
2. Act One: 'L'amor? l'amor?' - Placido Domingo/Robert Gambill/Chor of the Royal Opr House/Nina Walker
3. Act One: 'Tra voi, belle, brune e bionde' - Placido Domingo/Robert Gambill/Chor of the Royal Opr House/Nina Walker
4. Act One: 'Ma bravo!' - Robert Gambill/Chor of the Royal Opr House/Nina Walker
5. Act One: 'Discendono, vediam!' - Robert Gambill/Renato Brusson/Placido Domingo/Chor of the Royal Opr House/Nina Walker
6. Act One: 'Cortese damigella' - Placido Domingo/Mirella Freni/Renato Bruson/George MachPherson
7. Act One: 'Donna non vidi mai' - Placido Domingo
8. Act One: 'La tua ventura ci rassicura' - Robert Gambill/Renato Bruson/George MacPherson/Chor of the Royal Opr House/Nina Walker
9. Act One: 'La tua Proserpina' - Robert Gambill/Placido Domingo
10. Act One: 'Vedete? Io son fedele' - Mirella Freni/Placido Domingo
11. Act One: 'Non c'e piu vino?' - Mirella Freni/Placido Domingo/
12. Act One: 'Cavalli pronti avete?' - Mirella Freni/Kurt Rydl/Roberrt Gambil/Chor of the Royal Opr House/Nina Walker
13. Act Two: 'Dispettosetto questo riccio!' - Mirella Freni/Renato Bruson
14. Act Two: 'In quelle trine morbide' - Mirella Freni
15. Act Two: 'Poiche tu vuoi saper' - Renato Bruson/Mirella Freni
16. Act Two: 'Che ceffi son costor?...Sulla vetta tu del monte' - Renato Bruson/Mirella Freni/Brigitte Fassbaender/Elizabeth Stanford/Iris Saunders/Elizabeth Sikor...
17. Act Two: 'Paga costor!' - Mirella Freni/Renato Bruson
18. Act Two: 'Vi prego, signorina (Minuetto)...L'ora, o Tirsi, e vaga e bella' - John Fryatt/Kurt Rydll/Mirella Freni/Chor of the Royal Opr House/Nina Walker

Disc 2:

1. Act Two: 'Oh, saro la piu bella!...Tu, tu, amore? Tu?' - Mirella Freni/Placido Domingo
2. Act Two: 'Ah!...Affe, madamigella' - Mirella Freni/Kurt Rydll/Placido Domingo
3. Act Two: 'Ah! ah! Liveri!...Ah! Manon, mi tradisce' - Mirella Freni/Placido Domingo
4. Act Two: 'Lescaut? Tu qui?' - Placido Domingo/Mirella Freni/Renato Bruson/Paschal Allen
5. Intermezzo - Intermezzo
6. Act Three: 'Ansia eterna, crudel' - Placido Domingo/Renato Bruson/Mirella Freni
7. Act Three: '...e Kate ripose al Re' - Mark Curtis/Placido Domingo/Mirella Freni
8. Act Three: 'Manon, disperato e il mio prego!' - Placido Domingo/Mirella Freni
9. Act Three: 'All'armi! All'armi!' - Briggte Fassabaender/Renato Bruson/Mirella Freni/Placido Domingo/Mirell Freni/Paschal Allen/...
10. Act Three: 'Rosetta!...Eh! Che aria!' - Paschal Allen/Renato Brusson/Mirella Freni/Placido Domingo/Chor of the Royal Opr House/Nina Walker
11. Act Three: 'Presto! In fila!...No! pazzo son!' - Handel Thomas/Placido Domingo/John Tomlinson/Chor of the Royal Opr House/Nina Walker
12. Act Four: 'Tutta su me ti posa' - Placido Domingo/Mirella Freni
13. Act Four: 'Manon, senti, amor mio...Vedi, son io che piango' - Placido Domingo
14. Act Four: 'Sei tu che piangi?' - Mirella Freni/Placido Domingo
15. Act Four: 'Sola, perduta, abbandonata' - Mirella Freni
16. Act Four: 'Fra le tue braccia, amore' - Mirella Freni/Placido Domingo

Product Details

• Amazon Sales Rank: #135511 in Music
• Released on: 1984-10-18
• Number of discs: 2
• Format: Import

Customer Reviews

Perfection!
This is the GREATEST recording of this wonderful opera, my favorite Puccini. Domingo said, in his biography, that this is the most melodic of all Puccini operas and, indeed, it probably is! The casting is very luxurious.
Mirella Freni was born to play Manon Lescaut and her performances of the lighter Massenet Manon earlier in her career gives her more understanding of the character than anyone else. Her singing is delicate in the opening act, very sweet, and creamy of voice. In the following acts, she vividly responds to the changing character, always developing and growing stronger and stronger until the very dramatic death scene. She really tears up the scene, verismo style and I have one hell of a time listening to it. In my mind, she only had one rival in "voice-acting" and that woman is Beverly Sills. Freni (and Sills) also offer one of the best soprano chest registers that I have ever heard. The dramatic love duet with Domingo gives me shivers.....probably the sexiest piece of composing and singing in all of opera. The following two acts are absolutely heart breaking. Freni gives so much (as does Domingo) that you wonder how she could possibly finish this sort of performance with any voice left. This is truly a magnificent achievement.
Domingo is thrilling in the role of Des Grieux. Like Freni, he was Massenet's hero before he took on this most difficult of Puccini tenor parts. His singing is glorious. Occasional high notes are not always totally comfortable but always thrillingly projected. He is also warm and delicate in the first act, highly provocative and, like Freni, progresses in strength to the end of the work with intensity and drama that, similarly, makes me wonder how he can sustain that level and end in fresh voice!!!!! He is, on high notes, a bit drowned by Freni's voice. Anyone who thinks she has a smaller voice should listen to this. Her top is HUGE and she does not bottom out like the undramatic Te Kanawa. She sings with deep chest tones to match Domingo's ample lower register. I heard her and Domingo in Fedora in Washington D.C and both voices were huge, but Freni's a size larger. She has paced her roles well and developed them as her voice developed. She emerged to be a great spinto-dramatic soprano, having sung almost the entire mainstream, non-Germanic opera throughout her career.
As for Bruson, he is magnificent as Lescaut. He may not project youth as much as Croft in Freni's other recording, but the voice is sheer vocal velvet, the most beautiful baritone voice I have ever heard. It is dark, voluptuous and dramatic. I love this guy! It is sheer luxury to have Fassbaender singing the madrigal in the second act.
As conductor, the late Sinopoli is superlative. His reading is, at time, slower than his rivals, but he brings out the intensity of the score more than any. He knows exactly how to time the drama (as in Tosca) and he pulls breathtaking playing from his orchestra. The Intermezzo is my all time favorite.....perfectly played and judged.
My only qualm is the recording style, not one of the best....at a low volume and sounding rather muffled.
Time to talk turkey: This is the best Manon Lescaut and I doubt anyone will rival it at any time soon. Buy and love it. This is one of my top-two favorite recordings ever. Viva Freni!

A wonderful Manon Lescaut......get it while you still can!
Recordings are not issued forever (unfortunately) so when you see one you like, my advice is to get it. I was here on amazon not very long ago & this recording wasn't even available.

Freni is in top form here as Manon. She sounds yummy & sumptuous. Yet she is also desparate & impassioned in the final acts. She has another ML available, but this one is better for a couple of reasons.

Domingo is an ardent Des Grieux- even though his top notes sound forced & pinched at times. Overall, he sounds as good as he ever did in this recording and there is no doubting his sincere committment to the role.

Renato Bruson is perfect as Manon's brother. His voice is like molten chocolate! :) In the scene after her 2nd act aria where he has a duet with Freni, the singing is wonderful! You feel his concern for his sister & her situation. You can feel her love for Des Grieux. They are believable & they sound great together.

Giuseppe Sinopoli has long been criticized with his irregular conducting tempi. Well, he's right on the money in this one. This is almost a Karajan-like performance of conducting. The orchestra, not a back seat player here, but a vital part of the music- as it should be. The Intermezzo here is the best & most passionate I've ever heard.

Get it while you still can. This is a wonderful version of Puccini's passionate Manon Lescaut. You'll be swept away with the singing & conducting- the best ML I've ever heard.

Not perfect yet, but still the best
There are not many Manon Lescaut good recordings available. Among those, only Levine (DECCA 92) and Serafin (EMI 57) get close to this one, which is arguably the best of them all. Technically perfect, Bruson's Lescaut is the best of the discography. First, his voice is of a great quality, and he uses it with experience and fantasy. You will barely hear such a perfect 'Sei splendida e lucente' like here, and few times you will ever listen to the phrasing of third act so perfectly sung like here, so precisely and with perfect accentuation. Freni and Domingo may not be the perfect couple, but each of them, in their own way, show very attractive approaches to their roles. Freni's sensuality and lirycism relates very well to the Manon of the first two acts. Also, her voice has no limits, and she actually makes no mistakes at all. However, in acts 3 and 4, we miss some tension, more depth of communication. Everything is very well put together, but her role has deeper meanings, as Calas, Olivero or Kabaivanska, other sopranos who interpreted this role, showed. Domingo is well known around the world because his Des Grieux role, joyful at the beginning, desperate at the end. His high pitch, one of Domingo's best qualities, is perfectly used in here. However, he lacks the sincere fire of Björling or Rucker. Sinopoli conducts in detail a very difficult music like this Puccini's opera, showing some genius moments. The orchestra sometimes is too much over the singers, but is overall a very well companion.
By the way, this $85 is an Import CD. I can't find it right now, but a couple of weeks ago I found the same recording here on Amazon for $25. Nobody should spend $85 for a double CD that can be found for a regular price ... In the meantime, you can use the link on top right that says Used and New. While I am writing this review, you can get it new for $27.
Bottomline: This is the best Manon Lescaut recording available, despite some weaknesses. Thanks for reading!
P.S. If you find my review helpful, vote YES (It does not mean you agree. It just means you found it helpful). You can read all my other reviews if you wish to. I modestly write them to help people form an opinion about movies, music and books, but if nobody reads them (if you don't vote I do not know if you did) there is no point in writing them.