Wieniawski: Violin Concertos Nos. 1 & 2
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Average customer review:Product Description
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Genre: Classical Music
Media Format: Compact Disk
Rating:
Release Date: 11-AUG-1992
Track Listing
- Violin Concerto No. 1 in F sharp minor, Op. 14: 1. Allegro moderato
- Violin Concerto No. 1 in F sharp minor, Op. 14: 2. Preghiera. Larghetto
- Violin Concerto No. 1 in F sharp minor, Op. 14: 3. Rondo. Allegro giocoso
- Violin Concerto No. 2 in D minor, Op. 22: Allegro moderato
- Violin Concerto No. 2 in D minor, Op. 22: Romance: Andante non troppo
- Violin Concerto No. 2 in D minor, Op. 22: Allegro con fuoco / Allegro moderato (� la Zingara)
- L�gende, for violin & orchestra (or piano) in G minor, Op. 17
- Zigeunerweisen, for violin & piano (or orchestra) ('Gypsy Airs'), Op. 20
Product Details
- Amazon Sales Rank: #80116 in Music
- Brand: SHAHAM/FOSTER/LONDON
- Released on: 1992-08-11
- Number of discs: 1
- Dimensions: .21 pounds
Editorial Reviews
Amazon.com
Good violin music and good music are not always the same thing, and Wieniawski's violin works are a case in point. Though extremely effectively written for the soloists, in most other departments--orchestration, melodic interest, formal ingenuity--they remain distinctly second-rate, which may be why they seem to have fallen out of favor recently. Given great fiddling, however, they can be made to sound like great music, and Gil Shaham is unquestionably a great fiddler. He glides through the quick music with the ease of an Olympic bobsled champion, and injects real soul into Wieniawski's meditative moments. Sarasate's works offer many of the same strengths and weaknesses as Wieniawski's, and Shaham dispatches the music's numerous technical challenges with similar boldness and zest. There's always room in the catalog for playing that is this accomplished. --David Hurwitz
Customer Reviews
Superb performances of Romantic gems.
I have always loved the 2nd Wieniawski Violin concerto but I did not particularly like the 1st concerto until I heard it played by Gil Shaham in this recording. Now I love both of these concertos. Gil Shaham's performance of the 1st concerto is staggering in virtuosity and intensity but also artistically compelling and tonally gorgeous. I have never heard a performance of the Wieniawski 1st which even approaches this one. Shaham's performances of the more-lyrical 2nd concerto -- and the Legende and Ziegeunerweissen -- are also beautifully played. If you like violin music, please treat yourself to this CD.
He'll Zigeuner your Weisen!!!!
It was this disc that brought me back to the world of Classical music years ago. The rather solemn cover was initially what caught my eye. I knew Wieniawski was a 19th Century virtuoso, but I was not familiar with his music or Gil Shaham. Despite my unfamiliarity, I thought such a solemn looking cover to be a little odd for a virtuoso oriented recording, so I purchased it. As soon as I got it home, I threw it in and it was Epiphany City from there!! Wieniawski, unlike many of his virtuoso violin contemporaries, appeared to have a greater grasp of both composition and melody and how to meld them. That isn't to say that he doesn't "spark" or "smoke" on occasion, I mean, he was a 19th century violin virtuoso in the purest sense!!! However, "sparks" and "smoke" were not the "be all, end all" attributes of his music!!! Nope!! With Wieniawski, all the "spark" and "smoke" was used to enhance his compositions rather than dominate them. The results? You be the judge!!
As for Mr. Shaham, the man's playing above reproach!! Above the stave, the man has no equal!! The guy can hit atmospheric notes that would compel Olympus to crumble at his feet!! What is really fascinating is that he can hang the note for measures on end and not reveal a whisper of a hint that it is coming from a stringed instrument!!! His tone is fat with Hebrew honey and when it comes to shredding, the man can more than comply!!! As the end of Sarasate's Zigeunerweisen will reveal!! Most importantly, he never allows himself to come between the music and the listener; however one can see him in the shadows on occasion! The only downside is that you will feel compelled to obtain all his other recordings at once! Despite this understandable desire, it may be more financially practical to just grab copies of his recordings of the Barber/Korngold and "The Fiddler of the Opera". Both are phenomenal!!
Lawrence Foster and the LSO are exceptional in this endeavor. They provide a sense of spontaneity and respect for the works that don't really accompany Mr. Shaham but rather provide a synergistic relationship with all involved!! By the way, I have come to the opinion that Mr. Foster has to be the greatest friend any violinist could or ever have!!
The sound quality is some of DG's finest!!!
Shaham tops the charts in Wieniawski interpretations
I have listened to the first concerto by Henryk Wieniawski and found it to be somewhat boring and sluggish. This I found out was not because of the music, but because of the player. After I listened to Shaham, I found it extremely exciting from the grandioso tenths to the three-string chords and to the ending. I find that he is the only violinist worth listening to play the first concerto. His second concerto is absolutely superb. Perlman's recording is fantastic but I found much more heart put into the Romance by Shaham. The Allegro con fuoco put fire into my heart when I listened to it. I find that Shaham's playing is so much more cleaner than Perlman and Heifetz and still maintains the fiery speed. The harmonics are just so slick and timed just right. The CD also includes Wieniawski's love song that got him married, Legende, and the ever-so-popular Sarasate piece, Zigeunerweisen. I find that Shaham interprets the Wieniawski concertos the best. Now if only Vengerov can record them...




