Track Listing

Disc 1:

1. Partita for lute in E major, BWV 1006a (BC L171): Prélude
2. Partita for lute in E major, BWV 1006a (BC L171): Loure
3. Partita for lute in E major, BWV 1006a (BC L171): Gavotte en Rondeau
4. Partita for lute in E major, BWV 1006a (BC L171): Menuett
5. Partita for lute in E major, BWV 1006a (BC L171): Bourrée
6. Partita for lute in E major, BWV 1006a (BC L171): Gigue
7. Partita for lute in C minor, BWV 997 (BC L170): Preludio
8. Partita for lute in C minor, BWV 997 (BC L170): Fuga
9. Partita for lute in C minor, BWV 997 (BC L170): Sarabande
10. Partita for lute in C minor, BWV 997 (BC L170): Gigue-Double
11. Suite española No. 1, for piano, Op. 47, B. 7: Granada (Serenata)
12. Suite española No. 1, for piano, Op. 47, B. 7: Cataluna (Curranda)
13. Suite española No. 1, for piano, Op. 47, B. 7: Sevilla (Sevillanas)
14. Suite española No. 1, for piano, Op. 47, B. 7: Cádiz (Cancíon)
15. Suite española No. 1, for piano, Op. 47, B. 7: Cuba (Capricho)

Disc 2:

1. Sonata for keyboard in D major, K. 490 (L. 206)
2. Sonata for keyboard in E minor, K. 292 (L. 24)
3. Sonata for keyboard in E major, K. 380 (L. 23) 'Cortège'
4. Sonata for keyboard in A major, K. 208 (L. 238)
5. Sonata for keyboard in A major, K. 209 (L. 428)
6. Keyboard Sonata in D minor, Boghen 2/9
7. Keyboard Sonata in A major, Boghen2/12
8. Keyboard Sonata in A minor, Boghen 2/3
9. Sonata for violin & guitar in A major, Op. 3/1, MS 27/1
10. Variations on 'Folies d'Espagne', for guitar, Op. 45
11. Sonata for violin & guitar in E minor, Op. 3/6, MS 27/6
12. Gran Sonata Eroica, for guitar in A major, Op. 150: Allegro maestoso
13. Spanish Dances (12), in 4 volumes for piano, Op. 37, H. 142, DLR 1:2: No. 1 Minuetto
14. Spanish Dances (12), in 4 volumes for piano, Op. 37, H. 142, DLR 1:2: No. 5 Andaluza
15. Spanish Dances (12), in 4 volumes for piano, Op. 37, H. 142, DLR 1:2: No. 3 Zarabanda

Disc 3:

1. Spanish Dances (12), in 4 volumes for piano, Op. 37, H. 142, DLR 1:2: No. 4 Villanesca
2. Spanish Dances (12), in 4 volumes for piano, Op. 37, H. 142, DLR 1:2: No. 12 Arabesca
3. Estudio, for guitar No. 7 in E major, A. 235/7
4. Estudio, for guitar No. 3 in D major, A. 235/3
5. Estudio, for guitar No. 5 in C major, A. 235/5
6. Estudio, for guitar No. 12 in A minor, A. 235/12
7. Estudio, for guitar No. 2 in A major, A. 235/2
8. Estudio, for guitar No. 8 in C sharp minor, A. 235/8
9. Estudio, for guitar No. 11 in E minor, A. 235/11
10. Estudio, for guitar No. 1 in E minor, A. 235/1
11. Estudio for guitar No 1
12. Pieces (3) for guitar: No. 1 Largo
13. Pieces (3) for guitar: No. 2 Tranquillo
14. Pieces (3) for guitar: No. 3 Un poco mosso
15. Suite populaire brésilienne (5), for guitar (Brazilian Folk Suite), A. 020: Mazurka-Chôro
16. Suite populaire brésilienne (5), for guitar (Brazilian Folk Suite), A. 020: Schottish-Chôro
17. Suite populaire brésilienne (5), for guitar (Brazilian Folk Suite), A. 020: Valsa-Chôro
18. Suite populaire brésilienne (5), for guitar (Brazilian Folk Suite), A. 020: Gavotta-Chôro
19. Suite populaire brésilienne (5), for guitar (Brazilian Folk Suite), A. 020: Chorinho

Product Details

• Amazon Sales Rank: #15897 in Music
• Released on: 1992-11-04
• Number of discs: 3

Amazon.com
Manuel Barrueco is one of the best guitarists I've ever heard. Listen to his own arrangement of Albeniz's Suite Española and you'll have trouble believing it's only two hands on one guitar. But Barrueco doesn't use his technique to show off. He's a solid musician, as expressive in Bach as in Villa- Lobos. He also makes transcriptions that respect the origins of the music. This is a wide-ranging guitar collection, but all the music is worth hearing, especially in performances like these. The disc is one of the best bargains among all guitar recordings, and Vox's recordings still sound like a guitar. --Leslie Gerber

Customer Reviews

Early in his career, already a great guitarist
I listened so often to Barrueco's version of "Granada" in my early days, that I discovered this charming fact: if you crank the volume way up at the end of the piece, you can actually hear a car horn honk in the background! At least that was true in the LP version, and frankly I'd be a little disappointed if it was cut out in the CD version. This is a lovely set of recordings. The Bach suites are elegant; 20 years ago it was a surprise to hear the lute suites ornamented so thoughtfully. As other commentators have already mentioned, the Albeniz and Granados music really stands out here. Barrueco actually observes the volume markings on such pieces as "Sevilla," playing the opening bars "piano" as marked in the score...a rare thing indeed. This recording was the first to make "Cataluna' a popular guitar piece (Barrueco sounds like Franz Liszt as he thunders through that composition), and the first to play "Cadiz" in the more comfortable key of A. Not surprisingly, his version of Albeniz's "Cuba" is genius. The "Spanish Dances" of Granados are equally a revelation. It was this recording that made Dance #4 a standard performance piece, a lovely folk-song melody. Anyway, this recording is a great bargain, and a good chance to hear a fine artist in his earlier years. Buy it, and see if that distant horn honk is still there during the final seconds of "Granada." I love it when life seeps in through the cracks of our beloved classical world. -Mike Shanahan

nothing better than this
I have had this CD (or parts of it from earlier records) for quiet a while. As a guitar lover and record collector, I judge these performances as the alpha and omega of guitaristic art. They are a world of their own, both in terms of interpretation and instrumental technique.
These recordings are from Manuel's earlier years as a performer. I find him better than on his more recent recordings, where he seems to have lost some youthful enthousiasm.
If you are interested in guitar music, not just the candelight type but prime art, this is the CD that will change your perspectives for ever.

Must have
Sensitive performances of Granados and Albeniz pieces, absolutely flawless and balanced melodies and harmonies. Same for Villa Lobos Etudes: plays as if they were the easiest pieces ever written. Very well recorded, as well.