Product Details
Mario del Monaco: Historical Recordings 1950 - 60

Mario del Monaco: Historical Recordings 1950 - 60
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Track Listing

  1. Pagliacci, opera: Prologo

Product Details

  • Amazon Sales Rank: #106858 in Music
  • Released on: 2000-06-06
  • Number of discs: 1
  • Dimensions: .23 pounds

Customer Reviews

The Biggest Tenor Voice of the 20th century5
Most music scholars and opera cognescentes credit the Italian from Florence Mario Del Monaco to have been blessed with the most powerful and biggest tenor voice in the 20th century. I wouldn't know about in all history, but for all I know, he could have indeed have the biggest tenor voice in history, since in the old days of opera -Baroque Era to the 19th century, purely lyric tenors with only some weight and power- like Caruso, were in vogue. When Monaco came along, he changed the course of tenor performances. He was singing in electrifying performances during the 50's- his career spanned the same time of Maria Callas' legendary performances. He even worked with Callas and Tebaldi in such operas as Norma and Andrea Chenier. Mario Del Monaco's most famous role was Verdi's Otello, still considered the greatest interpretation by any tenor of that role. This album finds him at his peak and he sings aria after aria in powerful, masculine, dynamic and beautiful voice, exemplifying the best way to sing in the Italian manner. Find out for yourself and put on this recording while listening to other tenors singing the same arias at the same time. I have tried it. Monaco's voice is far bigger and meatier than such celebrated tenors as Giuseppe Di Stefano, Franco Corelli, Jon Vickers, Placido Domingo and Luciano Pavoratti. Vickers had a big voice as well but even his voice is thinner next to the hefty voice of Del Monaco. Not only that but Del Monaco was the first real "star" tenor at a time when soprano divas were always the stars. He immersed himself in the roles he sang and brought to life for post-World War II audiences.

This well-documented album showcases Mario's versatility in various Italian operas. The only non-Italian aria here is the last one, Siegfried's Aria and Monologue from Wagner's Die Walkure. But mostly, he sang in Italian as only singers from Germany itself sung in the operas of Strauss and Wagner. Americans or Italian singers sticked to the much beloved Italian repertoire. Monaco shows off his muscular vocal chords in the classic tenor signature aria - Vesti La Giubba from I Pagliacci, made famous by Enrico Caruso. In this aria, Pagliacci, just learning that his lady love Nedda has been unfaithful, is naturally crushed but has to perform that night and adopts a "show must go on" attitude. "Laugh, clown, laugh" is his motto in that aria. Monaco makes that aria more intense than any other tenor that followed him. His Manrico is the perfect vehicle for his heroic bravado technique and his Di Quella Pira is hands down the finest interpretation. Included here are arias from Otello, including the passionate "Esultate!" which soars above a powerful orchestra. Also here are stirring arias from Andrea Chenier and even a delightful rendition of "Largo Al Factotum" from the comic Rossini masterpiece The Barber of Seville. Surprisingly, Monaco does not seem perfect for such a role, since it seems to be vocally beneath him. Del Monaco was too serious and heroic sounding that such comic roles as a barber appeared like an odd stray from the norm. But it also proves his versatility I guess. For me, Mario Del Monaco was at his best in such roles as Manrico from Trovatore, Radames from Aida, Cavaradossi from Tosca (included here) Don Jose in Carmen, which he sung opposite Regina Resnik, Calaf in Turandot and Siegfried as well as Otello. Get this album and hear for yourself the voice that dazzled audiences and the man who is still beloved and talked about by opera lovers to this day.

The music is stellar. Mario is at his peak. 5
I am please to have happened upon this Tenor on you-tube with my grandson. He had heard Vesti La Giiubba from I Pagliacci and asked me what it was. We heard many people sing it on You-Tube and we heard Mario. At that point my grandson was so impressed he as if I could get it for him (he is 14). All the music on this CD is special. Mario is a magnificant tenor and I must say I find his Vesti better then Pavarotti who I dearly love.

Mario del Monaco - Historical Recordings5
Some of the best arias in the operatic world sung by the greatest tenor of all times in these roles. Fabulous singing!