Turn! Turn! Turn!
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Average customer review:Track Listing
- Turn! Turn! Turn! (To Everything There Is a Season)
- It Won't Be Wrong
- Set You Free This Time
- Lay Down Your Weary Tune - The Byrds
- He Was a Friend of Mine
- World Turns All Around Her
- Satisfied Mind
- If You're Gone
- Times They Are A-Changin'
- Wait and See
- Oh, Susannah
- Day Walk (Never Before) [*] - The Byrds
- She Don't Care About Time [Single Version][*]
- Times They Are A-Changin' [First Version][#][*]
- It's All Over Now, Baby Blue [Version One][#][*] - The Byrds
- She Don't Care About Time [Version One][#][*] - The Byrds
- World Turns All Around Her [Alternate Mix][#][*] - The Byrds
- Stranger in a Strange Land [#][*][Instrumental]
Product Details
- Amazon Sales Rank: #33606 in Music
- Brand: Sony
- Released on: 1996-04-30
- Number of discs: 1
- Formats: Original recording reissued, Original recording remastered
- Dimensions: .22 pounds
Editorial Reviews
Amazon.com
Arriving just months after the folk-rock call to arms of their brilliant debut, the Byrds' second album closely follows the same formula, but what a formula: durable American folksongs (from Pete Seeger, Bob Dylan, and even Stephen Foster) and their own strong originals are laced with the band's keening vocal harmonies and chiming guitars in a mix since institutionalized as a perennial rock dialect. With Seeger's classic title song, the Byrds brought Ecclesiastes onto the charts, importing the urban folk movement's social and political consciousness to the pop mainstream. If the album couldn't repeat the revelatory impact of its predecessor, it's still an earful, from Gene Clark's urgent, ardent "It Won't Be Wrong" to Dylan's contemplative "Lay Down Your Weary Tune." Meticulously remastered, this restored version also boasts unreleased tracks and B-sides, including "She Don't Care About Time," noteworthy for a 12-string solo lifted from Bach. --Sam Sutherland
Customer Reviews
Turn! Turn! Turn! -- What A Follow-Up!
What a follow-up! The Byrds only released two albums and a handful of singles with Gene Clark--until a rather abysmal reunion in the early 1970's--but what a couple of albums they are! "Mr. Tambourine Man," their first release, would of course be hailed as one of the penultimate folk-rock records, with the group so aptly adapting the songs of Bob Dylan and Pete Seeger to a radio-friendly audience. Yet, for me, it's not how the group performs the title track or selected covers on that LP, or how they equally master "Lay Down Your Weary Tune," "The Times They Are A-Changin" or Stephen Foster's "Oh! Susannah" on this its sequel, but the quality of their original material, the bulk of which was penned by Gene Clark! Clark's amazing "I'll Feel a Whole Lot Better" has become a rock and roll classic, and "Here Without You" beautifully exemplifies its composer's darker, poetic side on The Byrds' debut recording. With the success of that LP under their belts, the group would appear to offer more of the same with "Turn! Turn! Turn!" but Clark would emerge as an even more powerful force with compositions "Set You Free This Time," "She Don't Care About Time" and the hauntingly brilliant "The World Turns All Around Her!" Lesser known track "If You're Gone" would precede Clark's last songwriting credit on a Byrds recording with "Eight Miles High" on their "Fifth Dimension" LP. With Clark's departure, group members David Crosby and Roger McGuinn would be allowed to spread their wings and soar as celebrities and songwriters in their own right, and Crosby's ultimate departure would likewise permit bassist Chris Hillman to step forward before leaving to form The Flying Burrito Brothers, Souther, Hillman and Furay and the Desert Rose Band, then completing a musical full-circle by again reuniting with Clark and McGuinn for two releases and a brief tour. It having been common practice in the early to mid 1960's for session musicians to play on the company predicted hits, such would be the case with much of "Mr. Tambourine Man," but The Byrds would prove themselves to be competent enough musicians and capable performers that this would not be the case with subsequent releases. I love every line-up that's existed of The Byrds, from Gene Clark to Gram Parsons and John York to Clarence White and Skip Battin, with drummer Gene Parsons himself providing exceptional all-around musicianship and serving as a steadying force while the group forged its way into country-rock after a brief dalliance with psychedlic music. But again coming full-circle, it would be their first two LPs from the folk-rock years that hold the dearest place in my heart and serve as the best starting points for future Byrds fans.
Musical Freedom Amidst a Time of Unrest and Division
To quote the original liner notes of The Byrds' second album, "Protests growled briefly and died in great, wheezing gasps. The Byrds, unfettered, looked the other way and sang love songs." In 1965, America was beginning to enter a time of vehement political and social division and if anyone was looking for a song that flawlessly described the time, the title track of this album was a Godsend...literally. Originally taken by Pete Seeger from the 3rd chapter of Ecclesiastes in the Bible, 'Turn! Turn! Turn!' was such a powerful anthem for all involved in the social unrest--both weary politicians and youths burning their draft cards--that the other songs on the album did not need to consist of other political messages. The Byrds decided one anthem was enough, and filled "Turn! Turn! Turn!" with great songs about love and searches for personal enlightenment.
The group's debut "Mr. Tambourine Man" had been largely carried by vocalist Gene Clark's creative originals, and four Bob Dylan covers among others. Clark's songs also carry "Turn! Turn! Turn!" when it comes to the creative output of the bandmembers, but Roger (Jim) McGuinn was establishing himself as the counterpart to Clark's work. The love songs he co-wrote, 'It Won't Be Wrong' and 'Wait and See' (co-authored by budding Byrd David Crosby) were not up to the standards of those set by Gene Clark, but his arranging of folk standards and 12-string Rickenbacker playing show his influence. McGuinn brilliantly turns an old folk song 'He Was A Friend Of Mine' into a beautiful lament for John F. Kennedy, the additional lyrics McGuinn added delicately describing the tragic assassination of a president. Also a nice move is the jangle of 'Oh Susannah,' which features great interplay between McGuinn's Rickenbacker and Michael Clarke's drum kit. 'Satisfied Mind' is one of the best covers the Byrds ever did, sincere and simple, and covers of 'The Times They Are-A Changing' and 'Lay Down Your Weary Tune' helped convince Dylan himself that the group was a solid talent. He told McGuinn "Up until I heard this ['Lay Down Your Weary Tune'] I thought you were just another immitator."
But Gene Clark again eclipses with his love songs; one of the most creative ballad writers of all time, Clark's songs were never cliched or tongue-in-cheek, and always down-to-Earth. 'If You're Gone' has to be one of his most moving vocal performances ever. 'Set You Free This Time' and 'The World Turns All Around Her' display the kind of songwriting the pop world needs today. His 'She Don't Care About Time' single is fortunately included as a bonus track on this remaster, along with another Clark masterpiece 'The Day Walk,' better known as 'Never Before.'
The "Turn! Turn! Turn!" album was a make it or break it for the Byrds; during this short time they rivalled the Beatles, and the massive success of the title track solidified their stance, if only for a brief time. But the other ten songs were what proved the group's talent, avoiding sophomore slumps and delivering some of the 60s greatest music.
A byrds fan
Turn!Turn!Turn! is one of the great Byrds albums and one of the great albums of the 60's. I was surprised to see so few reviews for this classic. This album represents the second and final album made by the original quintet of McGuinn, Crosby, Clark, Hillman and Clarke, arguably the finest assembly of musicians, songwriters and vocalists of any 60's American band.
The title track was of course the Byrds second number one single and the second song "It Won't Be Wrong" is one of McGuinn's great early pieces. But the real star of the album is Gene Clark in his last album as a Byrd. His three songs are magnificent. In addition Columbia has added on the new CD Gene Clark's incredible outtake from the sessions "The Day Walk" and the B side single "She don't Care About Time".
Columbia Legacy has again demonstrated why they are the finest back catalogue label in the businness today. The 20-bit remastering is superb and I own this album in every concievable form. The 7 added tracks alone are better than 95% of the albums released in the 60's.
Finaly I also must refute the assertion made by the reviewer from Atlanta. ALL the Byrds played on Turn Turn Turn. The session musicians referred to only played on the Byrds first 45 session and not on the balance of Mr Tambourine Man and Turn. Enjoy!




