Track Listing

1. Ghost of Tom Joad
2. Straight Time
3. Highway 29
4. Youngstown
5. Sinaloa Cowboys
6. Line
7. Balboa Park
8. Dry Lightning
9. New Timer
10. Across the Border
11. Galveston Bay
12. My Best Was Never Good Enough

Product Details

• Amazon Sales Rank: #3406 in Music
• Brand: Sony
• Released on: 1995-11-21
• Number of discs: 1
• Dimensions: .21 pounds

Album Description
Vinyl Classics reissue of this 1995 album comes as a vinyl look-a-like CD that's packaged in a die-cut see-through slipcase. 12 tracks. Sony.

Amazon.com
Bruce Springsteen followed his muse on this haunting 1995 release. Perhaps that's why it barely made a dent in the marketplace, even while it thrilled the faithful who were willing to take another dark, Nebraska-like journey with him. It's abundantly clear that Springsteen had been soaking himself in the work of John Steinbeck and Woody Guthrie during the writing of The Ghost of Tom Joad, but their combined influence is found on more than just the title track. It's all over these windblown songs (including the haunting "Dry Lightning" and "the seminal "Youngstown") and their hard-scrabble protagonists. Not the Boss's biggest record, but certainly one of his best. --Michael Ruby

Customer Reviews

A stark, dark brooding masterpiece
If there were any justice in this world, this album would've sold the 11 million copies that Born In The U.S.A. did, due in no small part to its widely misunderstood title track. Alas, as Springsteen proposes on this album, there is no justice. While Springsteen's best-known and best-selling music may always remain his early songs filled with cars, girls, and the dreams of youth, and while that may be the image that most people have of the man, this album is undoubtedly the work of a mature genius. Not since the early Bob Dylan records has the seamy underbelly of the American life been explored so thoroughly and heart-breakingly in popular song. Influenced, obviously, by John Steinbeck's The Grapes of Wrath (actually, the movie adaptation, as one sees in the linear notes) as well as other literary and news items focusing on immigrants, the working class, and the downtrodden - as well as drawing upon previous songsters who have explored this territory, such as Dylan and Woody Guthrie - The Ghost of Tom Joad is a set of story songs, done in the heart-breaking and plaintive way that only Springsteen could do them. The stories are mosly set in California, often near the Mexican border, and involve the deeds of illegal aliens and other working class heroes involved in America's secret economy. Musically, this album is bleak and involved mainly Springsteen alone on acoustic guitar and occasionally punctuated with harmonica, as on his Nebraska album; however, a few songs feature other players, including some intriguingly subtle keyboard work that fits the mood so well you hardly know it's there. Springsteen sings these songs in the slurring drawl that they deserve, paying little heed to pitch or meter, and they can be hard to understand at times. This album doesn't make for easy listening. One cannot play this as background music, driving music, or at a party like one can many of The Boss's records with The E Street Band: this is definitely an album that you must devote your full attention to. It is one of the few records that truly deserves to be listened to when you're alone at night in your room with the lights off. Be prepared to cry, be prepared to feel your heart ache - be prepared to be moved. One of the true masterpieces of American rock music, and a criminally overlooked record which I hope some day will receive the praise it is due.

Springsteen writes stories of and for the rest of us...
I've listened to Springsteen only since Born in the USA (funny how many people miss the point behind that song...) but have since grown to appreciate him as another troubador for the rest of us.

I live in Youngstown, the town in the song on the album by the same name. It is a working class town devastated by the exit of the steel mills in the 70s and 80s, much like Springsteen sings about his hometown on Born in the USA. He sings it because he knows it. And it shows. He may not know Youngstown but he's pretty darn close to the reality of many living here.

He played here on his acoustic tour in support of this album (sadly, I din't have the connections to get tickets; ironically, the 'common man' doesn't really count when it comes to Springsteen tickets). Stranger yet (similar to Born in the USA being used as a political campaign song), radio stations here played it with pride! Guess they didn't listen to the lyrics.

Anyhow, Springsteen is a voice crying out in the wilderness of America, speaking for those whose voices are rarely heard and, if they are, they are generally heard as part of some political agenda or other. He gives voice to the homeless, to migrant workers, to released convicts trying to keep straight and to a whole host of other characters who really make up the American landscape.

It sounds stark only if you haven't been paying attention to what is going on beneath the surface in this country. While it is not overly joyous, there are moments of beauty and poetry to be found, even in the midst of this apparent bleakness. Springsteen, as always, captivates and tells stories that put you there; you can see, hear and even taste the characters he is singing about.

While there are more instruments present here than in Nebraska, it is still relatively bare and buoys the lyrics quite nicely.

On an aside, this album finds its roots in the book called Journey to Nowhere: The Sage of the New Underclass by Dale Maharidge (sadly, currently out of print) which begins in Youngstown and traverses the road and the rails to Texas. If you've read the book, you'll find the inspiration behind this album. Both are gripping and excellent.

Amazing overlooked Classic
I would put this on the top of my all time greatest albums...and definitely one of Bruce's top albums. This record is not for the folks who like light hearted rockin tunes like "Ramrod" or "Cadiallac Ranch"...this is something completely different and very intimate. Bruce was at a crossroads when he made this record...46 years old, just had a mini reunion with the E street Band for a couple of tracks on the greatest hits...but he was struggling to find "his rock voice" at that time....his singing style suggests this on Joad. Instead of doing the commerically obvious choice (reunite the band, record and tour) he chose to follow his muse...and no matter what you think of the actual record, you have to respect that. Springsteen chose to talk about America's poor through the voices of Mexican immigrants, veterans, lonely souls. This album is rich with the soil of america's past and conects Steinbecks world to the present day America. Its a deep and scary record....its truly amazing how Springsteen steps inside each characters world....he may be a millionare, but you would never know it listening to this CD.

The songs:
Title cut is amazing, connecting the world of Steinbeck to now...still poor in America and getting worse (thanks Dubbya!)

2. Straight Time: the character in this song is trying to find whats lost...and how sometimes the things that make us happy are not healthy things....ex con deals with the real world and trys to walk the straight line...amazing lyrics!

3. Highway 29- an affair gone terribly wrong...sung by a ghost...i think

4. Youngstown- America during Reagan (and now) industry and out sourcing...jobs gone....amazing song.

5. Sinaloa Cowboys, brings you into a world that not many of us know exsisted...Mexican immigrants

6. The line, again a beautiful character study...life is not so black and white, Bruce tells us threw this border patrol widower.

7. Balboa park, again the work of immigrants, Mexican boys selling themselves for money and drugs....hard life, dark song.

8.Dry Lighting, talking about men and women, one of my favorites on the CD

9. The new timer, riding the rails....

10. across the border, is there salavation in the mix?

11. Galvaston Bay, Vietnam vets vs Vietnamise immigrants...brilliant.

12. my best was never good enough....lighter fair than the rest of the cd but I guess he had to end on somewhat of a light note.

There really isn't enough room to really go into track by track, bottom line is I bought the CD when it first came out and I was floored....Bruce really makes you feel the lives of this characters....its really his best work, yes I love to rock out to the E street band too, but thats not what this CD is about...everyone should own this...amazing thanks Bruce!