Track Listing

1. Can't Get Enough
2. Rock Steady
3. Ready for Love
4. Don't Let Me Down
5. Bad Company
6. Way I Choose
7. Movin' On
8. Seagull

Product Details

• Amazon Sales Rank: #13416 in Music
• Brand: BAD COMPANY
• Released on: 1994-09-06
• Number of discs: 1
• Format: Original recording remastered
• Dimensions: .20 pounds

Album Description
Japanese only SHM-CD (Super High Material CD - playable on all CD players) pressing. Warner.

Customer Reviews

Bad Company puts out one of the best Seventies debut albums
Bad Company's self-titled 1974 debut release was the first album to come out on the Swan Song label other than Led Zeppelin. Fortunately it proved to be one of the better debut albums of the decade representing good old fashioned back to the basics rock 'n' roll. "Can't Get Enough" with its catchy guitar lick was the big hit off of the album, but my fav track is still the moody title track (i.e., "Bad Company" off of Bad Company's "Bad Company" album). Bad Company was a supergroup, with singer Paul Rodgers and drummer Simon Kirke coming from Free, guitarist Mick Ralphs from Mott the Hoople, and Boz Burrell from King Crimson and having more success than all of those groups put together with this first album. Following the Led Zeppelin model, strong vocalist Rodgers and blues-based guitarist Ralphs provide the heart and soul of the music, giving Bad Company its signature sound. Meanwhile, do you think AC/DC got their idea for the cover of "Back in Black" from this one? Unfortunately it was all downhill for the group from this first effort, with "Straight Shooter" being a step down and "Run with the Pack" continuing the slide. If you pick up their hits collection "10 from 6" (which ignores one of the first six albums anyhow) you will get the four best tracks from this one, which is the only album from Bad Company that really stands alone.

Buy this CD while you can
Buy this CD while you can. It will never sound this good again. Obviously, if you are checking out this item you already know the songs as the majority of this album has been played on classic rock radio for years.

You're curious if sounds good. This CD was done by the same people who released DCC discs during the 1990's. The sound is incredible, it sounds like you are in the same room with the band. Steve Hoffman did a great job with this CD. We can only hope they will release the entire Bad Company catalog.

Also, check how much the CDs they released by Jethro Tull (Aqualung, Original Masters) or Paul McCartney are going for on ebay and you will know this CD will be selling for over $50.00 due to the limited production. Buy it while you can!

Liberated, if not Free
This album has to be played loud! If you have neighbours or family who might complain, play it through headphones or play it in the car. But to do this album justice, don't play it quietly in the background. The drums sound particularly good on this remastered edition.

Bad Company almost defined stadium rock. Always more highly regarded in the US than in their native England, the band was formed from the remnants of Free, whom many believed had been the greatest British blues-rock band. Their final album, 'Heartbreaker' (1972), was a masterpiece whose qualities have become increasingly clear over the years. I remember my astonishment at the time that the sublime (but dead) Paul Kossoff was effectively being replaced on guitar by Mick Ralphs from the rather lightweight Mott the Hoople. And who was this Boz Burrell on bass? Which King Crimson albums had he actually played on?

It turned out that these niggles didn't matter. What held Bad Company and late Free together was the multi-talented Paul Rodgers. He didn't just have arguably the strongest voice. He also played both piano and a great guitar -- all the guitars and solos on the epic Free single 'Wishing Well', for example, are his. He continued on piano and 2nd guitar for the debut 'Bad Company', which for me is their equal best LP alongside the follow-up 'Straight Shooter'.

The title track is my favourite. It magnificently accentuates the image of outlaw drifters which their manager Peter Grant (of Led Zeppelin fame) worked hard to promote. It would seem to be the ideal soundtrack for an introspective cowboy Western, but I've yet to see the movie.

If this album has any minor flaws, or a song that isn't quite as superb as the rest, the problem can be resolved by playing this loud, or when drunk, or at any time when you want to enjoy rather than be super-critical. The high-quality production values shine through on this good-time rock CD.