Astral Weeks
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Average customer review:Track Listing
- Astral Weeks
- Beside You
- Sweet Thing
- Cyprus Avenue
- Way Young Lovers Do
- Madame George
- Ballerina
- Slim Slow Slider
Product Details
- Amazon Sales Rank: #439 in Music
- Released on: 1990-10-25
- Number of discs: 1
Editorial Reviews
Album Description
Pressed on 180gram vinyl. Mastered from the original analog master tapes and it features all original packaging 1968's Astral Weeks remains not only Morrison's masterpiece, but one of the greatest records ever made. A haunting, deeply personal collection of impressionistic Folk styled epics recorded by an All Star Jazz backing unit including bassist Richard Davis and drummer Connie Kay, its poetic complexity earned critical raves but made only a minimal commercial impact. Astral Weeks had been dark and anguished.
Amazon.com essential recording
Never mind that Van Morrison is one of the most indelible songwriters of the 20th century--take each album on its own terms. On 1968's seminal Astral Weeks, a twentysomething Van Morrison can be found belting his gospelly, bluesy vocals in just as fine a form as he would be 20 years hence. In the sociopolitical context of the times, the album cried out about such ubiquitous '60s themes as cultural oppression and social upheaval. But it is Morrison's vocal dexterity and passion that maintains such timeless appeal. Take tracks like "Madame George" or "Cyprus Avenue" and you'll find such beautiful mourning, it'll be clear why modern songwriter Sinéad O'Connor once publicly exclaimed: "Van Morrison should be friggin' canonized." --Nick Heil
Customer Reviews
Childlike Visions Leaping Into View
This is probably my favorite album of all time. I've listened to it countless times, and it never gets old. Those other reviewers who don't "get it" make a few valid points:
1) It isn't perfectly played.
2) The songs aren't polished.
3) It isn't Van's strongest collection of songs.
First of all, it isn't necessary for great music to be note-perfect. ASTRAL WEEKS is about the magic of improvisation-- the suspended thrill of playing (and listening) on the cusp of discovery. In that way, the album is a perfect marriage of music and lyrics, as Van bends and twists the language in an effort to TRANSCEND the earthly significance of his words, to conjure a piece of heaven out of the frustration and pain that wracks his existence. Like Ray Charles did 15 years prior, Van fuses gospel and blues, the sacred and the profane.
For those of you hear only hippy-dippy (...), you're obviously missing the unbearable heartache that haunts these songs. Cypress Avenue deals with unrequited, perhaps forbidden love. Madame George captures the mixture of joy and sadness that comes with lost innocence, getting on "the train" that takes one away from a place of safety and comfort. Ballerina is a burst of effusive passion, but the object of the singer's affection is separate from him, a spectral fantasy that he can only gaze on with paralyzed amazement. Thank god these rough gems weren't polished for radio consumption-- their unique, spontaneous quality would have been ruined.
I concede that this isn't Van's strongest collection of songs, but it's hard to think of these tracks as "songs" in the conventional sense-- impressionistic sketches, maybe, but they hardly lose any artistic merit because of that. ASTRAL WEEKS is not a jazz album, but it certainly brandishes a jazz mentality-- the triumph of feel over form, emotional release over craftsmanship. If that's not your cup of tea, then proceed directly to MOONDANCE. But if you're searching for a true musical journey-- in the truest sense of the word-- then ASTRAL WEEKS is the apogee.
My desert island disc
This album has repeatedly turned up in the top ten of lists of the greatest albums ever recorded, and deservedly so. It can be listened to on so many levels. Sometimes I will listen to it while concentrating on the lyrics. Another time, I will focus on Van's phrasing. Another time on Richard Davis's inconceivably great bass playing (this is arguably the greatest performance on bass on any album ever recorded for a rock audience, even if the bass player was a jazz musician). This is an album that simply reeks of genius. Simply put: a masterpiece.
This album blows me away
This album is absolutely phenomenal. This is one of the most personal, beautiful artistic statements I can think of. It is like a diary, but better, because the music adds color and depth that no words can describe. It is rare when the music compliments the singer so well... it is as if the musicians are from the same vein, the same heart. This cd is perfect, beginning to end; musically and lyrically. Van Morrison will show you his lowest low and ever so sweetly, he will take you away to a place that is timeless, a place so wonderful it will make you want to weep... because you know that at some point it will have to end. And what a sad ending it is to this miraculous cd. But you can always press repeat. :)




