Product Description

No Description Available.
Genre: Popular Music
Media Format: Compact Disk
Rating:
Release Date: 20-JAN-1989

Track Listing

1. Sugar Mountain
2. I Am a Child
3. Comes a Time
4. After the Gold Rush
5. My My, Hey Hey (Out of the Blue)
6. When You Dance You Can Really Love
7. Loner
8. Needle and the Damage Done
9. Lotta Love
10. Sedan Delivery
11. Powderfinger
12. Cortez the Killer
13. Cinnamon Girl
14. Like a Hurricane
15. Hey Hey, My My (Into the Black)
16. Tonight's the Night

Product Details

• Amazon Sales Rank: #11343 in Music
• Brand: YOUNG,NEIL
• Released on: 1990-10-25
• Number of discs: 1
• Format: Live
• Dimensions: .21 pounds

Amazon.com
Mere months passed between the release of Neil Young's mid-career milestone Rust Never Sleeps and this 1979 tour recording, which documents a late-'78 San Francisco performance. Indeed, Live Rust boasts four songs from the album that gave it its name. It's also sequenced in the same spirit as its studio sibling. As with Rust Never Sleeps, Live Rust opens with steady-flowing acoustic numbers before swirling into an electric vortex. What was side 4 off the original two-record version--"Like a Hurricane," "Hey, Hey, My, My," and "Tonight's the Night"--is arguably Young and Crazy Horse at their peak as a live unit, with all due respect to 1991's estimable Weld and 1997's desultory Year of the Horse. Few rock bands rank with Young and his stalwart electric trio, and Live Rust presents them in all their raging glory. --Steven Stolder

Customer Reviews

The #1 reason we should all own a turntable
Imagine, if you will, that Capitol Records chose years ago to put out the Beatles' "White Album" on compact disk when the format was in its infancy, and for whatever reason decided not to invest the funds to put out a double CD, instead choosing to cram the entire thing onto one CD, and advertising it as a "specially low-priced single disk." But in doing so, they found that the whole thing wouldn't fit onto a standard disk, so they hacked about a minute or so out of "Revolution #9" (thinking nobody would notice), eliminated or shortened the silence between songs (if any), and nickel-and-diming the album until it fit just under the time limitations of a single disk. Then pretend that Beatles fans were too blinded by their fanaticism for the album to objectively criticize, let alone realize, the absolute horror of this corporate hatchet job. If this fictitious story sounds too weird for you, then now you know how I feel seeing five-star review after review here, when Warner-Reprise has performed the ultimate sin right under all our noses.

I only recently started amassing a CD collection of Neil, preferring to stick to the vinyl. I figured there will eventually be a remaster job of these albums, although with Neil you never know, and I could wait until then. But I broke down and went ahead and bought "Live Rust" on CD, which is one of my absolute top 10 favorite albums of all time. Knowing the guitar majesty of "Cortez the Killer" on this album better than I know my own date of birth, and having heard it countless times note-for-note, I immediately fast-forwarded to that track and waited for my world to be sonically blown to bits by the digital clarity of the CD, which happened indeed. For about four minutes.

And then I stopped cold. I stared out the window. I was frozen, playing air guitar to notes that were no longer coming out of the speaker, singing guitar parts in my head that weren't happening. "Am I getting that progressed into Alzheimer's already?" I thought, or is this some sort of a defective joke? Well, my Neil fan faithful, I'm here to tell you: the actual track of "Cortez" is approximately a minute and a half shorter than not only the vinyl version, but a minute and a half shorter than THE TIME GUARANTEED TO ME ON THE CD INSERT by good ol' Warner-Reprise. And where did this extra 90 seconds come from? well, it was right there in the LEAD GUITAR parts of the song, right prior to the "hate was just a legend" lyric. They have AXED a huge section of Neil's guitar lead, digitized it out to save space, and done God-knows-what to the rest of the album to give us a low, low price.

I frantically fast-forwarded the track to the end and compared the ending times on my CD player to the one on the CD cover. I was right. And I was disgusted. Then I started REALLY losing it: who was responsible for this? And why in the living name of God could any self-respecting Neil fan put up with the absolute desecration of one of the greatest recorded versions of one of his most jaw-droppingly gnarly songs?

I for one took the CD back. It took me a while to explain to the clerk why, but he chalked it up to a bad mistake on WB's part. Personally, I think their strange urgency in reissuing four of his least-selling albums "remastered with the original cover art" on CD is unusually nice, but I would much rather have a full-blown remastered version of "Live Rust" than anything else in his catalog. Especially now that I know about this hatchet job that sits on the shelf indefinitely, with no plans to improve on it. And Reprise, while you're at the task of putting that 90 seconds of guitar bliss back into "Cortez" that you so thoughtfully took out, go ahead and put out some other songs from that tour that weren't on the original CD to restore my faith in corporate America, because this is more of a disgrace than Watergate, "read my lips", and Monica's dress put together. Get the President on the horn.

one of my favorite albums
I am 30, and bought the vinyl, Live Rust, when I was 14 at a used record store. It was cheap, so I took a chance. I still vividly remember listening to the first side of album one, the acoustic stuff - After the Gold Rush, I am a child, etc - in my parents' den. I was blown away by the beauty and expressiveness of Neil's songwriting, and am to this day. In particular, Sugar Mountain takes me back to the times I went to Six Flags as a kid, and thought being on those rides and staying up til midnight was the best life could ever get.

In addition to the mellow songs, there are some louder, electric ones that are incredible as well, with Cinnamon Girl and Like a Hurricane being good examples. This album definitely has the 'live' thing going for it, and when you hear these cuts you won't settle for the studio versions anymore - it's cool to hear Neil connect with the audience - "When I get big, I'm gonna get an electric guitar. When I get real big".

I kid you not - there is not a dud on the album. It is just incredible, and capable of providing pleasure worth orders of magnitude more than its price. I actually am typing this review because I would love to think someone bought this album as a result of it and enjoyed it as much as I have over the years (in CD format now, of course!)

Consider the DVD
After reading Garbageman's review, where he points out the butchering of "Cortez", I decided instead to pick up the DVD "Rust never sleeps". It is the same concert (Oct 22, 1978), and as I write this, costs exactly the same as this CD. It includes the complete Cortez, a few extra songs (Thrasher, Welfare Mothers, Tonight's The Night), and of course, visuals (which are sometimes tacky, it must be said). The audio of course uses a lossy codec, but I find it excellent -- with a 5.1 system it will probably be superior to the CD. And if you want the CD anyway, it is "fair use" in most countries to rip the audio and burn a CD for your own private use.

I haven't heard the CD: I give it 3 stars because Amazon requires some sort of rating, the DVD gets 5 stars, and the truncated Cortez would be sufficient to take away two stars for me.