Product Description

No Description Available.
Genre: Popular Music
Media Format: Compact Disk
Rating:
Release Date: 9-MAR-1989

Track Listing

1. Holidays in the Sun
2. Bodies
3. No Feelings
4. Liar
5. Problems
6. God Save the Queen
7. Seventeen
8. Anarchy in the U.K.
9. Submission
10. Pretty Vacant
11. New York
12. E.M.I.

Product Details

• Amazon Sales Rank: #3578 in Music
• Brand: SEX PISTOLS
• Released on: 1990-10-25
• Number of discs: 1
• Format: Explicit Lyrics
• Dimensions: .20 pounds

Amazon.com essential recording
Recognizing that there's no such thing as bad publicity, manager-Svengali Malcolm McLaren molded the Pistols into the most confrontational, nihilistic band rock & roll had ever seen. Propelled by Johnny Rotten's maniacal vocals, Steve Jones's buzz-saw guitar, and (most importantly) bass player Glen Matlock's hook-filled compositional skills, the Pistols' early singles "Anarchy in the U.K." and "God Save the Queen" defined the raging style of British punk. By the time they recorded their lone 1977 album, Matlock had been bounced, replaced by the image-correct but utterly untalented (and ultimately group-dooming) Sid Vicious. Not a 10th as good as the singles, the album nontheless remains a bile-filled emblem of the times. --Billy Altman

Customer Reviews

Good Grief
I've never seen so much blatantly false information about a subject in one place before. Some of these people need to find out what the hell they are talking about before they submit reviews. I'm guessing that many of these 1-star ratings are coming from children weened on the Green Day poseurs.

Just to set the record straight, aside from some dross that was released after their demise, Bollocks is the ONLY Pistols album. To say that it is their best album or their worst album is simply a display of ignorance. Cripes, I'm seeing people write reviews of this landmark record who don't even get the names of the band members correct. Leave the critiques to folks who have more than a passing knowledge of the band and the album and the genre, for that matter.

As for all these comparisons, The Clash were very nice indeed, but they never packed the snarling power of 'Anarchy in the UK', nor did they ever produce a signature song like 'God Save the Queen', one of the great hard-rock anthems to ever come down the pike, blowing the doors off of anything by these neo-punk revivalists. And for all this talk of filler, I'll take one 'New York' for 5 songs on London Calling.

If it wasn't for albums like Bullocks breaking the prog-rock and corporate-rock mallaise of the late '70s, we'd all STILL be listening to turgid immitators of Floyd and Zeppelin.

put aside the hype, this is a classic
first, for those of you who have no understanding of punk, know that the pistols and other early punk bands were about live performance, not recordings. having said that, given that their career as a band was short-lived, try this album to grok what they were about.

the truth is these songs sound almost innocent compared to the headache rock, death & speedmetal, goth and other punk spinoffs that have sprouted since. musically the songs are simple and great rock n roll. lydon was an acidic, brilliant lyricist, as good as punk ever had, and his raw on-edge "singing" is as good as any punk vocalist ever.

Rolling Stone Magazine was right
In I think 1987 Rolling Stone Mag listed the top 100 lps. I believe this was #1 or #2 right behind Peppers. At a time when music was ruled by such dreck as the Eagles (post blues) Fleetwood Mac etc along came The Sex Pistols. My friends thought I had lost my mind when I said they were the future (No Future?). But,not that I needed the vindication RS showed who knew what. As for the guy who gave it one star and went on to say how the above groups represented the 70's check out his other reviews he has the nerve to give the Carpenters 4 stars and say that we all liked them. Speak for yourself pal. What are you doing listening to real rock and roll let alone reviewing it almost makes me think Lou Reed ( the real 70's) is right in his view on critics