Product Details
Bach Guitar Recital

Bach Guitar Recital
From EMI Classics

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Track Listing

  1. Prelude, Fugue and Allegro, for lute in E flat major, BWV 998 (BC L132): Praludium
  2. Prelude, Fugue and Allegro, for lute in E flat major, BWV 998 (BC L132): Fuga
  3. Prelude, Fugue and Allegro, for lute in E flat major, BWV 998 (BC L132): Allegro
  4. Suite for lute in E minor, BWV 996 (BC L166): Passagio... Presto
  5. Suite for lute in E minor, BWV 996 (BC L166): Allemande
  6. Suite for lute in E minor, BWV 996 (BC L166): Courante
  7. Suite for lute in E minor, BWV 996 (BC L166): Sarabande
  8. Suite for lute in E minor, BWV 996 (BC L166): Bourree
  9. Suite for lute in E minor, BWV 996 (BC L166): Gigue
  10. Partita for solo violin No. 2 in D minor, BWV 1004
  11. Partita for lute in E major, BWV 1006a (BC L171): Prelude
  12. Partita for lute in E major, BWV 1006a (BC L171): Loure
  13. Partita for lute in E major, BWV 1006a (BC L171): Gavotte en rondeau
  14. Partita for lute in E major, BWV 1006a (BC L171): Menuet I / Menuet II
  15. Partita for lute in E major, BWV 1006a (BC L171): Bourree
  16. Partita for lute in E major, BWV 1006a (BC L171): Gigue

Product Details

  • Amazon Sales Rank: #103263 in Music
  • Brand: Bach
  • Released on: 1994-08-16
  • Number of discs: 1
  • Dimensions: .21 pounds

Customer Reviews

A great recording5
Julian Bream is definitely among the best musicians of the 20th century, and his performance is supreme in this recording of Bach's compositions, originally written for the lute (though still debated in the academia) and violin. If you like Bach, this CD will not disappoint you in any way. These pieces are among the most popular for the classical guitarists, and matches the sound of the guitar very well.

Bravo!5
Bream makes this music sound like it was written for the guitar. The individuality of contrapuntal lines is extraordinary. Musically compelling interpretations. I never get tired of listening to this album.

An excellent classical guitarist: With his own sound5
Julian Bream is, without a doubt, one of the premiere classical guitarists of the modern recording era. Comparisons between great guitarists is often unfair and misleading as they each have their own styles - and each musician and his/her style tends to be particularly well suited to certain types of music. For example, Andres Segovia's style, cultivated by self-teaching throughout his now ended life, concentrated on flowing legatto smoothness and flowing melodies. Bream's, on the other hand, while equally masterful, is better characterized as emphasizing the precision and crispness of each and every individual note. What better composer to focus on to show this particular proclivity that J. S. Bach, whose work, having been written largely for the keyboards (harpsichord) but also for the lute and triple harp, tends to emphasize the kinds of music Bream excels at. Stacatto phrasings, each written to be played with crystalline exactness, are the types of pieces wherein Bream's magnificence is conspicuous and best showcased. Thus, the special relevance of this particular compilation of some of his best Bach work on this CD.

It includes only four major pieces - each of which has, of course, subsets/parts. The Basic pieces are all by J.S. Bach and include:
1. Prelude, Fugue and Allegro BWV998
2. Suite BWV 996
3. Chaconne from Partita BWV 1004, and
4. Parita BMV 1006a

Originally recorded in 1994 and recently re-released by EMI Classics, this CD showcases Bream's greatest abilities as a musician of chiming precision and maturity. The fact that his renditions of these pieces are unique and differ in many ways from the versions recorded by Segovia, Williams and others - render them no less excellent. Simply put, they are different. Excellence comes in many flavors! Born in 1933, he is, perhaps, the most thoroughly accomplished of living classical guitarists and it is arguable that his style represents more than a 'difference' with Segovia's musicianship - but a generational C change and progression in the interpretation of pieces such as these written, by-in-large, in the 18th century.

No matter how you see this issue, I am confident that any lover of classical guitar will enjoy (many times) this CD and Bream's highly stylized and precise renditions of some of J.S. Bach's most memorable and complex masterworks.