Track Listing

1. Requiem, for soloists, chorus, orchestra & organ in D minor, WAB 39: Requiem Aeternam
2. Requiem, for soloists, chorus, orchestra & organ in D minor, WAB 39: Dies Irae
3. Requiem, for soloists, chorus, orchestra & organ in D minor, WAB 39: Domine Jesu Christe
4. Requiem, for soloists, chorus, orchestra & organ in D minor, WAB 39: Hostias Et Preces
5. Requiem, for soloists, chorus, orchestra & organ in D minor, WAB 39: Quam olim Abrahae
6. Requiem, for soloists, chorus, orchestra & organ in D minor, WAB 39: Sanctus
7. Requiem, for soloists, chorus, orchestra & organ in D minor, WAB 39: Benedictus
8. Requiem, for soloists, chorus, orchestra & organ in D minor, WAB 39: Agnus Dei
9. Requiem, for soloists, chorus, orchestra & organ in D minor, WAB 39: Requiem Aeternam
10. Requiem, for soloists, chorus, orchestra & organ in D minor, WAB 39: Cum Sanctus Tuis
11. Psalm 114, for chorus & 3 trombones in G major, WAB 36
12. Psalm 112, for double chorus & orchestra in B flat major, WAB 35

Product Details

• Amazon Sales Rank: #224381 in Music
• Released on: 1993-03-04
• Number of discs: 1
• Format: Import
• Dimensions: .21 pounds

Customer Reviews

A masterful performance of an overlooked masterpiece.
Bruckner's Requiem of 1849 is a masterpiece of choral works, drawing it's vibrant energy both from the baroque tradition of masters like Bach and Vivaldi and the composer's contemporary early romanticism. It is, by all measures, a massive and highly dramatic creation, and though it is much more 'available' to a mass public than many other comparable choral works, it is also a work that can distinguish the master performers from the mediocre.

The Requiem in D minor is considered Anton Bruckner's first major orchestral/choral work and the instrumental setting is grand with both organ, symphonic orchetra and a full chorus, besides the very important group of trombones that add a vibrant and vital sonic bridge between the bass of the organ and the light, busy strings.

Hyperion's recording with the English Chamber Orchestra and the Corydon Singers, conducted by Matthew Best, is probably the best recording ever of this dramatic masterwork. The recording and mastering is fully digital and the often subtle melodic components are fully distinguishable through the massive expression. Bruckner's use of the busy orchestral strings are painted over with a more slowly moving vocal pattern, often held up by the organ and trombones that set a remarkable tone to the work. Every single aspect of Bruckner's original vision seems fulfilled under Matthew Best's supervision, with the elegant performances by an ensemble of masterful performers. This recording is highly recommended to anyone fond of grand choral/orchestral work - a true milestone in classical recording and performance.