Track Listing

1. Vespers (All-Night Vigil), for alto, tenor & chorus, Op. 37: Priidite poklonimsya
2. Vespers (All-Night Vigil), for alto, tenor & chorus, Op. 37: Blagoslovi, dushe moya
3. Vespers (All-Night Vigil), for alto, tenor & chorus, Op. 37: Blazhen muzh
4. Vespers (All-Night Vigil), for alto, tenor & chorus, Op. 37: Svete tikhii
5. Vespers (All-Night Vigil), for alto, tenor & chorus, Op. 37: Nyne otpushchaeshi
6. Vespers (All-Night Vigil), for alto, tenor & chorus, Op. 37: Bogoroditse Devo
7. Vespers (All-Night Vigil), for alto, tenor & chorus, Op. 37: Shestopsalmie: Slava v Vyshnikh Bogu
8. Vespers (All-Night Vigil), for alto, tenor & chorus, Op. 37: Khvalite imya Gospodne (The Polieley)
9. Vespers (All-Night Vigil), for alto, tenor & chorus, Op. 37: Blagosloven esi, Gospodi
10. Vespers (All-Night Vigil), for alto, tenor & chorus, Op. 37: Voskresenie Khristovo
11. Vespers (All-Night Vigil), for alto, tenor & chorus, Op. 37: Velichit dusha moya
12. Vespers (All-Night Vigil), for alto, tenor & chorus, Op. 37: Slavoslovie velikoe: Slava v Vyshnikh Bogu
13. Vespers (All-Night Vigil), for alto, tenor & chorus, Op. 37: Tropar: Dnes spasenie
14. Vespers (All-Night Vigil), for alto, tenor & chorus, Op. 37: Tropar: Voskres iz groba
15. Vespers (All-Night Vigil), for alto, tenor & chorus, Op. 37: Vzbrannoy voevode

Product Details

• Amazon Sales Rank: #179133 in Music
• Released on: 1993-11-19
• Number of discs: 1
• Format: Import
• Dimensions: .23 pounds

Customer Reviews

The Best of Best
The Rachmaninov Vespers (more accurately, the All-Night Vigil) was composed in 1915 in a two-week period, and received to immediate acclaim -- then buried in the graveyard created by the Bolshevik Revolution of 1917. Seventy-five years after its debut, a plethora of new recordings surfaced, done by the likes of the Robert Shaw Chorale and this current offering, the Corydon Singers conducted by Matthew Best.

Less well known, but of particular relevance to this CD, is that for the 50th anniversary of the Vespers, a recording was done on the old Soviet Melodiya label by Alexander Sveshnikov. The sonority of the voices and the particular style of singing mark it as a product of Russian culture; NO other culture could have produced the particular effect of Sveshnikov, who actually made the infamous "scoop and droop" technique of really bad singers work to produce the effect of Russian bells. For this and many other reasons, the definitive version of the Vespers remains the Sveshnikov recording, re-released in 2007 on CD.

But the Corydon Singers under Matthew Best come in a very close second.

There is no "scoop and droop," no sliding from one note to another, which would be anathema to anyone schooled in the English choral style. As a result, some sonority is lost, and the voices have a brighter character than the Sveshnikov voices; I actually thought they were singing in a higher key until I compared the two recordings back to back. What makes up for this is that three or four of the pieces, recorded by Sveshnikov in an Allegro tempo, are actually conducted by Best to a more Allegretto tempo, with a little bit more verve than Sveshnikov, and as a result, they create more energy (most effective in the Great Doxology, which is the highlight of the entire piece).

The upbeat tempo is what puts this recording on a par with Sveshnikov. Rachmaninov would have appreciated the sonority of the Russian recording; when the conductor of the piece groaned, "Where am I going to find these basses?!" Rachmaninov is said to have replied, "I know my Russian basses; you'll find them!" And he did. And so did Sveshnikov, and so did Best, and all the others who have conducted this masterpiece.

But equally, Rachmaninov would undoubtedly have appreciated Best's tempo. I own the complete piano concerti of Sergei Rachmaninov, recorded by Rachmaninov himself, and let me tell you, he didn't believe in dragging out passages. Eugene Ormandy and the Philadelphia orchestra have a hard time keeping up with him! So for that reason, I think that this particular recording probably comes closest to hearing the Vespers -- or All-Night Vigil -- from the baton of Rachmaninov himself. And if you can't get your hands on the Sveshnikov recording, the version by the Corydon Singers under Matthew Best is THE definitive version to own.

Ravishing Tonality ...
This recording reflects the mastery of both Rachmaninov and Matthew Best. The ambitus of dynamic variation is never too much or too little - Breath taking !

Russians at their best.
I am not a great fan of Rachmaninov, but I am especially happy to see how many recordings of this work have been done. I have only heard this one, so I can only say that it shows the strengths of both Russian choral performances and Hyperion recordings of liturgical music. It is just a bit pricy, but it is at least as good as any other piece of Russian choral music I've heard.