Offenbach - Les contes d'Hoffmann / Araiza, Ramey, Lind, Studer, J. Norman, von Otter, Staatskapelle Dresden, Tate
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Average customer review:Track Listing
Disc 1:
- Les Contes d'Hoffmann: Prelude - Act One: No. 1 Introduction: Glou, glou glou! Je suis la biere!
- Les Contes d'Hoffmann: Act One: La verite, dit-on, sortait d'un puits (Muse)
- Les Contes d'Hoffmann: Act One: Allons! mes enfants (Lindorf)
- Les Contes d'Hoffmann: Act One: No. 2 Couplets de Lindorf: Voyons: 'Pour Hoffmann'! (Lindorf)
- Les Contes d'Hoffmann: Act One: No. 3, 4A: Deux heurs devant moi (Lindorf)
- Les Contes d'Hoffmann: Act One: No. 4B: Vive Dieu! mes amis, la belle creature! (Lindorf)
- Les Contes d'Hoffmann: Act One: No. 4C: Bonjour amis (Nicklausse - Hoffmann)
- Les Contes d'Hoffmann: Act One: No. 5 Chanson (la legende de Kleinzach): Il etait une fois a la cour d'Eisenach (Hoffmann)
- Les Contes d'Hoffmann: Act One: No. 6 Finale: Peuh! cette biere est detestable! (Hoffmann - Lindorf - Nicklausse)
- Les Contes d'Hoffmann: Act One: Duo: Et par ou votre diablerie (Hoffmann - Lindorf - Nicklausse)
- Les Contes d'Hoffmann: Act One: Je vous dis, moi qu'un malheur me menace! (Hoffmann - Lindorf - Nicklausse)
- Les Contes d'Hoffmann: Act Two: Entrance
- Les Contes d'Hoffmann: Act Two: La, charmante! (Hoffmann)
- Les Contes d'Hoffmann: Act Two: No. 7: Allons! courage et confiance (Hoffmann - Nicklausse)
- Les Contes d'Hoffmann: Act Two: Une poupee aux yeus d'email (Hoffmann - Nicklausse)
- Les Contes d'Hoffmann: Act Two: No. 8: C'est moi, Coppelius (Coppelius - Nicklausse - Hoffmann)
- Les Contes d'Hoffmann: Act Two: Trio: Je me nomme Coppelius (Coppelius - Nicklausse - Hoffmann)
- Les Contes d'Hoffmann: Act Two: Serviteur (Coppelius - Nicklausse - Hoffmann)
- Les Contes d'Hoffmann: Act Two: Tout est pret! ( Coppelius)
- Les Contes d'Hoffmann: Act TwoNo. 9: Non, aucun hote vraiment (Nicklausse - Hoffmann - Olympia)
- Les Contes d'Hoffmann: Act Two: Couplets d'Olympia: Les oiseaux dans la charmille (Olympia)
- Les Contes d'Hoffmann: Act Two: Ah! mon ami, quel accent! (Nicklausse - Hoffmann - Olympia)
Disc 2:
- Les Contes d'Hoffmann: Act Two: No. 10 Scene Romance: Ils se sont eloignes, enfin!
- Les Contes d'Hoffmann: Act Two: No. 11: Tu me fuis?
- Les Contes d'Hoffmann: Act Two: No. 12 Finale: Voici les valseurs!
- Les Contes d'Hoffmann: Act Three: No. 13 Romance: Entrance -Elle a fui la tourterelle
- Les Contes d'Hoffmann: Act Three: Malheureuse enfant!
- Les Contes d'Hoffmann: Act Three: No. 14 Couplets: Jour et nuit
- Les Contes d'Hoffmann: Act Three: Voila ce brave Frantz
- Les Contes d'Hoffmann: Act Three: No.15 Romance: Vois sous l'archet fremissant
- Les Contes d'Hoffmann: Act Three: Scene et No. 16 Duo: Ah! tu doutes de tout!
- Les Contes d'Hoffmann: Act Three: Pourtant, o man fiancee
- Les Contes d'Hoffmann: Act Three: C'est une chanson d'amour
- Les Contes d'Hoffmann: Act Three: Qu'as to donc?... Tu souffres?
- Les Contes d'Hoffmann: Act Three: No. 17 Trio: Pour conjurer le danger
- Les Contes d'Hoffmann: Act Three: No. 16bis Melodrame: Ne plus chanter!
- Les Contes d'Hoffmann: Act Three: No. 17a: Tu ne chanteras plus?
- Les Contes d'Hoffmann: Act Three: No. 17a Trio: Ta mere? Oses-tu l'invoquer
- Les Contes d'Hoffmann: Act Three: (17b)Final: Mon enfant! Ma fille!
Disc 3:
- Les Contes d'Hoffmann: Act Four: No. 18 (Barcarolle): Entr'acte
- Les Contes d'Hoffmann: Act Four: Messieurs, silence!
- Les Contes d'Hoffmann: Act Four: (Barcarolle): Belle nuit, o nuit d'amour
- Les Contes d'Hoffmann: Act Four: (No. 18b) Recit et Couplets bachiquesI: Et moi, ce n'est pas la ce qui m'enchante
- Les Contes d'Hoffmann: Act Four: Scene, Musique de scene et No. 18bis Sortie: A merveille, madame!
- Les Contes d'Hoffmann: Act Four: No. 19 Chanson: Tourne, tourne, miroir
- Les Contes d'Hoffmann: Act Five: Charmante!
- Les Contes d'Hoffmann: Act Four: No. 20: Giulietta, palsembleu!
- Les Contes d'Hoffmann: Act Four: L'amour lui dit: la belle
- Les Contes d'Hoffmann: Act Four: Tiens, mes cartes!
- Les Contes d'Hoffmann: Act Four: Morbleu!
- Les Contes d'Hoffmann: Act Four: No. 21: Il a ma cle
- Les Contes d'Hoffmann: Act Four: No. 22: Ton ami dit vrai
- Les Contes d'Hoffmann: Act Four: Romance: O Dieu, de quelle ivresse
- Les Contes d'Hoffmann: Act FourJusque la, cependant: Jusque la, cependant
- Les Contes d'Hoffmann: Act Four: Scene, Melodrame, Musique de scene et No. 22bis: La voila, donc
- Les Contes d'Hoffmann: Act Five: No. 23: Folie!
- Les Contes d'Hoffmann: Act Five: No. 24, No. 25A (Melodrame): Voila, mes amis
- Les Contes d'Hoffmann: Act Five: No. 25B: Pour le coeur du Phryne
- Les Contes d'Hoffmann: Act Five: No. 26 Final Apotheose: Arriere, tous
Product Details
- Amazon Sales Rank: #185942 in Music
- Released on: 1992-09-15
- Number of discs: 3
Customer Reviews
The best Hoffmann
To keep it short...I own several different versions of Hoffmann. This one is simply the best. Great production, orchestration and vocals of course. Every currently available version of this opera has its flaws. I'm still at a loss to find one here though. Absolutely stunning. As an added bonus, you don't have to hear Domingo sing in it. (Sorry, I couldn't resist.)
I suppose everyone who loves Hoffmann will have an opinion as to whether the women should be sung by the same soprano. As they each represent a different aspect of Hoffmann's love, I prefer this perspective.
"Laisse eclore ton ame aux rayons de l'amour!"
Very good, just short of great.
Since Offenbach died before completing his masterpiece, The Tales of Hoffmann, many different versions of this outstanding opera have been recorded. This recording is different in many ways from others we are used to hearing, yet it is probably closer to what Offenbach had in mind than other more familiar versions. But musicological questions aside, the important question is: "How good is a given performance?" This one is very good. I was very pleasantly surprised by Araiza. He gives a superb performance as Hoffmann. I wonder why we don't hear him more often. There's no surprise with Ramey who is excellent -- as one would expect -- in the bass roles. The female roles are sung well, although I prefer to hear Hoffmann's various loves sung by the same soprano, which is not the case in this recording. Until the version with Beverly Sills singing all of Hoffmann's loves is available on CD, this is my favorite of the versions of this magnificent opera which are currently available.




