Track Listing

Disc 1:

1. Mass No. 15 for vocal soloists, chorus & orchestra in C major ('Coronation'), K. 317: Kyrie
2. Mass No. 15 for vocal soloists, chorus & orchestra in C major ('Coronation'), K. 317: Gloria
3. Mass No. 15 for vocal soloists, chorus & orchestra in C major ('Coronation'), K. 317: Credo
4. Mass No. 15 for vocal soloists, chorus & orchestra in C major ('Coronation'), K. 317: Sanctus
5. Mass No. 15 for vocal soloists, chorus & orchestra in C major ('Coronation'), K. 317: Benedictus
6. Mass No. 15 for vocal soloists, chorus & orchestra in C major ('Coronation'), K. 317: Agnus Dei / Dona nobis pacem
7. Mass No. 16 for soloists, chorus & orchestra in C major (missa solemnis), K. 337: Kyrie
8. Mass No. 16 for soloists, chorus & orchestra in C major (missa solemnis), K. 337: Gloria
9. Mass No. 16 for soloists, chorus & orchestra in C major (missa solemnis), K. 337: Credo
10. Mass No. 16 for soloists, chorus & orchestra in C major (missa solemnis), K. 337: Sanctus - Benedictus
11. Mass No. 16 for soloists, chorus & orchestra in C major (missa solemnis), K. 337: Agnus Dei
12. Mass No. 10 for soloists, chorus & orchestra in C major ('Credo'), K. 257: Kyrie
13. Mass No. 10 for soloists, chorus & orchestra in C major ('Credo'), K. 257: Gloria
14. Mass No. 10 for soloists, chorus & orchestra in C major ('Credo'), K. 257: Credo
15. Mass No. 10 for soloists, chorus & orchestra in C major ('Credo'), K. 257: Sanctus
16. Mass No. 10 for soloists, chorus & orchestra in C major ('Credo'), K. 257: Benedictus
17. Mass No. 10 for soloists, chorus & orchestra in C major ('Credo'), K. 257: Agnus Dei

Disc 2:

1. Mass No. 4 for soloists, chorus & orchestra in C minor (missa solemnis, 'Waisenhausmesse'), K. 139 (K. 47a): Kyrie
2. Mass No. 4 for soloists, chorus & orchestra in C minor (missa solemnis, 'Waisenhausmesse'), K. 139 (K. 47a): Gloria
3. Mass No. 4 for soloists, chorus & orchestra in C minor (missa solemnis, 'Waisenhausmesse'), K. 139 (K. 47a): Credo
4. Mass No. 4 for soloists, chorus & orchestra in C minor (missa solemnis, 'Waisenhausmesse'), K. 139 (K. 47a): Sanctus
5. Mass No. 4 for soloists, chorus & orchestra in C minor (missa solemnis, 'Waisenhausmesse'), K. 139 (K. 47a): Benedictus
6. Mass No. 4 for soloists, chorus & orchestra in C minor (missa solemnis, 'Waisenhausmesse'), K. 139 (K. 47a): Agnus Dei
7. Mass No. 7 for soloists, chorus & orchestra in C major ('Trinitatis'), K. 167: Kyrie
8. Mass No. 7 for soloists, chorus & orchestra in C major ('Trinitatis'), K. 167: Gloria
9. Mass No. 7 for soloists, chorus & orchestra in C major ('Trinitatis'), K. 167: Credo
10. Mass No. 7 for soloists, chorus & orchestra in C major ('Trinitatis'), K. 167: Sanctus
11. Mass No. 7 for soloists, chorus & orchestra in C major ('Trinitatis'), K. 167: Benedictus
12. Mass No. 7 for soloists, chorus & orchestra in C major ('Trinitatis'), K. 167: Agnus Dei

Product Details

• Amazon Sales Rank: #14913 in Music
• Released on: 1997-08-26
• Number of discs: 2
• Dimensions: .24 pounds

Customer Reviews

a voice teacher and early music fan
A LOT OF BRASSES IN THESE MASSES!!!

Every piece that Wolfgang Amadeus Mozart (1756-1791)wrote bears the mark of the unique genius that caused Haydn to say to Leopold:"I delcare to you upon my honor that I consider your son the greatest composer I have ever heard."

Mozart's sixteen completed Mass settings all date from before 1781, the year in which he quit his native Salzburg to try his luck as a freelance composer in Vienna. While it is true that little sacred music dates from the time of Mozart's greatest maturity, the best work of his teens and early twenties show him deploying his easy skills in counterpoint and fluid vocal melody to produce music of elegance and charm,which, while not greatly radical, nevertheless married his strengths successfully to the accepted Austrian church idiom of the day.

Since the city of Salzburg had a long tradition of church music, generally with a brass-heavy orchestral accompaniment, Mozart retained this sound in his Masses, with their trumpets and trombones, and in the case of the 'Coronation' Mass,horns as well.

Mozart's earliest Mass, the so-called 'Waisenhaus-Messe', was not in fact composed for Salzburg but for Vienna intended for the dedication of a new orphanage church.

The 'Missa Trinitas' was composed five years later in Salzburg for the Feast of the Holy Trinity in June 1773. When Mozart wrote the C major 'Credo' Mass in November, 1776, it was in a lively and cheerful vein and quickly became very popular thruout the Salzburg region.
The two Masses K317 and K337, both again in C major,were written for the Easter celebrations of 1779 and 1790, respectively, and they show a rising maturity. The K317 'Coronation' Mass was performed in Vienna during the celebrations for the coronation of Emperor Leopold in 1790.

Whenever I see the name Stephen Cleobury and the Choir of KIng's College, I know I've got a quality production!..And this is no exception. The wonderful tuneful voices of the boy sopranos and male altos add so much to the sound of Mozart as well as any other early composer, The soloists, however, were brought in for this disc, and are not members of the choir. They are: Margaret Marshal(soprano)-Ann Murray (contralto)-Rogers Covey-Crump (tenor)-David Wilson-Johnson (bass)-Suzanne Mentzer (soprano)-Bernadette di Nissa (contralto)-Neil Mackie (tenor) and Stephen Roberts (bass). THERE WERE NO COUNTERTENORS SINGING SOLO PARTS.

Two very finely performed recordings.

Young, bright voices effectively sing Mozart
The King's College choir is composed of mostly young, brightly toned voices, which make for a crisp, clean sound on this recording. Therefore, it is excellent for use as either a rehearsal aid when performing any of these Masses, or purely for listening enjoyment. Good, clean recording.

Explicitly Wonderful!
I have had the great privelage of writing several other Mozart related reviews, and I was absolutely belated with this wonderful CD. This CD will offer a very detailed and clear performance of the 5 masses presented. It has been said that Mozart wrote the bulk of his sacred music with "a deep, childlike and unquestioning faith." His masses are astounding in practically every aspect. This was an overall satisfying CD.