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The Trees They Grow So High
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| Price: |
17 new or used available from $6.76
Average customer review:
Track Listing
- Early One Morning
- Come You Not from Newcastle?
- Sweet Polly Oliver
- Trees They Grow So High
- Ash Grove
- O Waly, Waly
- How Sweet the Answer
- Plough Boy
- Voici le Printemps
- Last Rose of Summer
- Belle, Est au Jardin d'Amour
- Fileuse
- Dear Harp of My Country!
- Little Sir William
- O Can Ye Sew Cushions?
- Oft in the Stilly Night
- Quand J'�tais Chez Non P�re
- There's None to Soothe
- Oliver Cromwell
Product Details
- Amazon Sales Rank: #184262 in Music
- Released on: 1998-09-01
- Number of discs: 1
- Dimensions: .23 pounds
Editorial Reviews
Album Description
52 minute long collection featuring 19 folk songs arranged by the late Benjamin Britten, including 'Early One Morning','Come You Not From Newcastle?' and 'Sweet Polly Oliver'. Full digital recording with Brightman accompanied only by pianist Geoffrey Parsons. 1998 EMI release.
Customer Reviews
An Excellent Album, But Not Recommended for All
Sometimes when you read reviews about Sarah's albums you hear about them being "Over Produced". This album is an example of simple production, and is different than any other album Sarah has done. I would have to say the simplistic production of this album truly captures the beauty and power of Sarah's voice.
The reason I do not recommend this album to everyone, is because it does not contain the "Pop/Techno" feel of Sarah's other albums. This album features classic European folk songs, sung just by Sarah, and accompanied by a piano.
This is a great relaxation CD to help you unwind from the stresses of the day; simple and calm.
A beautiful CD from Sarah Brightman
I read many reviews before I bought this album. Many of them do not encourage you to buy it, but I totally disagree. This is the only CD so far that shows who Sarah Brightman " the soprano " is.
Her voice is perfect, tuned and filled with melody. I own all of her CD's and this one is as special as the rest of them. Her voice is not "young", she was already 26 at the time; it sounds young because of the high notes. I would definitely recommend this CD to those fans of Sarah Brightman and/or anyone who likes Classical Music.
A happy medium
This album has gotten some strange reviews. To the person who said a piano sounds absurd if it is the only instrument in the studio, I hope you've never attempted to listen to any of Schubert's 600 + songs. In the realm of composed music, the very definition of a song is a short work for voice and piano alone.
Although Britten occasionally makes reference to folk material (he evokes a stringed instrument in the piano accompaniment for "The foggy foggy dew") he makes no attempt to re-create a historically accurate folk-style accompaniment. These "arrangements" are not in a parlor style, and do not try to make the harmonies conform to a classical idea. On the contrary, Britten expands the implied harmonic vocabulary while keeping true to the original melodies in order to create a new piece of art that is uniquely his own.
As for the singing, those who are normally offended by Sarah Brightman's vocalism might find this music more appropriate for her voice. Whereas an opera singer might sound out of place singing these simple melodies (see the complete edition of Britten's folksongs), Ms. Brightman has the sound of an amateur with a pleasing voice, giving fairly tasteful renditions (compared, for instance, to her "O mio babbino caro") of a repertoire that is usually only heard from young, untrained singers just entering the voice studio.
Even if this is not his most inspired performance, Geoffrey Parsons is simply one of the greatest song pianists on record.
