Product Description

No Description Available.
Genre: Original Cast Recordings
Media Format: Compact Disk
Rating:
Release Date: 10-NOV-1998

Track Listing

1. Overture and Night Waltz - Beth Fowler, Barbara Lang, Teri Ralston, Benjamin Rayson, Gene Varrone
2. Now/Later/Soon - Len Cariou, Mark Lambert, Victoria Mallory
3. Glamorous Life - Beth Fowler, Hermione Gingold, Glyn Johns, Judy Kahan, Barbara Lang, Teri Ralston, Benjamin Rayson, Gene Varrone
4. Remember? - Beth Fowler, Barbara Lang, Teri Ralston, Benjamin Rayson, Gene Varrone
5. You Must Meet My Wife - Len Cariou, Glyn Johns
6. Liaisons - Hermione Gingold
7. In Praise of Women - Laurence Guittard
8. Every Day a Little Death - Patricia Elliott, Victoria Mallory
9. Weekend in the Country
10. Night Waltz I/The Sun Won't Set - Beth Fowler, Barbara Lang, Teri Ralston, Benjamin Rayson, Gene Varrone
11. Night Waltz II/The Sun Sits Low [#] - Beth Fowler, Barbara Lang, Teri Ralston, Benjamin Rayson, Gene Varrone
12. It Would Have Been Wonderful - Len Cariou, Laurence Guittard
13. Perpetual Anticipation - Beth Fowler, Barbara Lang, Teri Ralston
14. Send in the Clowns - Glyn Johns
15. Miller's Son - D. Jamin-Bartlett
16. Finale: Send in the Clowns/Night Waltz - Len Cariou, Glyn Johns
17. Glamorous Life [*] - Elaine Tomkinson

Product Details

• Amazon Sales Rank: #39574 in Music
• Brand: SONDHEIM,STEPHEN
• Released on: 1998-11-10
• Number of discs: 1
• Format: Cast Recording
• Dimensions: .23 pounds

Amazon.com essential recording
Perhaps best known for the hit "Send In the Clowns," Stephen Sondheim's glamorous 3/4 waltz-time musical recalls enchanted evenings, white kidskin elbow gloves, and romance of the green-eyed bittersweet and bed-hopping sort. The ruse is that these folks lead "ordinary lives": the father is widowed, remarries, and briefly rekindles a sack-side former flame; the son flirts with the maid; the child bride is cuckolded yet loves and is loved by the son; and the maid has a romp with the butler. Adapted from a mid-'50s Ingmar Bergman film, the play debuted in America in the early '70s and is set in Sweden's turn-of-the-century well-to-do society. Now remastered and heard at the dawn of the millennium, Night Music is a dated yet charmingly affected period piece, abundant in its sweeping theatricality. As an unhappily chaste newlywed, Len Cariou, Broadway's glistening middle-aged dandy, is smashing as Fredrick. Glynis Johns (who always sounds congested and quite cosmopolitan) steals focus as the delightful actress Desiree. Night Music is a foolishly fanciful, twinkly score swathed in plucky harp, sweeping strings, and coolly elegant conversational tunes. --Paige La Grone

Customer Reviews

A Timeless Classic Restored to Magnificence
Night Music has been my favorite musical since I first heard it on LP, then stood in the back of the theatre for 10 consecutive performances of this cast. This show exemplifies the best of the Broadway idiom for me and, like the previous reviewer, it made me a devotee of Sondheim for ever and ever, amen. Dated? Excuuuuse me! Len Cariou is so perfect as Frederik -- his was the only version of the character that makes him seem real -- fallible, virile, rueful and ultimately a perfect match for Desiree. And speaking of Desiree, Glynnis Johns played her with elegance and panache. If her performance of the music was more sprechstimme than song, so be it -- Sondheim wrote the music for her style and it works beautifully. The score and lyrics -- well what can one say? Fiendishly clever words and music that soars, dances and subtly shifts its mood to suite the events of the endless summer night. The great songs follow one after the other -- from the marvellous interplay of "Soon/Later/Now" to "Ordinary Lives" to "Liasons," "The Miller's Son," and, yes, "Send in the Clowns." This tune has been so bastardized by crooners and lounge lizards, it's become a cliche. But, just listen once to Ms. Johns' rendition and it becomes fresh and new once again. I realize and remember that this is not a song of sorrow; but of frustration and anger at a universe that would let two people who love each other get so far apart. I could go on and on -- but don't listen to me. Get this CD and listen to it. THen listen to it again. You'll be hooked, I guarantee.

Brilliant! Absolutely Brilliant!
This is Sondheim at his best. Beautiful music pared with complex, witty word play:

Now, as the sweet imbecilities
Tumble so lavishly
Onto her lap,
Now, there are two possibilities:
A, I could ravish her,
B, I could nap.
.
.
.
Perhaps I could read.
In view of her penchant
For something romantic,
De Sade is to trenchant
And Dickens too frantic,
And Stendhal would ruin
The plan of attack,
As there isn't much blue in "The Red and the Black."
De Maupassant's candour
Would cause her dismay,
The Brontes are grander
But not very gay,
Her taste is much blander,
I'm sorry to say,
But is Hans Christian Ander-
Sen ever risque?

Once again Sondheim shows us why, though not as commercially a success as Lloyd Webber, his legacy will endure long after Webber's name is forgotten. To Kay: get beyond the music. You call Sondheim overrated and Webber a musical genius - you're obviously not listening to the whole. Webber's written some pretty music but musical theater is so much more than just pretty music.

Tracks to savor:

Now/Soon/Later
You Must Meet My Wife
Liasons (Hermoinie Gingold is fabulous!)
A Weekend In The Country
In Praise of Women

If you love musical theater, this is a must for your collection.

One of the Greatest Musicals Ever Written
Stephen Sondheim managed a theatrical hat-trick in the early 1970s, writing the scores to three landmark musicals-- "Company", "Follies" and "A Little Night Music". ALNM was a financial success and an artistic smash-- one of the most perfect marriages of gorgeous score, intelligent and witty book, and superb cast. The original cast album brought legendary producer Goddard Lieberson out of retirement, and the whole piece is like an aural slice of theatre on your CD player. The remastering not only cleans up the (already amazingly clean) sound, but slows down two songs to their original keys ("The Glamorous Life" and "Remember?") and restores one deleted cut ("Night Waltz II").

The actors' performance on this recording is nothing short of ideal. Len Cariou and Glynis Johns lead a remarkable cast through the demanding score. The title refers ironically to Mozart's "Eine Kleine Nachtmusik"-- but musically the score is closer to Ravel's "Valses nobles et sentimentales", with sumptuous melodies and piquant twentieth-century harmonies (Sondheim studied with Milton Babbitt, one of the most avant-garde modern composers of his time). "The Miller's Son" is a masterpiece-- an awe-inspiring song in praise of "Bring on Mr. Right, but in the meantime, bring on Mr. Right-Now!", performed in breathtaking fashion by a fantastic singer (D. Jamin Bartlett).

A fantastic CD. Get it!!