Track Listing

1. Judgement Day (Intro)
2. Perfect World
3. Cradle Rock - Left Eye, Lisa "Left Eye" Lopes, Method Man
4. Dangerous Grounds - Method Man,
5. Sweet Love (Skit)
6. Sweet Love
7. Shaolin What (Skit)
8. Torture
9. Where's Method Man? (Skit) - Ed Lover, Method Man
10. Suspect Chin Music - Method Man,
11. Retro Godfather
12. Dooney Boy (Skit)
13. Spazzola - Method Man, Raekwon,
14. Check Writer (Skit)
15. You Play Too Much (Skit) - Method Man, Chris Rock
16. Party Crasher
17. Grid Iron Rap - Method Man,
18. Step by Step
19. Play IV Keeps - Inspectah Deck, Method Man, Mobb Deep,
20. Donald Trump (Skit)
21. Snuffed Out (Skit) - Method Man,
22. Elements - Method Man, , Star, Star
23. Killin' Fields
24. Big Dogs - Method Man, Redman
25. Break Ups 2 Make Ups - D'Angelo, Method Man
26. Message From Penny (Skit) - Janet Jackson, Method Man
27. Judgement Day
28. C.E.O.Utro

Product Details

• Amazon Sales Rank: #8292 in Music
• Brand: Method
• Released on: 1998-11-17
• Number of discs: 1
• Format: Explicit Lyrics
• Dimensions: .16 pounds

Amazon.com
The Wu-Tang warrior's second solo joint is so conceptually huge, only somebody who's been high every day for a decade could have imagined it: hip-hop album as science-fiction double-feature as celebrity parade as horror movie as multilayered masquerade as an endlessly Baroque flow of spiels and skits, hallucinatory fantasy, and killer-bee menace. The romantic strains of Tical have been replaced by pure, sweaty sex, and Meth's image transformation from laidback muscle to bloodthirsty cyborg (with a phone book's worth of guest stars) just means he compacts his flow more tightly. The production is the Wu standard of berserk little loops and spare boom-bap, though RZA's tracks are head and shoulders above those of his disciples. --Douglas Wolk

Spin
The future-present in which Meth and his multiple personas dwell is a paranoiac, claustrophobic, hallucinatory, Sensurround world.... Producers RZA, True Master, 4th Disciple, and Inspectah Deck surround Meth's awesome gust of a flow with swarms of hornet zithers, stinging atonal guitar licks, and the Wu's trademark urban underbelly piano nocturnes.

New Musical Express
Method Man returns with a 74-minute soundtrack for the (seemingly inevitable) apocalypse, which eschews Strange Days-style anxiety for a relentless tone of Mad Max gloom. If the Wu-Tang Clan are the Dad's Army of rap, then on this evidence Method Man is Private "Doomed, we're all doomed" Frazer.

Customer Reviews

Underestimated album
First of, let me ask a question: what you people talking about when you rate this CD 3-stars or below? This album is much way underestimated.
Listen! I think all of you who give this album bad marks are one-track-minded peoples just like Sally in Diamond D. joint because you expected to see a '36 chambers' kinda LP from the Mef. But let me ask another question: what the hell is gonna happen to hip hop if ain't nobody try to make something new? Answer me please. This album is ill: just listen to 'Dangerous grounds', the Left Eye collabo 'Cradle rock' or 'Spazzola'.
You wrote there's too many skits on the album. And what's the problem with that? I think Ed Lover skit is mad and Chris Rock skit is ill... so, what you talking about? I don't feel you.
I think the whole structure of the album is ill: Pre-Millennium, space-type, Satanic, Apocalyptic, hardcore, underground .... And who the hell was gonna make it? No doubt, it was Mef aka The Ticallion Stallion. I think, y'all just can't feel it 'though this album is mad ill from beginning to end. You mad 'cause Mef made collabos with Janet Jackson, Donald Trump and D'Angelo? Eff y'all! It's still phat!
And about the productions: rugged -n- raw! Just think about 'Perfect world' (which is a breath-takingly shocking Satanic Apocallyptic Next-Millennium [or next-next-millennium] Epic), 'Judgement day', 'Cradle rock' (damn! that's off the meter!), 'Dangerous grounds' (Street rips it...).
Then another jewels: 'Retro Godfather' which bring you back to the origins, the roots with a song like we was in a late 70s or the early 80s. 'Party crusher' which is like a early 80s smoothe party joint. 'Break ups to make ups' which is a laid-back type of joint with a diss to the ex-es. 'Spazzola' with its simple piano and beat based music: very raw.
So, again: what was y'all peoples talking about when you underesttimated this LP? You was dreaming or sleeping on it? Eff it! Y'all people is intolerant and simple-minded. I only got sorry for y'all.
You must understand something: hip hop is about progress.
Let me ask some questions: what if Common ain't step up the scene while the West is overwhelmed by that gangsta image? What if Tha 'Liks ain't make hits low down the underground of the West? What if N.W.A. ain't slow down the beats with 'Always into sometin'? What if Nas ain't drop 'Illmatic' during that G-funk ruled period? What if Ras Kass ain't make no 'Soul on ice'? And what if Sticky ain't broke up with the Onyx and ain't make BlackTrash? Tell me... So???
In addition: this CD is ill! But you have to stay away from that '36 chambers' ('though that's a classic)-thing... you know? Or not?
Nevermind!
One thing: Mef ain't no mainstream! He was the one who protested against 'Gravel pit' being too mainstream. (Remember that MTV interview).
At the end: I still got respect for Mef from shoulder to shoulder and that's just IT!
Told: 4.5-stars.
One!

Another One from Wu Brother #1
when i copped this back when it came out, i remember being very into Wu-Tang and with that said this album is an Epic and doesn't sink like Leo's Titianic. this disc from top to bottom is method man every which way possible to name it. mostly produced by RZA & The Wu Elements (Mathematics, 4th Disciple & True Masta) and also Erick Sermon & Havoc guesting on two tracks makes this disc a worthy counterpart to Tical. With 28 tracks as a lengthly opus to starts and funny as sometimes unnessesary skits makes it a characture of itself but still keep the ship intact thou. lots of singles could of been chosen off the the album but the two main ones were "Judgement Day" & "Break Ups To Make Ups" feat D'Angelo make it a sorta purchase but what makes it a purchase is that it's just so dope as a listen that why you couldn't cop it. favorite tracks are:
Shaolin What (cuz of lex lugar line)
Judgement Day
Spazzolla feat Wu Tang Clan
Play IV Keeps feat Rebel Ins, Streetlife & Mobb Deep
Grid Iron Rap feat Streetlife
Step By Step
Killin Fields (with the warriors type of intro/outro)
You Play Too Much Skit (always makes me laugh)
Torture
Suspect Chin Music feat Streetlife
Dangerous Grounds feat Streetlife
Sweet Love feat Cappadonna & Streetlife (reminds me of one of my homegirls plus it was her fav. song)

Overall i'm give this a 4.5 Stars

I Like This World!!!
I remeber when I first heard this album I didnt give it a second listen. But now after hearing it again, its Method Man's best album next to Tical. Perfect World Is not a bad opener and Cradle Rock featuring Left Eye(RIP) is crazy. Dangerous Grounds should have been the first single seeing that it was better than Judgement Day. Method Man shuts it down disrespectfully on Torture and He kills an old school sample on Retro Godfather. Play IV Keeps featuring Mobb Deep, Inspectah Deck and Streetlife is a banger that was never promoted at all(and this song came out at a time when Prodigy was STILL NICE with the mic). Spazzola featuring Streetlife, Raekwon, Inspectah Deck, Masta Killa and Killer Sin is another banger. The title track Judgement Day is not a bad single but it is a bad first single. This is a track that if you dont feel it the first time you might like it another time not a track that is going to make you get the album. Break Ups 2 Make Ups featuring D'Angelo is Method Man's story of his grimy ex-girl and its another standout. The only songs I didnt feel is Suspect Chin Music(suspect is the word) and Sweet Love feat Cappadonna and Streetlife. Plus all those skits(with the exception of the You Play Too Much skit) are pointless to say the least. Bottom Line: Tical 2000: Judgement Day is easily Method Man's most overlooked album and is his best work next to his first one. The production was great, Method Man was still nice with the pen and the guest appearances were great too. Whether you like this album or not doesnt matter but its still a hip hop album regardless, Tical O: The Prequel was pop rap so learn to differentiate the two. Standout Tracks: CRADLE ROCK, DANGEROUS GROUNDS, TORTURE, RETRO GODFATHER, SPAZZOLA, PARTY CRASHER, STEP BY STEP, PLAY IV KEEPS(my favorite), ELEMENTS, KILLIN FIELDS, BIG DOGS, BREAK UPS 2 MAKE UPS and JUDGEMENT DAY.