Track Listing

Disc 1:

1. Callin' Baton Rouge
2. Two of a Kind, Workin' on a Full House
3. Shameless
4. Papa Loved Mama
5. Thunder Rolls [The Long Version]
6. We Shall Be Free
7. Unanswered Prayers
8. Standing Outside the Fire
9. Longneck Bottle - Garth Brooks, Steve Wariner
10. It's Your Song
11. Much Too Young (To Feel This Damn Old)
12. River
13. Tearin' It Up (And Burnin' It Down)

Disc 2:

1. Ain't Goin' Down ('Til the Sun Comes Up)
2. Rodeo
3. Beaches of Cheyenne
4. Two Pi�a Coladas
5. Wild as the Wind - Garth Brooks, Trisha Yearwood
6. To Make You Feel My Love
7. That Summer
8. American Honky-Tonk Bar Association
9. If Tomorrow Never Comes
10. Fever
11. Friends in Low Places [The Long Version]
12. Dance

Product Details

• Amazon Sales Rank: #61414 in Music
• Released on: 1998-11-17
• Number of discs: 2
• Format: Collector's Edition

Album Description
Two CD live set from the Country superstar. Double Live finds Garth revisiting 22 of his hits and fan favorites alongside three new cuts: 'It's Your Song', 'Wild As The Wind' (with future wife Trisha Yearwood) and 'Tearin' It Up (And Burnin' It Down'. Garth runs through each of the live tracks like a man possessed, treating each song with the energy of a Tasmanian devil (and loving every minute of it). Recorded over the period of a few years, this excellent set, originally released in 1998, is icing on his catalog cake.

Amazon.com
Garth Brooks's obvious inspirations for Double Live were all those 1970s double-album concert recordings from album-oriented-rock influences such as Bob Seger, Kiss, and Peter Frampton. The difference between those classic-rock sets and this one is that Live Bullet, Alive and Frampton Comes Alive all helped to rescue their respective artists from virtual obscurity. Coming as they did from still largely unknown commodities, they seemingly promised nothing yet delivered everything. Already a superstar, Brooks merely promises more of the same on Double Live. He delivers, too. "You guys already know what's coming, don't you?" he asks at one point. "And you know what? You're right." Loaded with 22 hits (and three new tunes) recorded in any number of unnamed cities (and studios, too) over the past seven years, Double Live finds Brooks exaggerating his most irritating tics--the Wynnona-ish growls, the ridiculously elastic twang--in the process ruining even his finest songs. Still, even those convinced that Brooks is the Garth Vader of country music will be brought to pause as tens of thousands of admiring fans sing earnestly along to "The Dance" or "Unanswered Prayers," and scream their way through the anthem "Friends in Low Places." (Please note: You may receive any one of the album's six different covers.) --David Cantwell

USA Today
Brooks gives his fans plenty of concert-only goodies on the album's 25 songs, like the additional verses that pound home the points of "The Thunder Rolls" and "Friends in Low Places."

Customer Reviews

Crass Product, Brooks becomes a sell out
After Garth Brooks recorded the six albums that made him a superstar, he began to show himself much more a businessman than a genuine country star concerned with the artistic integrity of the music itself, and this album was one of the first indicators of his corporate attitude. Around this same time, Brooks would make a deal with Wal-mart to package his first six albums into a box set, with each album given one bonus song, and which was only around 30 bucks. Naturally, this is dirt cheap, to pick up six albums for only thirty dollars.

The real reason why he was doing this? Because he was chasing The Beatles' record of moving the most units and records of any band in the world to become the biggest selling musical artist ever. He had already shattered Billy Joel's status as most popular male vocalist ever according to record sales. Because each disc counted for one unit, this box set would help him greatly in that chase to topple The Beatles, though this would be done only by inflated sales totals. That is what a sellout Brooks became.

Despite the rather dubious intentions of Garth's first box set, nowhere else does Brooks so blatantly sound like he's selling product. From the unimaginative title (DOUBLE LIVE, which is exactly what it is), to the various hodge podge of different songs from different concerts (none of the performances are dated or noted what concert they are drawn from), to the uninspired set list, Brooks just sounds like he's not playing the music because he loves it or it documents a historic, well known performance, but because he knows anything he puts out will sell. DOUBLE LIVE sounds like patchwork, because it is not a real concert, but rather assembled from various dates and venues.

Most great live albums give us a rather idiosyncratic tour of the respective artist's catalogue. DOUBLE LIVE doesn't do that, or examine some of the lesser known songs of Brooks' catalogue. Rather, it plays exactly like a greatest hits album, only with live tracks, and sounds like Brooks was trying to sequence the record like a fantasy concert where you only hear the songs you want, or more likely when a causal fan is looking at it in Wal-Mart (because he won't sell it anywhere else), the fan realises it has all the songs he knows on the radio so he know it must be good.

Like most other greatest hits packages (which is really all this album is, albeit live), DOUBLE LIVE also includes three new cuts, to entice the Garth Brooks completest (sad that there is such a thing) out to buy this album.

Everything is professional and played to perfection - to the point where it is distracting. In the rush of great performances, occasionally things are out of tune, mistakes are made, etc, but a great concert can overcome these difficulties and still retain the emotional and powerful elements of the music. Not so here. Everything is so polished, and there are a few moments that one suspects studio overdubbing on the original live tapes. Actually, in several songs there is quite clearly studio work done.

In another effort to move more units in pursuit of overthrowing The Beatles (sorry Garth, they will always be much cooler than you), Garth Brooks also put the album out with six different covers, so the `collectors' will try to purchase all six editions.

Even during some of the songs, Brooks acknowledges it is just product. As noted in the Amazon editorial, Brooks says to the audience at one point that they know what's coming. During the live version of "The Thunder Rolls", he asks what a double live album would be without the missing verse of "Thunder Rolls", and then goes on to sing it.

For all that, DOUBLE LIVE is entertaining, and I can see why people enjoy it. But ultimately the songs on the live album don't really differ from the album version that much. That just makes the live album boring. The most entertaining thing Garth Brooks did during the late 1990s was record the, admittedly misguided and confusing, ... IN THE LIFE OF CHRIS GAINS. There he is entertaining his rock and roll fantasies, and while it's not the greatest music around, it is one of his most bizarrely fascinating records.

What is really offensive is Brooks' business tactics. Brooks' underhanded, sleight of hand pursuit of chasing The Beatles' record with inflated sales total, and feeling he is just trying to sell product, not make great music, makes DOUBLE LIVE give a very sour taste for knowing listener.

Bottom line: it's a decent sounding record (it should be, with all the studio overdubs), but give this one a miss. The Beatles got their status as best-selling artist of all time because they're fantastic musicians and rock and roll royalty. They did it by making great music, not by cheap marketing, making blatant product, or trying to artificially inflate their sales totals.

Garth Brooks Double Live
Garth Brooks isn't your traditional and typical country singer. With music roots that go back to his love for Kiss when he was younger, it is obvious through this double live album that he tries to emulate what Kiss did on their own Double Live albums, and through their shows. And you know what, Garth succeeds.
Nothing about this double live album is dull. Garth shows through his music what a true performer he is, and you only need to listen to this album to understand why everyone raves about his showmanship.
With classics that range from Friends in Low Places to newer songs such as The American Honky Tonk Bar association Garth brings a little rock to his country, and a little country to his rock, and he does it exceptionally well.
Garth brings his own style to country.
In each song he performs he speaks volumes with emotion. Songs like "We shall be free" touch the soul completely.
Other songs such as "The American Honky Tonk-Bar Association" and his exceptional cover and redo of Aerosmith's "The Fever" has one tapping their foot along to the beat of the music.
Whether he is being cocky and confident, or humble and tearful, through and through he brings emotion to the music, and it is heard not only through his voice, and the lyrics but through the crowd, and the atmosphere.
Songs such as "The Thunder rolls" and "Friends in low places" are two songs, in which the extra verses can only be heard in concert and the response to those extra verses is enough to hear it.
Garth's connection with his fans is obvious, and what is even more obvious is his own enjoyment at seeing how much his fans love his shows.
And it wouldn't be right without Trisha Yearwood singing a duet with Garth, as she does on "Wild is the wind".
This Cd is a must to all Garth fans. And for those who aren't Garth fans this is the album that will either make you one, or not.
The best way to listen to this is to turn down the lights, turn up the music, close your eyes and let Garth take you there.

Yet another excellent work from a brilliantly talented man.
I find it amazing that people could write reviews about how Garth is the "Kenny G" of country, or how his "twang" ruined his song. Critics are just people who think their opinion matters and who get paid to be snobs. To hell with all of them.

I got Double Live as a gift last christmas and I've listened to it many times, but lately its been the only album that has graced my CD player at all. I was literally brought to tears when I was listening to Unanswered Prayers the other day because all these people were singing along to a song that he, Garth, created. I can think of no greater compliment than to have thousands of fans singing your own songs back to you. The twangy AHBA (Amer. Honky-Tonk Bar Assn) and 2 of a Kind are FUN songs. The twang adds personality and character to the song. And I love it.

Let me also say that I detest most country music. The "tear in my beer" type country is annoying, but for some reason I absolutly love Garth. He has been able to transcend the boundaries of country and pop and bring fans of both genre's together. His concert in Central Park was absolutly incredible and anyone who could pack central park with that many people is more than just a country western star.

Garth, I salute you. My hat is off to you, and I wish you luck in all your endeavors. I'm looking forward to getting "in the life of Chris Gaines."

BTW: it was hard to tell that it was you at first.