The Heretic of Ether
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Average customer review:Track Listing
- Intro
- Tired Soldiers
- Voice from Six Corners
- Santur
- Enter the Heretic
- Fatal Confrontation (The Death of Gashka Gavor)
- Enterance
- Arrival
- Fatal Confrontation (Gashka Meets the Gate Keeper)
- Welcoming
- Falling
- Fatal Confrontation (Revisited)
- Return of the Heretic
- Awakening
Product Details
- Amazon Sales Rank: #335893 in Music
- Released on: 1999-02-23
- Number of discs: 1
- Dimensions: .19 pounds
Editorial Reviews
Album Description
SUB DUB member RAZ MESINAI's ongoing fusion of Middle Eastern sounds.
Amazon.com
A crucial part of Manhattan's "illbient" scene, Raz Mesinai--a.k.a. Badawi the Bedouin--is known as one half of the duo Sub Dub, whose dark soundscapes, heavy beats, and turntable moves echo kindred souls and Asphodel label mates such as Byzar, We, and DJ Spooky. But the Israel-bred, New York-blossomed DJ responsible for 1997's incendiary dub-hop hybrid Bedouin Sound Clash has chops on more than just the wheels of steel. Adept at Middle Eastern hand drums such as the bendir, zarb, dumbek, and darbouka, he's a top-shelf percussionist who puts dub and beat science aside to focus on more traditional Arabic and Sufi sounds on The Heretic of Ether. A musical and metaphysical travelogue of a fictional gypsy whom Mesinai calls "Gaska Gavor," Ether is a sample-free collage of live cello, violin, percussion, keyboards, and voice, developed through long, often austere improvisations arranged into three suites, or "chapters," from the trancelike "Tired Soldiers" to the driving "Fatal Confrontation." Middle Eastern music only an illbient instigator could create. --James Rotondi
Customer Reviews
excruciatingly exquisite
as often as not, just thinking of this record gives me waves of goosebumps. incredibly moving, timeless, well beyond mere sentiment...you know right away you're in the presence of something far from the familiar or expected. this record deserves to be heard by many people for a long time. As a DJ, I have what I call my "fish in a barrel" tracks, pieces that I know are going to invariably sweep across the room like a rapture, and near the top of the list is this record. I can't recommend it highly enough.
Don't Close Your Eyes
Mixing Western and Middle Eastern instrumentation and sensibilities, Badawi finds a dark intersection and explores every inch. There's a definite sense of evil, or at least danger, creeping through the notes; the underlying drones are as unsettling as the banjo boy from Deliverance. The percussion tends toward melody but never quite escapes its rhythms.
The album plays on several themes: struggle, defeat, and enlightenment. The listener observes a heroic journey, and is rewarded for deep listening.
A trip into the middle east
WOW,this is one hell of an album!if you are looking for asphodel label mates trickery,go elsewhere please-this is pure spirit... Basically a one man album,with asstiance from 2 string players, Raz mesinai plays all percussion(middle eastren stuff like darabuka and frame drums) and keyboards.The music itself is quiet minimal, and builds up from the begining of the cd till end. the are some very rhytmic cuts,but the over vibe is quite chilled out and relaxing( for me at least....).Hell - i go to sleep hearing this cd! my only Question is- who da hell is Raz mesinai? the cd has lots of hebrew and israeli names-what's da catch?




