Product Description

When a humanitarian mission in Iraq is derailed by an explosive ambush, a small band of American soldiers find themselves fighting for their lives.

Product Details

• Amazon Sales Rank: #26662 in DVD
• Brand: JACKSON,SAMUEL L.
• Released on: 2007-10-23
• Rating: R (Restricted)
• Aspect ratio: 1.33:1
• Formats: AC-3, Color, Dolby, Dubbed, DVD, Full Screen, Subtitled, Widescreen, NTSC
• Original language: Arabic, English, Spanish
• Subtitled in: English, French, Spanish
• Dubbed in: French, Spanish
• Number of discs: 1
• Dimensions: .18 pounds
• Running time: 106 minutes

Amazon.com
The fact that Home of the Brave is about soldiers coming home from a war that isn't even over is just one of the things that's off in this film; director Irwin Winkler and screenwriter Mark Friedman's 2006 tale of the problems faced by the men and women returning from Iraq is also hampered by thoroughly predictable storytelling, sub-par acting, and sometimes painfully on-the-nose dialogue, reducing what could have been a provocative and challenging effort into so much TV movie fodder. When Army medic Will Marsh (Samuel L. Jackson, who does his best to rise above the level of the material) and soldiers Vanessa Price (Jessica Biel) and Tommy Yates (Brian Presley) return to Spokane, Washington, major readjustment problems loom, mostly due to a chaotic ambush in a small Iraqi town (occurring less than two weeks before they were to be sent home, the incident is so unsurprising that anyone could have seen it coming). Will and his angry teenage son wage their own war, while Dad takes to the bottle; Vanessa's learning to cope with a prosthetic hand, while Tommy's grieving over the best buddy who died in the ambush and the loss of his job, girlfriend, and self-respect. Those matters and the clichéd, unconvincing way in which they're handled, along with the film's refusal to take a strong stand either for or against the war, obscure the potentially much more interesting issues. Are these soldiers patriots, or merely pawns? Were they doing their righteous duty by serving in this conflict, or were they victims sent off to suffer and perhaps die by a bunch of men in suits who never saw a minute of combat themselves? Other home-from-war films, from 1946's The Best Years of Our Lives to 1978's Coming Home to 1989's Born on the Fourth of July, have dealt with these and other issues a good deal more effectively than the earnest and well-intentioned but not very compelling Home of the Brave. --Sam Graham

Customer Reviews

As a former solider, this move is irritating
Mere weeks away from learning that their unit has received orders to go home from Iraq, various soldiers go on a humanitarian mission and run into an ambush. Chaos ensues, and all receive an injury in one way, shape, or form. Weeks later they are all in Spokane, Washington and the four main characters (Vanessa - Jessica Biel, Will - Samuel L. Jackson, Jamal - Fiddy, and Tommy - Brian Presely) deal with piecing their lives together while many hate the war, and by proxy, hold that hatred against the soldiers involved in it. The rest is just a person-by-person experience of individuals coping with semi-related post-war lives.

Home of the Brave is controversial in that it's difficult for a movie-maker to relay a message that's very positive of the military life or the struggles of a soldier - and keep a job in Hollywood - but it's clear that the creators of this movie didn't even remotely try. They paint a bleak picture of abandoned, abused, and shell-shocked soldiers who drink uncontrollably, can't control their anger, and can't relate to the "civilian life" outside of the foreign world of the military. In that sense, Home of the Brave reminded me in many ways of The Things They Carried by Tim O'Brien. Pain often accompanies scars, but what doesn't always coincide mentally, however, is the visibility of those same scars. Outward appearances don't always convey the truth of trauma or mental difficulties.

With all that said, however, as a former soldier and family member of several generations of soldiers, I can say unequivocally that the image conveyed is hazy to say the least. To be more accurate, it's slanted politically, with hints and outright displays of ignorant anti-war rhetoric, and reeks of the same type of elitist comments made by John Kerry about the correlation between being in the military and a lack of intelligence or education.

While the biased, hyper-focus of the movie is on the troubled few, what's left out is the great majority who deal with their troubles without a comment or complaint. Therein exists the truism of bravery, courage, honor, and sacrifice of the majority, and perhaps it would do the Hollywood folks a bit of good to concentrate a little more on those stories, because I've heard several and I'm sure there are countless more.

Hollywood Propaganda sinks to a new low....
I couldn't even make it through this joke of a movie. Decent cast with the worst script ever laced with an agenda and biased outlook make this movie look like some crap that was made for TV by PBS or something. The basics of the movie are that EVERY soldier that goes to Iraq comes back either in a body bag or in pieces, ignoring the fact that more Marines have died in motorcycle crashes than in combat in Iraq. It portrays every soldier as some drunk lunatic fool. Of course that's what hollywood thinks anybody that enlists in a 100% VOLUNTEER army is, even though they constantly profess they are "against the war but support the troops". You'd be hard pressed to find many people that are pleased with how the conflict in Iraq has gone from the beginning but this movie is just nonsensical over the top garbage propaganda. The movie had plenty of potential if it would have been more realistic. Maybe then it would have been easier to write some decent dialogue for the cast to work with.

When the walking wounded come marching home
At an advance screening of HOME OF THE BRAVE, the studio flunky introducing the picture claimed that it's the only film that's been made of one of America's wars while the U.S. was still fighting it. Oh, wrongo bongo! I can offhand think of three made about the Vietnam debacle during the period of that conflict: A YANK IN VIETNAM (1964), TO THE SHORES OF HELL (1966), and THE GREEN BERETS (1968). Perhaps the politically correct might tend to forget these as none were anti-war, and the last, starring John Wayne, was unabashedly pro-U.S. involvement. How quickly we forget that there were two sides to that debate.

The first twenty or so minutes of HOME OF THE BRAVE, taking place in Iraq, is the introductory bit when we meet Will (Samuel L. Jackson), an Army medical officer assigned to a forward medical unit, and three Army enlisteds: Vanessa (Jessica Biel), a driver in a motor transport unit, and infantry grunts Tommy (Brian Presley) and Jamal (Curtis Jackson). While on a humanitarian aid mission, a military convoy carrying the four is caught in a vicious urban ambush that includes an explosive device hidden in the body of a dog.

The balance of the film takes place in Spokane, WA, after the four return to the home base of their respective national guard units. Vanessa is now minus her right hand. Will, who'd been tasked with providing initial trauma care to so many horribly maimed young soldiers (including Vanessa), now finds himself emotionally disconnected from his civilian patients, while at the same time having to deal with the hostility emanating from his anti-war, teenage son. Jamal is wracked with guilt; while in pursuit of the convoy's attackers, he accidentally killed an Iraqi woman while searching her home. During that same pursuit, Tommy had his best friend die in his arms after the latter was twice shot in the back by an insurgent gunman.

My screening's viewing audience was informed that Director Irwin Winkler thought the Iraqi war would be over by the time HOME OF THE BRAVE was released. Thus, it's perhaps not surprising that it doesn't overtly support or condemn our presence there since its appearance in American theaters was assumed to be after the fact. (Interestingly, one of the protagonists decides to return to Iraq for all the right reasons; reasons that may leave a lump in the viewer's throat.) Rather, it's an emotionally wrenching study of four average Americans left to cope in the normal world in the aftermath of violence. Each of the four principals gives an Oscar-worthy performance, as does the character of Will's long-suffering wife Penelope (Victoria Rowell), who discovers that life with hubby home doesn't meet long-harbored expectations.

Of course, just as the media doesn't consider news worth reporting unless it's of the bad sort, HOME OF THE BRAVE ignores all those war veterans, perhaps a majority of those who have served or are serving, who ultimately return home to take up where they left off without having hit too devastating a speed bump in their lives. In any case, whether you support or condemn our nation's current entanglement in that wretched toilet of a country, you must necessarily come away from HOME OF THE BRAVE with an admiration and sympathy for our uniformed men and women that serve there. And shame on you if you don't.