Product Description

Whitney Houston and Angela Bassett star in this funny and touching film about four women who find strength through their rare and special relationship. Savannah, Bernadine, Robin and Gloria are all searching for the Real Thing: true love. Bernadine thought she had it, until her husband left her for another woman. Savannah and Robin are successful in business but their love lives are bankrupt. And divorcee Gloria is getting back in the game by flirting with her new, very eligible neighbor. Based on Terry McMillan's best-selling novel, and featuring the #1 smash hit "Exhale (Shoop Shoop)," "Waiting to Exhale" is the film you and your friends have been waiting for! Original score by Kenneth "Babyface" Edmonds.

Product Details

• Amazon Sales Rank: #21567 in DVD
• Released on: 2001-03-06
• Rating: R (Restricted)
• Aspect ratio: 2.35:1
• Formats: Closed-captioned, Color, Dolby, DVD, Letterboxed, Widescreen, NTSC
• Original language: English, French
• Subtitled in: English, Spanish
• Number of discs: 1
• Running time: 124 minutes

Amazon.com essential video
Based on a novel by Terry McMillan, this weepy melodrama about four African American women and the men who wronged them became an instant cultural phenomenon when it was released back in 1995. It's easy to see why Exhale struck a nerve: the movie boasts an attractive cast of African American actresses and personalities, including Whitney Houston, Angela Bassett, and Lela Rochon. Unfortunately, though, Exhale sags under the weight of its soapy, crisis of the week plotting and relentlessly cheery "you go, girl!" optimism. And African American men, cast here as insensitive lovers and pigheaded materialists, get the very short end of the feminist stick. Perhaps moviegoers were simply responding to the brilliant soundtrack by R&B superstar Babyface, who provided the movie's only real groove. --Ethan Brown

From The New Yorker
The film version of Terry McMillan's best-selling novel, with a screenplay by McMillan and Ronald Bass, is a pile of the purest tripe. The central quartet of female friends, played by Whitney Houston, Angela Bassett, Loretta Devine, and Lela Rochon, spend their lives in bonding and mutual counselling; their approach to men swivels between sharklike aggression and Bambi-eyed yearning. The director, Forest Whitaker, appears to be at the mercy of this confusion, switching tones in the middle of scenes and drawing cartoon reactions from his performers. Only Houston emerges with any credit: she gets to swing her stuff on the soundtrack, which is everything the picture isn't-sultry, creamy, and quick about its business. -Anthony Lane
Copyright © 2006 The New Yorker

Customer Reviews

Inhale. Exhale. Repeat.
Depending on who you are, Terry McMillan's 1992 novel "Waiting to Exhale" is either a blessing or a dreaded curse. McMillan's third novel about four African American women struggling to attain stability, identity, and normalcy in Phoenix was praised in some circles for giving contemporary Black women a much-needed voice. But in other circles, mostly male, "Waiting to Exhale" was ripped to shreds as a spiteful and ungrounded damnation of Black men as philanderers, deadbeats, and no-good-dooers. It also made McMillan the biggest literary target of criticsm since Alice Walker unleashed her novel "the Color Purple." But whatever your take on the book is, the film adaptation won't likely change your stance, as it stays overall faithful to the book. Director Forest Whitaker does a respectable job bringing to life these characters: Savannah (Whitney Houston) is the buppie still in search for Mr. Right; Bernadine (Angela Bassett) just got dumped by her husband of 11 years for a white woman; Robin (Lela Rochon) is the ditzy bimbo still trying to shake off her no-good ex, and Gloria (Loretta Devine) is the full-figured owner of a successful hair salon. The best performances, hands down, are Bassett and Devine, who make the best impressions, and they help keep the film moving at a good pace. The script, co-written by McMillan, is crisp with enough funny one-liners and a story compelling enough to keep the viewer interested. But there are flaws. Whitney Houston struggles in her role as Savannah; her performance is wooden and forced, and when paired against a seasoned pro like Bassett, she flat out crumbles. A more relaxed approach to the material would have helped. Also, memo to Black filmmakers: drop the swishy gay hairdresser stereotype! It's tired, done a million times before, and, frankly, is grossly out of touch with reality. That aside, it's not often that a movie successfully adapts a novel as well as this one, and "Waiting to Exhale," warts and all, merits a B in my school of cinema.

Great Film But Some Content is Diconcerning
I have mixed feelings about this film.This is a great film with a very strong performance by Angela Bassett. This is a very funny film also. The humor keeps it flowing. I do feel, however, that the story focuses too much on these women "getting some" and that relationships overrule everything but work. The best part of the story is Angela Bassett's character. I also think that the men in this film deliver good performances. The focus of the film is also the friendship between these women.

A HUMAN STORY
The first time I saw this film, several years ago, I was really annoyed by it. I wondered how I could relate to this film about adult, black women? I was a white teenage girl in the suburbs. Seeing Angela Bassett's character fight with her husband about his declaration of loving another woman, I did not have a clue how to relate to it. Not only had I never experienced any kind of mature, adult relationship, the racial issues that arise in their argument were completely foreign to me. The husband tells Bassett that he is in love with his secretary and is leaving Bassett for the secretary. Bassett angrily asks, "Is she white?" The husband asks, "Why? Would it be better if she were black?" Bassett retorts, "No, but it would be better if you were." However, when I saw it again when I got older, I found that the film was warm, funny, vengeful, true to life and universal. I guess this is the trick of making a film that features an almost all black cast. People who are not black might not see it because they feel like they are watching something outside their own experience, and yes, in many ways, like it or not, they are. However, the stories told here transgress a solely "black" experience and become a universally female experience. And even a human one. We all experience pain, loss, insecurity, self-doubt, and we turn to our friends to get through those times. Sometimes, as in the film, our friends lead totally different lifestyles from the ones we lead. The film actually portrays these women in a way that breaks stereotypes and focuses on how real people might deal with their real feelings. Or in the case of Angela Bassett setting her soon-to-be-ex-husband's car on fire in the driveway, well, maybe none of us would really do that, but I am sure we have all felt like it. Overall this was a well-acted, well-done film with universal themes.