Product Description

Acclaimed as one of the year's must-see films, MRS. BROWN is a riveting, true-life story of forbidden love and passion! Queen Victoria (Judi Dench -- TOMORROW NEVER DIES, GOLDENEYE) was the world's most powerful woman. Rugged Scotsman John Brown (Billy Connolly -- INDECENT PROPOSAL) was a lowly servant who looked after her horses. Yet when circumstances brought them together ... the result was a passionate friendship that scandalized a nation! With commanding performances from stars Dench and Connolly -- you're sure to find this motion picture outstanding and entertaining!

Product Details

• Amazon Sales Rank: #8059 in DVD
• Released on: 1999-06-15
• Rating: PG (Parental Guidance Suggested)
• Aspect ratio: 1.85:1
• Formats: Closed-captioned, Color, Dolby, DVD, Letterboxed, Widescreen, NTSC
• Original language: English
• Number of discs: 1
• Running time: 105 minutes

Amazon.com
A romantic drama in the Masterpiece Theater vein, this John Madden film looks at the relationship between Queen Victoria and John Brown, a commoner who, though a servant, becomes her closest friend and confidant. As such, he proves the catalyst to bring her back into public life and out of her private mourning for the late Prince Albert. But the closeness of their friendship sets tongues wagging about the impropriety of what appears to be an affair between queen and commoner (an issue the film never directly addresses). The film's charm lies in the flinty give-and-take between the wonderfully starchy Judi Dench as Victoria and the robust Scottish comedian Billy Connolly, here playing it straight as a strong-willed Scotsman who comes to enjoy the power he wields by virtue of having the queen's ear. Antony Sher is also striking as Prime Minister Disraeli, in a performance that all but shimmers with unspoken malice. --Marshall Fine

Customer Reviews

Outstanding movie.
It is very seldom that I get to watch the movie of this quality. It is absolutely brilliant.

This is a story of a unique friendship formed between two very unlike characters: Queen Victoria and her servant Mr. Brown. As the story developed I was completely absorbed by the lives of these two people, as if I was actually part of it rather then watching the film.

Story is incredibly well told (though I do wish filmmakers were not in such a rush to end it), cinematography is absolutely beautiful and as far as the historical part of the movie it was perfectly captured. And then there are actors involved in this movie.

I do not think that my knowledge of English language will allow me to fully describe superb talent of Judi Dench, which by all means is unmatched by anyone alive today. Her performance was absolutely flawless. Academy should be ashamed for not awarding her with an Oscar and choosing Helen Hunt's performance over hers. Not even a contest in my opinion.

As incredible as Judi Dench is I'm sure it is very hard to find costars that will not be completely overshadowed by her. But Billy Connelly filled the screen with his brilliant performance. Perfect chemistry between the two. And of course - Geoffrey Palmer who happens to be Judi's long time costar from BBC's "As Time Goes By" (which I think is one of the best TV comedies of all time). When you get so caught up in a movie that you forget it's not a real life you know that actors are doing an incredible job.

This is an exceptionally well made film, a stunning piece of cinematography. And I think it should be a part of any movie-lovers collection. It certainly is part of mine.

Did she or didn't she?
That is the question. Of course, when one thinks of Victoria, the idea of prudishness, conservatism, and a very reserved manner in action and morality naturally come to mind. It was never unusual for monarchs, male or female, to have lovers outside of their marriages (indeed, it might be considered unusual for a monarch to have been thought to have remained faithful), but Victoria? The epitome of a repressive, almost oppresive morality? Surely not.

Don't be so sure.

Four years after the death of Prince Albert, to whom Victoria was completely devoted, and for whom she mourned in quite public and dramatic fashion, against the protests of her children and her ministers, John Brown, a favourite ghillie of the royal couple, was brought back into service of the Queen household.

Victoria's favouritism toward him, coupled with his own brash and blunt behaviour, caused him to be envied and disliked by members of her family, her household service, her ministers, and largely by the public. There were parodies of John Brown's activities, done up in the form of mock Court Circulars (the official listing of royal engagements), which appeared in the press on both sides of the Atlantic.

It is unknown if Brown actually kept a diary (the movie speculates such, but also states that no diary was ever found). There was a large black trunk of correspondence found after Victoria's death, between the Queen and her doctor at the time, Profeit, regarding John Brown. This came into the possession of her new doctor, Reid, who recorded 'most compromising' secrets into his green memorandum book. Alas, this book was burned by Reid's son, and the trunk was not found. Did it refer to a secret marriage between Victoria and John Brown, as was often speculated?

This is, in truth, unlikely -- Victoria's devotion to Albert never waned in her life, and there was a certain innocence, lack of pretense and guile in Victoria that the more political and suspicious (particularly in the press) would not have known. Both Brown and Victoria were outraged at the rumours. Brown was a servant who put no stock in class divisions and the artificiality of social conventions -- his familiarity with the Queen (in fact no different from his direct and familiar manner of relating to everyone) was simply his manner.

But then, everyone likes a good, juicy scandal, don't they? So much more interesting than decades of mourning, which makes for rather boring news leaders.

The film takes up the story with Brown's arrival at the royal residence on the Isle of Wight (an inaccuracy, as he was presented at Windsor first). The story is romantic yet reserved, and the cinematography is stunning. From the cloud-cast home on the Isle of Wight to the stately and foreboding Windsor scenes, to the unspoiled Highlands around Balmoral, this film has had great care infused in the details of costume, setting, and atmosphere.

Judi Dench gives perhaps the greatest performance of her life as the Queen, showing real emotion through the Victorian reserve in an admirable fashion (for which she was nominated for the Academy Award, and won the Golden Globe, as best actress). In a really surprising casting, Billy Connolly, best known as a comic, turns in a first class performance as John Brown, the brash Scotsman who becomes completely devoted to his Queen. Geoffrey Palmer, a solid actor known in many BBC productions, plays the Queen's private secretary, Sir Henry Ponsonby, who is continually amazed at the liberties taken by Brown (Ponsonby, in reality, saw Brown as a first class servant, and remarked so frequently in correspondence with others). This film was first proposed as a BBC television production, but ended up being so well performed and executed that it was transferred to become a cinematic release.

Given the high profile scandals of the royal family today, this story seems almost timid. But, history does repeat itself, so one can never be entirely sure, until such time as the royal archives are opened to scholars, perhaps a few centuries from now, and the truth may be known to posterity.

An outstanding, touching story.
Following the death of her beloved husband, Prince Albert, Queen Victoria withdrew from the outside world. As the years pass, and the Queen shows no sign of returning to duties, her entourage decides to bring her old groom from Balmoral, John Brown. Here lies the beginning of this story.

Mr. Brown succeeds in reaching the Queen, and a bond begins to grow between them, giving rise to scandal. The love they share is not one of passion, but of something much deeper - true friendship. This movie demonstrates a depth of emotion and humanity that I thought was gone from the movie industry. I would (and do) highly recommend this movie.

As with all movies, license was taken with history (e.g. John Brown served as the Queen's factotum long before Albert's death), but this is largely irrelevant to the story. My one complaint against the movie is that there is one scene where Billy Connolly briefly appears naked. The nudity adds nothing to the story and was wholly gratuitous. This, though, is probably the only scene that is unsuitable for younger viewers.