Track Listing

1. Sonatas and Interludes, for prepared piano: Sonata l
2. Sonatas and Interludes, for prepared piano: Sonata ll
3. Sonatas and Interludes, for prepared piano: Sonata lll
4. Sonatas and Interludes, for prepared piano: Sonata lV
5. Sonatas and Interludes, for prepared piano: First Interlude
6. Sonatas and Interludes, for prepared piano: Sonata V
7. Sonatas and Interludes, for prepared piano: Sonata Vl
8. Sonatas and Interludes, for prepared piano: Sonata Vll
9. Sonatas and Interludes, for prepared piano: Sonata Vlll
10. Sonatas and Interludes, for prepared piano: Second Interlude
11. Sonatas and Interludes, for prepared piano: Third Interlude
12. Sonatas and Interludes, for prepared piano: Sonata l X
13. Sonatas and Interludes, for prepared piano: Sonata X
14. Sonatas and Interludes, for prepared piano: Sonata X l
15. Sonatas and Interludes, for prepared piano: Sonata X ll
16. Sonatas and Interludes, for prepared piano: Fourth Interlude
17. Sonatas and Interludes, for prepared piano: Sonata X lll
18. Sonatas and Interludes, for prepared piano: Sonata X lV and XV Gemini
19. Sonatas and Interludes, for prepared piano: Sonata XVl

Product Details

• Amazon Sales Rank: #19466 in Music
• Released on: 1999-07-20
• Number of discs: 1
• Dimensions: .24 pounds

Customer Reviews

An unexceptional performance of an important early Cage work
John Cage's Sonatas and Interludes have long been one of his most popular works (if popular means anything in the case of Cage). They are written for a piano prepared by inserting various objects onto the piano strings so as to partially dampen the sound in a variety of different ways. This preparation results in the piano becoming almost a one-man percussion orchestra (the comparison to Indonesian gamelan is useful, if oversimplistic). In addition, when the piano is prepared as Cage requests, each note has its own distinctive timbre as well as pitch, thus creating a link between these two musical elements.

The Sonatas and Interludes were inspired by Cage's study of Hindu aesthetics as discussed by Ananda Coomaraswamy, and were an attempt to create music based around the Hindu theory of the nine emotions (the "white" emotions of heroism, eroticism, mirth and wonder and the "black" emotions of fear, anger, sorrow and disgust, all tending towards the most important emotion, tranquility). The result was a collection of twenty single-movement pieces, lasting something over an hour in complete performances. The sixteen sonatas are mostly based on repetitive rhythms and brief, fragmentary modal melodies, while the four interludes tend to be rather more rhythmically varied than the sonatas.

There have been many recordings made of this set of works (the invaluable John Cage discography at http://www.johncage.info lists no fewer than 20 rival recordings), and it would be foolish to claim that Boris Berman's matches up to the best of them (Karis, Schleiermacher, Goldstein and Henck all have prior claims on the listener). In particular, Berman occasionally rushes the music, disturbing the intended tranquil feel, and his Russian-sounding espressivo playing in some of the sonatas seems distinctly at odds with Cage's aesthetic. I wonder if this recording was not made too soon, as Berman's second bite at the Cage cherry (a collection of miscellaneous prepared piano pieces recorded a year later and also available on Naxos), displays a distinctly greater empathy for the idiom.

A fine performance of an avant garde classic.
Cage's "Sonatas & Interludes" go back to when he was actually composing music instead of rolling dice. They're written for a piano which has its strings' vibrations modified by various pieces of hardware to make it into a compact percussion orchestra. Some pieces hark back to Webern, some look ahead to Glass, others sound like gamelan or a Cuban percussion section. In this recording Berman brings out the best in the music, nicely adjusting to its moods and eccentricities. At its bargain price this recording is a must for all interested in the milestones of American music.

For those afraid of "crazy modern music"
I only want to add to the other glowing reviews that if you are someone who wants to expand your taste in music beyond the merely melodic but don't know where to start, this could be a very good place. I'm someone, for example, who has always considered Prokofiev about as far out as my taste could extend. I bought this disc because a friend recommended it (and because it's cheap!) and I love it! In fact, the second volume--Music For Prepared Piano, Vol. 2--just came out here in Europe, and I bought it immediately. I wasn't sorry. It's just as brilliant as the first.