The EMI Record of Singing, Vol. 3 1926-1939 [Box Set]
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Average customer review:Track Listing
Disc 1:
- Act 1. Dir töne Lob
- Act 1. Winterstürme
- Act 3. Mein lieber Schwan
- Euren König
- Act 1. Zwei Vaterunser bet' ich vor dem Schlafengeh'n - "Traumerzählung"
- Act 2. Dieser Anstand
- Act 2. Selig sind with Children's Chorus
- Act 1. Di rigori armato
- Act 1. Glück, das mir verblieb
- Act 1. Konstanze... O wie ängstlich, o wie feurig
- 5. Mondnacht
- Act 1. Ach, wir armen, armen Leute
- Act 3. Sonst spielt' ich mit Zepter
- 11. Die Stadt
- Act 1. Ein Schütz bin ich
- Act 2. Mein Sehnen
- Act 3. Verachtet mir die Meister nicht
- Lord God of Abraham
- Abendlich strahlt
Disc 2:
- Act 2. So wie sind sie
- Act 1. O Sancta Justitia
- Act 2. Als Büblein klein
- Act 2. Studia il passo... Come dal ciel precipita
- Act 2. Fünftausend Thaler
- Act 5. O prêtres de Baal
- Act 1. Voce di donna
- Act 2. Mon cœur s'ouvre à ta voix
- 5. Aufenthal
- Act 1. Parto, parto
- 15. Schwesterlein
- Jerusalem
- 7. L'invito
- Act 2. Seid meiner Wonne
Disc 3:
- Act 3. Saper vorreste
- Act 2. In Novgorod
- Act 2. Je vais donc le revoir
- Act 3. Tu che di gel sei cinta
- Act 3. Ivan Sergeich, come into the garden
- O wie gerne blieb'ich bei dir
- Act 3. O Sachs, mein Freund!
- Act 1. Nach dem Matteo?
- Act 1. Sì, mi chiamano Mimì
- Act 1. Adieu, mon doux rivage
- Zweite Brautnacht!
- Act 1. Geliebte, komm!
- Act 1. Oh, sei er gut, Quinquin
- Act 1. Der Freund ist dein
- Act 2. Jo-ho-hoe!... Traft ihr das Schiff
Disc 4:
- Act 3. Ewig war ich
- 4. Schmerzen
- Act 1. Du bist der Lenz
- Chi vuol la zingarella
- Act 3. Voyons, que j'essaie
- Liber scriptus
- Act 1. A la nuit tombante
- Act 3. O mon Fernand
- Act 3. L'altra notte
- Act 1. Te, Vergin santa
- Act 3. O forze recondite
- Act 4. Pace, pace mio Dio
- Act 3. Qual vergogna
- Act 3. La mamma morta
- Act 1. L'amore è un'altra cosa... Laggiù nel Solidad
- Act 1. Ernani, involami
- Act 3. Con onor muore
- Ma zitte, zitte!... Uno strano canto arcano
- Act 4. Piangea cantando
- Act 2. Io pingo
Disc 5:
- Act 2. Tu che di gel sei cinta
- Act 3. Ah! che suo nome... Flammen perdonami
- Act 2. In quelle trine morbide
- Act 1. Signore, ascolta
- Act 2. Gentile di cuore
- 2. El majo discreto / 4. El majo timido
- Act 4. No, la mia fronte
- O Colombello, sposarti
- Act 1. Gualtier Maldé... Caro nome
- Confutatis maledictis
- Act 4. Vecchia zimarra
- Act 2. Ecco il mondo
- Fermola!... Dapprima, figuratevi
- Act 3. Cheti, cheti, immantinente
- Act 1. L'onore! Ladri!
- Era dessa!... Raccogli el calma
- Act 2. Buona Zazà
- Act 3. Nemico della patria
- Act 1. E'sempre il vecchio andazzo
- Act 1. Son sessnat' anni
Disc 6:
- Act 2. La povera mia cena fu interrotta
- Act 2. D'un pensiero
- Act 1. Prendi, l'anel ti dono
- ACt 3. Traduire... Pourqoui me réveiller?
- Flor Roja
- È arrivata primavera
- Act 3. Nessum dorma
- Act 3. Se Franz dicesse il vero
- Act 1. Donna non vidi mai
- Act 3. Dio, mi potevi scagliar
- Act 1. Au Mont Ida
- Act 2. Credo a una possanza
- Act 3. Che avvien?... Ah, non m'avvicinate
- Act 1. La dolcissima effigie
- Le Rossignol et la rose
- Rossignols amoureux
Disc 7:
- Act 1. Après avoir pris à droite
- Act 3. Tu m'as donné
- Act 2. Sombre forêt
- 2. La chevelure
- O mes sœurs... C'est ici-même
- Act 4. Ces gens que je connais... Viens, m'ami
- Act 1. Oh! mes clairs diamants
- Act 1. Einsam in trüben Tagen
- Act 1. Petite, voice ta lampe
- Act 2. Quel nouveau ciel
- Act 2. Le bruit de chants... Esprits, gardiens de ces lieux vénérés
- Act 4. Ne pouvant réprimer... Adieu donc, vains objets
- Act 4. Source délicieuse
- Act 4. Un souvenir poignant
- Act 2. Dieu, que ma voix tremblante
- Act 3. Mon cœur est plein... Ange du Paradis
Disc 8:
- Mélancolique tombe le soir
- Je pense à vous (Romance de Charlot)
- Act 2. Quando le sere al placido
- Act 3. Puisqu'on ne peut fléchir... Vainement, ma bien aimée
- Les Pélerins étant venus
- Scene 2. Esprits des flammes!
- Chanson épique
- Act 2. Si cruelle... Le calme rentre dans mon cœur
- C'est ici le berceau de notre liberté
- À la belle étoile
- Act 2. C'est moi, Coppélius... Je me nomme Coppélius
- Act 2. Quand je monte Cocotte
- Act 2. Dites-lui qu'on l'a remarque
- Les Charbonniers et fariniers / Que voulez-vous faire?
- Act 2. E' sogno, o realtà?
- Act 2. O vin, dissipe la tristesse
- Act 1. Largo al factorum
Disc 9:
- Act 5. Comme une pâle fleur
- Why do the nations?
- Maledetto sia l'aspetto
- Act 3. O Dieu! de quelle ivresse
- Act 2. À la voix (Sérénade)
- And she says true... O vision entrancing
- Act 1. Recondita armonia
- Love in her eyes sits playing
- Act 2. Arise, ye subterranean winds
- Act 1. Près des remparts de Séville
- And he journeyed... But the Lord is mindful
- Act 1. Sì, mi chiamano Mimì
- Act 1. Sì, mi chiamano Mimì
Disc 10:
- Angels ever bright and fair
- Act 2. Un bel dì vedremo
- Act 2. O nume tutelar
- Act 4. O palais radieux!
- Act 2. In questa reggia
- Inflammatus
- Act 3. My hair is golden
- Act 3. Ivan Sergeich, come into the garden
- Act 1. O lovely moon
- The wounded birch, Op. 1, No. 2 / Snowflakes, Op. 47, No. 1
- 1. Fekete fód / 2. Asszonyok
- Act 3. Di sposo, di padre
- 9. Tiszán innen, Dunán tûl
- No. 17, Hunger
Product Details
- Amazon Sales Rank: #167173 in Music
- Released on: 1999-12-14
- Number of discs: 10
- Formats: Box set, Import
Customer Reviews
essential survey
Well, it does seem a lot of money for one CD! In fact, although Amazon's resident typo gremlin counts it as one CD, it's really a box set of 10 CDs and as soon as I can, I'll be buying it! I have had the LP box set of this survey of world singing for many years and it, plus Volume 4 (which is on the EMI label on 7 cds) gives a fantastic summary of the greatest singers of the first half of the 20th Century. They are divided by singing category -- from soprano through to bass -- and Testament, which has done a great job in bringing from darkness some of the gems of the EMI back-catalogue, have brought us here one of the greatest singing compilations ever assembled. It's an aural history of immeasurable value -- 10 discs of this quality is a bargain! Anthony Clarke Sydney Australia
The EMI Record of Singing
An installment in the ultimate collection of opera and concert singer recordings. If you really want to know how the great singers of the first half of the 20th century -- virtually all of them who recorded -- sang, this is the set. By 1926 (the beginning date here) the electrical (as opposed to acoustic) recording system was in general use. Unlike the recording horn, the microphone was able to capture a pretty faithful impression of the singers sound and style, including dynamic nuances and tone shadings. Many of these singers were near the end of a long career, and had studied with the great bel canto teachers. There's a huge variety of music here, and huge variety of singing styles. Makes you realize how similar everyone sounds today -- the cult of tyrannical conductors and the mass media marketing has caused today's singers to sing everything the same way: almost all the sopranos today sing "Un Bel Di" or an art song the same way, for example.
So fork out your money and buy this set while you can. Soon the mass media will have stamped out the few remaining classical music radio starions and the only way you'll be able to hear good music is by listening to your own collection.
ONE OF THE GREAT TREASURE-HOUSES OF THE GRAMOPHONE
This series, produced by EMI in the days of LPs, is one of the great achievements of the gramophone - they rightfully belong up there with the Decca Ring, the EMI Callas series, and any other candidates you care to name. Together they provide a truly comprehensive survey of singing right through the age of recording up to the early days of the LP. Sadly, to the best of my knowledge, only Volumes 3 & 4 have appeared on CD - the very earliest era of recording and the period up to the introduction of electrical recording methods that were originally on Volumes 1 and 2 really deserve to be heard again.
Volume 3, the collection under discussion here, covers the period from 1926-1939. This was a veritable Golden Age of Singing - in Wagner it was the era of Leider, Schorr and Melchior; the Italian School included the likes of Gigli, Muzio and Pinza and so it goes on through a broad representative range of French, English and Slavic singers. One of the great strengths of this series is that the best-known singers tend to be represented by less familiar repertoire, so it's more unlikely that collectors will duplicate material they already know well. And, of course, there is a huge range of other singers you probably won't have heard and some you may well not even have heard of. They all have something to tell us, though, about the times in which they worked, the styles of singing that were current then and the high standards that prevailed in the inter-war years. In some ways, the most surprising thing here is the strength in depth of the less familiar Schools, the French and the Anglo-American. It is good to be reminded just how good the likes of Georges Thill, Eide Norena or Pierre Bernac were - or from the UK, Isobel Baillie, Walter Widdop and Heddle Nash. Then there are the discoveries like the delightfully named Lulu Mysz-Gmeiner in a Brahms folksong or the black American, Roland Hayes, who sings Monteverdi with piano accompaniment totally unauthentically by today's standards, but with an attractive reedy tenor voice that reminds me a lot of the underrated Wilfred Brown.
This set, now available from Testament, is a real treasure-trove. The transfers are all well-researched and of the highest quality. Anyone with an interest in how the art of singing has evolved over the last hundred years or so, or who just has a passion for glorious singing, should snap up this set of CDs - especially this volume as it displays a Golden Age of Singing.
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