Product Description

IN THIS SWEEPING EPIC THAT SWINGS FROM HIGH COMEDY TO DRAMA, A 121 YEAR OLD SURVIVOR OF CUSTER'S LAST STAND NARRATES HIS COLORFUL LIFE STORY. HE TELLS OF EVERYTHING FROM HIS ADOPTION BY CHEYENNE INDIANS TO HIS MARRIAGES & FRIENDSHIPS WITH WILD BILL HICKOK.

Product Details

• Amazon Sales Rank: #2089 in DVD
• Brand: Paramount
• Released on: 2003-04-29
• Rating: PG-13 (Parental Guidance Suggested)
• Formats: Closed-captioned, Color, Dolby, DVD, Widescreen, NTSC
• Original language: English
• Number of discs: 1
• Running time: 139 minutes

Amazon.com essential video
Jack Crabb is the only white survivor of the Battle of Little Big Horn and the centenarian shares his story in this picaresque fable of the Old West. In Arthur Penn's adaptation of Thomas Berger's novel, Dustin Hoffman plays Jack from teen years into old age in a bravura performance. And Jack's story is a fantastic one: captured by Indians as a boy, reared as an Indian, shuttling back and forth between the white and Indian worlds. In the process, he befriends everyone from Wild Bill Hickock to George Armstrong Custer and is a gunslinger, a snake-oil salesman, and an Army scout. This is a solid blend of comedy and tragedy, with a strong statement to make about America's treatment of Native Americans without sermonizing. A terrific cast includes Faye Dunaway, Martin Balsam, and Richard Mulligan. But this show is all Hoffman's. --Marshall Fine

Customer Reviews

This Western Has It All
Advertised as a comedy when originally released, LITTLE BIG MAN is much, much more than that. Director Arthur Penn's sweeping film depicting the clash of the Indian and white cultures will have you chuckling one moment, then shaking your head sadly at man's inhumanity to man the next.

Dustin Hoffman as the ever industrious Jack Crabb takes this movie on his shoulders and carries it superbly. To say that the actor shows some "range" in this role is the epitome of an understatement: from portraying an adolescent teenager to a fragile 121-year-old-man (phenomenal makeup job), from snake-oil salesman to mule skinner, Hoffman brings Jack's fascinating life to splendorous glory. And Hoffman is funny--darn funny--with a wonderful knack for physical comedy.

In addition to Hoffman, LITTLE BIG MAN offers other savory treats. Richard Mulligan is absolutely delightful as a narcissistic General George Armstrong Custer--the stunning Faye Dunaway positively wicked as naughty Mrs. Pendrake. Chief Dan George, who portrays Old Lodge Skins, Jack's adopted Cheyenne grandfather, delivers countless one-liners, yet lends a quiet, heartfelt dignity to his role. In fact, this is a movie one will wish to savor again and again--a beautifully crafted, well-made film that is timeless in its ability to entertain.
--D. Mikels

Political Commentary from the Native American viewpoint
The film opens on a decrepit, wrinkled, yet still energetic ultra senior citizen. He is the film's central figure - one who looks back on a 121 year life - a life lived in interesting times.

Hoffman's Jack Crabb, is perhaps a more cynical old west version of Forest Gump. Through random experience, this one man encounters almost every legendary figure and event of the old west. Like the movie "Forest Gump", there is strong subliminal commentary on the period that came nearly a century after. Yet, very much unlike Gump, but true to it's era, Little Big Man sees more of the negative side of the world. At 121, Jack is very much a critical child of the 1960's.

When first shown in the early 70's, the film's protracted war on the Native American culture became a metaphor for the period of genocide, then closing in Vietnam. While perhaps lost on first time viewers today, the protest message is so strong, that one can almost hear the sounds of helicopter air cavalry under the droning thunder of Custer's horse mounted assault on an Indian village. All that is missing is the Wagner and Napalm of "Apocalypse Now".

The eyes of Jack Crabb see the white man as bigoted, arrogant, insincere, vindictive and amoral - as he fluctuates between white culture and that of the Native Americans, whom he labels: "the human beings". A bit of a shuttle diplomat at times, Jack becomes almost an external missionary to both nations, while never truly accepting, or being accepted, by either group.

On the first level, Little Big Man is satisfying entertainment, on the next it is literature. One can see this film merely as a humorous western with employment opportunities for half the character actors in Hollywood and smile frequently. - OR - One can also look deeper and see the perspective of the period in which it was written and developed. It may give one pause to think hard about the mood of those times.

My Son , this Movie Makes My Heart Soar Like a Hawk
I remember seeing the original theatrical release of Arthur Penn's "Little Big Man" in the early 1970's. Now over thirty years later it has been released in DVD form and it is a film, that is both funny and tragic as ever.In the film, 121 year old Jack Crabb (played humorously by Dustin Hoffman) recounts his life (in narrated backflash) growing up among both the Cheyenne Indians and the white man in the old wild West.We follow the Crabb character as he goes through various phases as a Cheyenne warrior, a medicine show conman, a gunfighter, entrepreneurial business man, drunkard and finally a mule skinner/U.S. Army scout. Crabb is a man trapped between two cultures. He hilariously stumbles through the old west trying to find a place among his own kind, even though his heart is still with the Cheyenne Indians who adopted him. The movie leads up to Crabb's eventual, critical participation in the 'Battle of Little Bighorn', otherwise known as 'Custard's Last Stand'.The film is humorus as it shows how little people change over history. Just as today, people of the historical old West were driven by such things as love, lust, vanity, power and money.Unfortunatly they also were driven by bigiotry, hatred and violence.One of the main themes of "Little Big Man" is the terrible, almost genocidal treatment of the American Indian at the hands of the U.S. government.It's somewhat ironic, that the Cheyenne in the film refer to themselves as 'the human beings', yet the white men seem to treat them as anything but that. Arthur Penn (director of "Bonnie & Clyde") has created a sprawling, well directed, historical tapestry of a film, which makes you want to laugh and cry at the same time.The movie is a star vehicle for the then young, Dustin Hoffman. Like "The Graduate", this film shows off, what a wonderful comic performer Hoffman can be.The large cast has many standout performances. Faye Dunaway is hilarious as Jack's religious, yet lascivious, adoptive mother, Mrs.Pendrake. The same goes for comic actor, Richard Mulligan, who puts in a very funny performance playing General George Armstong Custard as a pompous egomaniac, who's vanity leads to his imfamous place in history.But by far, one of the best performances in the film comes from Chief Dan George, who play's Hoffman's wise and mystical, yet somewhat scatological adoptive, indian grandfather.The character is intersting, because he always seems to be able tell us the obvious truth of the moment.He understands that this time in history is the begining of the end for his people. I love the speech he makes in which he explains, that "there are endless amounts of white men, but only so many 'human beings'" (indians).Its's a shame Chief George didn't get an Academy Award for his wonderful performance.The DVD for this movie has a good picture and sound transfer, but is absolutly bare bones in extras (not even a trailer). Still, it is great film, which I highly recommend.