Track Listing

1. Everyday
2. Our Way to Fall
3. Saturday
4. Let's Save Tony Orlando's House
5. Last Days of Disco
6. Crying of Lot G
7. You Can Have It All
8. Tears Are in Your Eyes
9. Cherry Chapstick
10. From Black to Blue
11. Madeline
12. Tired Hippo
13. Night Falls on Hoboken

Product Details

• Amazon Sales Rank: #14149 in Music
• Released on: 2003-12-02
• Number of discs: 1
• Dimensions: .16 pounds

Album Description
Full title - And Then Nothing Turned Itself Inside-Out. Tenth album from American indie act. Digipak. 2000 release. Matador Records.

Amazon.com's Best of 2000
Yo La Tengo's most consistently brilliant record is also their quietest, as husband and wife Ira Kaplan and Georgia Hubley turn the volume down while exploring decidedly grown-up relationship themes. It's definitely not the shoe-gazer-tinged barrage of guitars they've supplied in the past, but the silences here speak louder than an amplified guitar ever could. --Matthew Cooke

Amazon.com
Yo La Tengo's 11th album is a relentlessly satisfying, slyly low-key affair with shimmery organs, muted soft-brush drumming, loping bass lines, casually strummed guitars, and interlocking rounds of hushed vocal harmonies. Yes, this is Yo La Tengo we're talking about, a band that formerly rivaled the Dream Syndicate in feedback squall--tastes of which do appear on the uptempo "Cherry Chapstick." Nothing is the most the trio--Ira Kaplan, Georgia Hubley, and James McNew--have explored their interests in atmosphere, drone, and minimalist song structure since a handful of '90s club dates under the name Sleeping Pill. So, the consistently subdued tone is not without precedent, and any YLT fan knows that they have steadily evolved and reshaped their sound since forming in 1984. But what is remarkable about Nothing (aside from its erudite genre-mixing and USDA-choice melodies) is that it's consistent; this is the group's most coherent, thematically linked CD since 1990's Fakebook. As further cement, it has never been easier to decipher what husband and wife Ira and Georgia are singing about: their love for each other, from flirtatious first encounters to the arduous task of surviving skirmishes. Subtle and surprising--the singing alone is to die for--the record squirms away from whichever genre trap one attempts to fashion for it. Just call it indie rock for grownups, turn it up real loud, and get lost. --Mike McGonigal

Customer Reviews

THE VERY BEST GET EVEN BETTER
Although it cannot be said for many, many bands, many, like fine vintage wine, just seem to get better with age. The magic threesome that is Yo La Tengo (married couple Ira Kaplan and Georgia Hubley and rotund bass master James McNew) return with what could very well be their finest CD. A truly perfect album that dishes out songs about love, loss, pain, joy, distress, loneliness, and suffering. Songs that echo with pleasant and vicious guitar licks, kick mud in your mamma's face drumming, and absolutely gorgeous singing. The haunting opener "Everyday", the bouncy "Let's Save Tony Orlando's House", the brilliant cover of "You Can Have It All", the savagely beautiful "Cherry Chapstick" w/ a guitar solo that kicks you while your down, the depressingly gorgeous "Tears Are In Your Eyes" and the dreamy, "Night Falls On Hoboken" are just a handful of the magnificent songs that encompass this excellent album. This is one fan who couldn't get enough of "I Can Hear The Heart" and who has made a new space in his CD player for this one. Also, if you haven't checked out YLT live, do yourself a favor, they are tourning right now (3/00) so go see a show, you will not be dissapointed.

endless love
This is easily the most lo-fi, acoustic effort of the last four YLT discs: softly ticking drum machines, spacy guitar atmospherics, not-so-sudden organs and whispery vocals are the m.o. here. One exception: "Cherry Chapstick," which sounds like "Sugarcube" injected with a healthy dose of Sonic Youth's "Teenage Riot"--and it's amazing. The album starts off slowly, almost shyly, with the ethereal "Everyday," but by the third or fourth track, it becomes all-consuming. This is the most seamless YLT since "Painful"--even after the 17th minute of "Night Falls on Hoboken" (and the 77th minute of the disc), you'll want to do it all over again. (I have nothing against "I Can Hear the Heart," but come on, dear reader, tell the truth, you don't always want to sit through "Spec Bebop" in its entirety.)

How does it stack up to previous YLT records? Who cares? Beginning with "Painful," they have produced 4 of the most intelligent records of the last ten years. And to top it all off, Ira and Georgia are still in love: I'm surprised the "family values" ideologues don't jump on the bandwagon--YLT might just make marriage cool again.

Night music
Quiet, meditative, intimate and lovely. Pefect music to listen with the lights down low. Yo La Tengo has managed to totally redefine themselves while staying true to form. And damn it all, they've gone and created another lo-fi masterpiece again. Great stuff.