Product Description

Bach

Track Listing

1. Ste in g, BWV 995 (Trans.a): Prld; Presto
2. Ste in g, BWV 995 (Trans.a): Allemande
3. Ste in g, BWV 995 (Trans.a): Courante
4. Ste in g, BWV 995 (Trans.a): Sarabande
5. Ste in g, BWV 995 (Trans.a): Gavotte
6. Ste in g, BWV 995 (Trans.a): Gavotte II En Rondeau
7. Ste in g, BWV 995 (Trans.a): Gigue
8. Ste in e, BWV 996: Prld; Presto
9. Ste in e, BWV 996: Allemande
10. Ste in e, BWV 996: Courante
11. Ste in e, BWV 996: Sarabande
12. Ste in e, BWV 996: Bourree
13. Ste in e, BWV 996: Gigue
14. Ste in c, BWV 997 (Trans. b): Prld
15. Ste in c, BWV 997 (Trans. b): Fugue
16. Ste in c, BWV 997 (Trans. b): Sarabande
17. Ste in c, BWV 997 (Trans. b): Gigue
18. Ste in c, BWV 997 (Trans. b): Double
19. Prld, Fugue And Allegro in E flat, BWV 998 (Trans. D): Prld
20. Prld, Fugue And Allegro in E flat, BWV 998 (Trans. D): Fugue
21. Prld, Fugue And Allegro in E flat, BWV 998 (Trans. D): Allegro

Product Details

• Amazon Sales Rank: #55432 in Music
• Released on: 2000-02-29
• Number of discs: 1

Amazon.com
With his customized eight-string, Paul Galbraith has made some of the most inventive classical guitar discs to date. His take on Bach's lute suites is certainly no different. Here, Galbraith deftly arranges and performs four suites (BWV 995-998) in his impeccably precise yet smooth style. Recording quality is superb and sensitive microphones seem to capture Galbraith's every note (and breath). Unfortunately, some Bach lovers may miss the deep and dark sound of the lute, as well as the intricacies of these pieces' phrasings. While Galbraith's technique is certainly flawless, he has difficulty capturing the varying moods these works evoke. Still, this is a gorgeous disc for lovers of classical guitar and a great introduction to these seldom-heard lute suites. And, if this strikes your fancy, check out Galbraith's disc of Bach's solo violin sonatas and partitas. --Jason Verlinde

Stereo Review
British guitarist Paul Galbraith has made something of a sensation in the guitar world... extraordinarily skillful, cohesive and passionate performances... sensational guitar music with a remarkable depth of feeling.

Classics Today
10/10. Warm and resonant sound yet highly detailed and confidential. To these appealing sonics, Galbraith brings consummate musicianship and an unerring sense of phrasing and lyrical line. His playing is sensitive, astute, and seems to fully convey the core essence of every movement. The recorded sound is ideal...

Customer Reviews

Fine playing, perhaps even for purists
Not too long ago I reviewed a Delos release of Bach's "Sonatas and Partitas for unaccompanied violin" and an offering of some Haydn keyboard sonatas, both transcribed for and played on the 8 string guitar by Paul Galbraith. For the non-purist--and Bach himself was quite generous with what instruments were used for some of his loveliest melodies--those offerings were a wonderful listening experience. Now Delos and Galbraith have done the same for Bach's (DE 3258).

The nature of things requires the transpositions of 995 from G minor to A minor, 997 from C minor to B minor, and 998 from E-flat to D. Mentioned in the excellent albeit brief notes by the player are Bach's special fondness for the sound of the lute and (this is conjectural) his associating the instrument with things biblical. But I do not think the composer would complain about Galbraith's masterly treatment of these pieces. Definitely a Grabbit for lovers of Bach and of the guitar.

Pure joy!
It has been close to a century since the Bach lute suites were first transcribed for the classical guitar by Agustin Barrios, and along the way there have been countless recordings of these works over the years, but if I have to chose just one, it will have to be this recording.

Galbraith plays on a 8-string guitar, compared with the usual 6-string guitar, and his technique relies on him holding guitar in a cello-like manner, but what results! His control of the music is breathtaking, with the different contrapuntal lines clearly differentiated both in volume and articulation.It's so good that at times it seems as if there are separate guitarists playing each counterpoint. His tone is clear and bright, complementing the textures of the music itself rather than supplanting it.

His interpretations are mostly understated, letting the music of Bach speak for itself rather than imposing his own will on it. You get the feeling that it's Bach himself speaking rather than the guitarist, The range of emotions run the gamut from spiritual introspection in the Prelude of the Em suite to the joyful exuberance of the Allegro of the Eb major suite.

His extra 2 strings allow him to give more solidity and resonance to the music, and his playing is absolutely clean and flawless. My only nitpick is that his breathing can sometimes be heard in a few of the tracks, but it's something I can easily forgive.

I'm an amateur classical guitarist, but I definitely feel that this recording deserves a wider audience. I have been listening to this almost all the time since I got it, and it seems even more enjoyable and incredible with each listening.

Whether you're a guitarist or just a Bach fan, do yourself a favor and get yourself this recording.

Technical Brilliance
About 20 years ago a friend of mine claimed that Bachs Lute suites were some of Bach's greatest works. This may be a bit overstated, but they all have a breath of moments, emotions and sonority that is worth many listenings. Over the years each of the suites seem to me akin to a warm, familiar poem.

Paul has certainly conquered the suites with dazzling technique. There are many complex and beguiling passages and he plays each with certainty. At times this makes the music seem a little sterile, however; the Suite in C and the Fugue are brilliant both in analysis and execution. I have never heard these works performed with such unity of vision.

I hope Paul re-records these in about 10 years.