Product Description

"IMPERIAL" HOSE END Low Pressure Inverted Male Swivel Barb-Tite Hose End. 100 'B' Series. Material: CA360 brass Hose Inside Diameter: 3/8 Tube Size: 3/8 Thread Size: 5/818 Cut-Off Factor: 1" Cross Reference: 10006B-B06 For use with H100, H101, and H201 Hose

Track Listing

1. Sinfonia
2. Adagio
3. Coro: Kommt, Eilet Und Laufet
4. Recitativo (S,A,T,B): O Kalter Männer Sinn
5. Aria (S): Seele, Deine Spezereien
6. Recitativo (A,T,B): Hier Ist Die Gruft
7. Aria (T): Sanfte Soll Mein Todsekummer
8. Recitativo (S,A,): Indessen Seufzen Wir
9. Aria (A): Saget, Saget Mit Geschwinde
10. Recitativo (B): Wir Sind Erfreut
11. Coro: Preis Und Dank
12. Coro: Lobet Gott In Seinen Reichen
13. Evangelista (T): Der Herr Jesus Seine Hände Auf
14. Recitativo (B): Ach, Jesu, Ist Dein Abschied Schon So Nah
15. Aria (A): Ach Bleibe Doch, Mein Liebstes Leben
16. Evangelista (T): Und Ward Aufgehaben Zusehends
17. Choral: Nun Lieget Alles Unter Dir
18. Evangelista (T)/Recitativo (A): Und Da Sie Ihm Nachsahen
19. Aria (S): Jesu, Deine Gnadenblicke
20. Choral: Wenn Soll Es Doch Geschen

Product Details

• Amazon Sales Rank: #238796 in Music
• Brand: Imperial
• Model: 92077
• Released on: 2000-06-27
• Number of discs: 1
• Format: Import
• Dimensions: .68 pounds

Features

• "IMPERIAL" HOSE END
• Low Pressure Inverted Male Swivel Barb-Tite Hose End.
• 100 'B' Series.
• Material: CA360 brass
• Hose Inside Diameter: 3/8

Amazon.com
These two cantatas form part of the Hänssler Edition Bachakademie, the complete recording of the works of J.S. Bach. They were originally recorded in the early 1980s as part of Helmuth Rilling's complete recording of the cantatas, a cycle that, with excellent reason, has been included wholesale within the Hänssler Edition. The playing owes nothing to period practice, and is performed on modern instruments at modern concert pitch with a full-sized choir. What brings the music to life is Rilling's obvious passion for Bach's profoundly beautiful melodies and grand choral effects. He encourages the singers to think structurally, in terms of both whole movements and the direction of each phrase, and the interplay with obbligato instruments is delightful. The singing is exquisite, especially from the lusciously juicy Arleen Auger and the brighter-voiced Costanza Cuccaro. If the meaty approach of the choir is occasionally a trifle stolid, the whole is still eminently listenable. --Warwick Thompson

Customer Reviews

Almost perfect
Brilliant, this was done beautifully and with the utmost care. But, rather romantically, I wish the tempo for the soprano aria had been a bit slower, and that not so much use of the non legato articulation in the tenor aria had been made.