Product Details

• Amazon Sales Rank: #221402 in DVD
• Rating: R (Restricted)
• Aspect ratio: 1.33:1
• Format: PAL
• Original language: English, French

From The New Yorker
The first-time director is Roger Avary, one of a new breed of filmmakers who appear to conceive of cinema as a superior form of abattoir. (He co-wrote "True Romance" and "Pulp Fiction.") Not since the dying days of Jacobean tragedy has this much blood been spilled in the name of public entertainment, although you'd be pressed to find anything tragic in the antics of Avary's creations. Eric Stoltz plays a safebreaker who comes to Paris to see an old friend, Eric (Jean-Hugues Anglade). Together with their band of merry men (the merriment is all heroin and liquor), they try to rob a bank, and foul it up. From time to time-during the opening credits, or at the start of the raid-the movie kicks into life, with traces of Godard in its hectic insouciance. But this eagerness to find a style has nothing to launch from-no obsessions, no arguments, no strong feelings, just a vague desire to rub our noses in the dirt. Also starring Julie Delpy as a whore with-of course-a heart of gold. -Anthony Lane
Copyright © 2006 The New Yorker

Customer Reviews

Absolutely brilliant!!!
All those who think it's just another Tarantino rip-off should know that both directors worked together in the same video store before making it big, were co-writers on Pulp Fiction and basically have helped each other out on several projects. It's just that Tarantino made his name first that everyone assumes Avary's work is copying it. Not true. This movie is amazing! The acting is superb - Jean-Hughes Anglade gives the most charismatic performance I've ever seen. It's shot brilliantly starting with neutral shades, to the blue night club scene and finally descending into the red bank scenes that symbolize Eric's own demented and violent mind. Been scapegoated for Hollywood's violence, really no more than tons of other flicks - I think the violence embedded in Eric's mind is what makes it seem so disturbing, not the actual physical violence. Julie Delpy and Eric Stoltz also give maybe their best performances to date. See this many times!!!

Definitely worthwhile
Some ultra-vi movies, like "Reservoir Dogs" and "True Romance," have little to commend them because the vi is the be-all and end-all. "Killing Zoe" brackets the violence with humor and mania, resulting in a very interesting movie. Eric Stoltz plays Zed, a US safecracker just arrived in Paris for a big job with his former school buddy Eric (Jean-Hugues Anglade). He has the concierge at his hotel send up a prostitute (the very appealing Julie Delpy) and they get it on tenderly, falling in love. A cliche, but nicely done. The second third is a drug binge before the big job, vaguely psychedelic and reminiscent of the New Orleans cemetary acid scene in "Easy Rider," but better done. The last and most satisfying part is the bank heist gone awry--like "Dog Day Afternoon" on speed and minus the humor, but with lots more blood. The redeeming feature is the world-beating performance of Anglade as Eric, played with manic energy, dementia and irony as things go from bad to worse. He alone is worth the price of admission, though he gets plenty of help from fine performances by Stoltz and Delpy. Look for Gary Kemp, who played Fat Ron in "The Krays," as one of the bank robbers. Definitely worthwhile.

"That's Captain America, baby."
Have you ever been somewhere and thought to yourself, this would be a great location for a film (happens to me all the time, and yet no movies have come my way)? That's what happened to producer Lawrence Bender as he was scouting locations for the 1992 Quentin Tarantino film Reservoir Dogs. He was offered the use of a bank in L.A., it didn't fit within the script, but he was able to find a story that utilized the location, and thus begat Killing Zoe (1994). In this case the script had already been written, and it just happened that most of the story takes place within a bank, so it was a match, for better or worse. Written and directed by Roger Avary (The Rules of Attraction), the film stars Eric Stoltz (The Wild Life), Julie Delpy (An American Werewolf in Paris), and Jean-Hugues Anglade (Taking Lives). Also appearing is Bruce Ramsay (Alive), Kario Salem (Nomads), Salvator Xuereb (The Doom Generation), and Gary Kemp (The Krays).

The film begins as Zed, played by Stoltz, looking much like a scruffy poster boy for the Grunge movement, arrives in Paris and hails a cab to take him to a hotel. During the cab ride, the driver offers to set Zed up with some female companionship, to which a comely woman named Zoe (Delpy) show up a few hours later. After some brief formalities (we learn she doesn't do `weird' stuff), the two further the cause for Franco-American relations, to which we learn she's just doing it for the money (duh) to pay for school. Soon Zed's French friend Eric (Anglade) arrives, and he quickly and unceremoniously ejects Zoe from the room (sans her clothes). Seems Zed has arrived in Paris at Eric's bequest, as Zed is a safecracker, and Eric has a job lined up, to take place on Bastille Day (similar to our 4th of July...look it up). Zed meets with the rest of Eric's crew (I wasn't impressed), and the gang goes out on the town for a dose of the three D's, drinking, drugs (there's a lot of `riding the snake' involved), and Dixieland music...seriously. I don't know about you, but if I'm going to pull a major bank heist, the last thing I'm going to do is go out the night before and get stoned to the gills (Zed puking in a dirty urinal being the highlight here...remember that kids, drugs is bad). Anyway, the next day arrives, and the gang hits the bank...and their well-oiled plans quickly go down the drain (much the same as Zed's breakfast, lunch, and dinner the night before). All kinds of complications develop, from uncooperative bank employees to less than capable members within Eric's group. Did I also mention that Zoe works at the bank (talk about your moonlighting)? Well, things continue to deteriorate (the police show up, and they seem to care little for the hostages) as we witness the importance of careful planning and being picky when choosing associates for such an undertaking.

In some aspects, I felt like this film was almost a pale comparison to Sidney Lumet's Dog Day Afternoon (1975) starring Al Pacino (see it, it's a great film). There were a few things that detracted from this film, some major, some minor. First of all, how stupid do you have to be to go on a drunken drug binge (scenes that took way too much time) the night before you're planning to pull a major robbery (I think it was presented as some sort of `bonding' sequence)? Did I mention this before? It's worth bringing up again...and an experienced safecracker (Zed) would have never agreed to perform a job with such short notice and so little planning...talk about stupidity...and what was with that dumb, American stereotype in the bank? Here's some guy blathering on and on about he's an American and all kinds of simplistic, stereotypical American BS, presented only so that we can see him get blown away. What kind of moron would have stood up and did what he did, amidst a group of heavily armed, trigger happy, obviously unstable bank robbers? An American one, obviously... I did feel the script was decent, even strong at some points, and there's plenty of action, but more often it seemed like the violence was there only for the sake of having it there...the random shooting of the various bank employees and patrons (actually, we don't get to see a lot of people get shot, as a good deal of the violence happens off screen) seemed a bit gratuitous (a Quentin Tarantino film with gratuitous violence? Gee, that's a shocker...). I appreciated some of the comic elements throughout the film, like when Zed, who was mainly working on the vault doors, and is unaware that the police have since gotten involved, discover such in the elevator as him and another have liberated the booty and are bringing it to the ground floor. The film was set in Paris, with the opening and closing scenes featuring Paris locations, but the rest of the film was shot in L.A., the bulk taking place in the bank and its underground vault area, which was painted an awful, garish, red. The film is filled with lots of flashy spectacle, so-so acting, two-dimensional characters, guns, guns, and more guns, and lots of blood. Some scenes to watch for...Delpy gets nekkid...this happens shortly after the beginning, and is worth it, as she's an attractive woman. Also watch for a cameo by Ron Jeremy aka A Man Called Horse, as an unfortunate bank employee.

The widescreen anamorphic (1.85:1) picture on this DVD looks very good, and the Dolby Digital 2.0 audio is clear most of the time, but could have been better...special features include cast and crew bios, productions notes, and a theatrical trailer.

Cookieman108

By the way, if I learned anything from this film, it's that Frenchmen, especially those involved in criminal activities, respect you more if you smell like you've just been with a woman, if you know what I mean...

I bought this as an Artisan Entertainment 2-pack, along with the film The Way of the Gun (2000) from Amazon. Separately, Killing Zoe is listed as $13.48, The Way of the Gun is $9.98, and the two pack cost $17.98, so you do the math.