Product Description

What happened last night in Tina's apartment? Did she sleep with Gianni willingly, or was she raped? And what was that other couple doing in the apartment with them? Tina, Gianni, Tina's mother, and Tina's peeping tom concierge all have differing opinions in this "shagadelic" sex farce from horror maestro Mario Bava! A spicy Italian variation on the multi-perspective storyline of Akira Kurosawa's "Rashomon," "Four Times That Night" is presented for the first time in the United States on home video, in its correct theatrical aspect ratio and in its original Italian version.

Product Details

• Amazon Sales Rank: #102645 in DVD
• Released on: 2000-11-28
• Rating: R (Restricted)
• Aspect ratio: 1.85:1
• Formats: Color, DVD, Subtitled, Widescreen, NTSC
• Original language: English
• Subtitled in: English
• Dubbed in: Italian
• Number of discs: 1
• Running time: 95 minutes

Amazon.com
The most flabbergasting remake of Akira Kurosawa's Rashomon ever mounted, Mario Bava's frothy Italian sex farce is a swinging sixties piece of peek-a-boo exploitation set to a jazzy score. Leggy brunette Daniela Giordano struts in miniskirts (and less) as a nice church-going girl picked up by a leering hunk in a red convertible (Brett Halsey). "You try and stay pure and I'll try to stop you. It'll be fun," he exclaims as he chases her around his funky bachelor pad. At least that's her version of the story. When Halsey brags to his drinking chums he's the shy guy taught a few things by his insatiable date, and the peeping tom landlord follows with a complicated tale of a gay nightclub, naked dancing girls in go-go boots, and wild lesbian sex. The "real" story, told by a narrating psychologist, is a let down after all these outrageous sex fantasies. Elegantly shot and sleekly designed in bright, bold colors, it makes for a handsome helping of cheesecake and tame centerfold-style nudity, and Bava employs all the abrupt zooms and fuzzy focus transitions we expect from our hip sixties pictures. It's quite a contrast from his usual baroque thrillers, handsome and even a little kinky, but hardly memorable. --Sean Axmaker

Customer Reviews

A Nice Change Of Pace For Bava
For those who enjoy Mario Bava's horror films, this movie will come as a surprise. It shows a side of Bava not normally associated with him. This is a wonderful, thought-provoking film that works as a light hearted comedy and as a character study of human sexuality (which was daring for 1968).

John and Tina meet while Tina is walking her dog. They go out on a date which turns into a disaster when Tina reurns home with a ripped up dress and John with scratched on the forehead. What follows are three different perspectives from John, Tina, and John's doorman who spied on them, on what actually happened, followed by a fourth perspective by a psychiatrist on what could have happened (it's up to the viewer to make up their minds).

This subtitled DVD comes with Mario Bava's biography and filmography, good liner notes from Tim Lucas, and a photo and poster gallery.

Recommended.

INSATIABLE
Almost invisible for 32 years, italian director Mario Bava's FOUR TIMES THAT NIGHT is now presented by Image in the DVD standard. Shot in late 1968, at the beginning of the erotic wave that submerged the B cinema of Italia, Germany and France, this movie didn't make it in front of the italian censorship and was banned from italian and international screens until 1973. It can not be denied that FOUR TIMES THAT NIGHT delivers a certain amount of eroticism due mostly to the sculptural Daniela Giordano, Miss Italy 1966.

Other problematic scenes - for the censors, I mean - include homosexual and lesbian behaviours, mostly verbal and a night in a club for special people. I suppose that the producers of FOUR TIMES THAT NIGHT, if they only had produced it two years later, would have a tremendous success because the cinematography is, as always in Mario Bava's movies, original and innovative. The first story, partly narrated " off " by Daniela Giordano is a little masterpiece that doesn't leave unharmed womanizers nor innocent sex symbols.

The theme of FOUR TIMES THAT NIGHT is well known, the same story is told not from two three different points of view but rather from three different perspectives. A psychiatrist has the difficult task to propose the fourth version which could be or...not the real one.

The copy presented by Image is deceiving if we have in mind the Mario Bava movies that Anchor Bay or VCI released a few months ago. White spots haven't been digitally treated and the colours are very sad. As bonus features, biography and filmography of Mario Bava and english subtitles. Less than the minimum.

A DVD zone discovery.

Bava has some fun
Italian director Mario Bava (1914-1980) is a giant in the horror film genre. Bava's big break into the field came with his 1960 black and white classic "Black Sunday" starring Barbara Steele. This was only the beginning, as Bava churned out a mix of gruesome shockers and non-horror films over the next seventeen years; his films always promised great style mixed with scenes of murder and mayhem. Perhaps Mario's biggest contribution to the horror genre was his 1972 picture "Twitch of the Death Nerve," also known as "Bay of Blood." It doesn't take too long to realize "Friday the 13th" shamelessly cribbed from this slasher bloodbath. At least two of the murders in the film appear almost unchanged in the first installment of the Jason Voorhees franchise. That's right-Mario Bava gave birth to the modern slasher film. But he also dabbled in non-horror films with the immensely entertaining peplum classic, "Hercules in the Haunted World" and this film, the slightly racy romantic comedy "Four Times That Night." After watching his contributions to the sword and sandal, horror, and romantic comedy genres, I have to express further admiration for this amazing filmmaker; he could make an entertaining motion picture no matter what the subject.

"Four Times That Night" is an interesting film about how different people perceive the same event in different ways. It all starts when Tina (Daniela Giordano) meets a suave ladies man named Gianni (Brett Halsey) while walking her dog. Uncomfortable with the attention she's receiving from this guy in a fancy sports car, Tina runs off through the park only to discover Gianni is following her. After some small talk, she agrees to go out on a date with him. Gianni comes to her house to pick her up and the two head out for a night on the town. Then the fun begins, as we see the end result of the date. Tina returns home very late with her dress torn while Gianni has some suspicious looking scratches on his face. A case of someone not keeping his hands to himself, perhaps? Maybe, but maybe not. Bava has great fun as he shows the viewer what happened from four different perspectives. Even at the end of the film, we're not entirely sure whether to believe the "real" account of what happened. Can we only rely on the perceptions of those individuals involved in the events?

Tina's account of the evening predictably defines events from a woman's perspective. She explains to her mother that Gianni was an animal who took her dancing, filled her with drink, and then took her back to his bachelor pad with decidedly unwholesome expectations. Her dress was torn as she tried to escape from his apartment, and the scratches on his face came about from the same event. Is this the right explanation for the story? Well, Tina did come home late. Perhaps she's only making up an elaborate excuse to explain away her tardiness to a concerned mother. Gianni sees things quite differently. In his version of events, Tina is a woman of voracious appetites. He could barely keep her out on the dance floor for a minute before she started pestering him to take her to his place. Once there, she used her wily charms to seduce our hero. Gianni's version emphasizes his masculine ability to attract women. The security guard working at Gianni's apartment building tells a different story, a story filled with salacious info about Gianni, Tina, and another couple who arrived at the apartment. He was able to see the events, he explains, because he was doing his job and only happened to see through the apartment window. The final explanation is a funny one, from a psychologist at the end of the film who tries to prove how perceptions are often faulty. This account shows, in mundane detail, how events really unfolded.

"Four Times That Night." Four different accounts of the same date between a man and a woman. Thankfully, Bava pulls it all off with great humor and a generous portion of ridiculousness. Even more thankfully, he used Daniela Giordano in the role of Tina. This Italian actress is gorgeous, one of the best looking starlets I have ever seen in an Italian film. Keep your eyes on her and "Four Times That Night" will be an entertaining experience indeed. There's not much more to say about the movie except to mention the hilarious d?cor in Gianni's apartment as well as the hyper psychedelic club where the two go to drink and dance. Did you think the 1970's had its wacky outfits and furniture? Check this place out. Wow. My eyes hurt after watching this movie. It's all done in great fun, though. Bava adeptly handles the changing storylines and even inserts a little dose of farce and slapstick into the mix.

The DVD version of the film doesn't have many extras beyond a Bava biography-standard for any film in the Bava Collection-along with a filmography, some stills, and a widescreen picture transfer. The quality of the feature varies significantly; I saw significant streaks and grain present in the first twenty minutes or so before the picture improved. But what can you expect? "Four Times That Night" is a non-horror Bava film, and thus is not as interesting to his modern day fans as "Black Sunday" or "Twitch of the Death Nerve." I, however, enjoyed this movie. Perhaps you will too if you look beyond this director's proclivity for shrieks and look at his work as a whole.