Track Listing

1. Tell Mama
2. I'd Rather Go Blind
3. Watch Dog
4. Love of My Man
5. I'm Gonna Take What He's Got
6. Same Rope
7. Security
8. Steal Away
9. My Mother in Law
10. Don't Lose Your Good Thing
11. It Hurts Me So Much
12. Just a Little Bit
13. Do Right Woman, Do Right Man
14. You Took It
15. I Worship the Ground You Walk On
16. I Got You Babe
17. You Got It
18. I've Gone Too Far
19. Misty
20. Almost Persuaded
21. Fire
22. Do Right Woman, Do Right Man [Alternate Take]

Product Details

• Amazon Sales Rank: #8768 in Music
• Brand: MCA
• Released on: 2001-04-24
• Number of discs: 1
• Formats: Extra tracks, Original recording reissued, Original recording remastered
• Dimensions: .21 pounds

Customer Reviews

4 1/2 stars. A wonderful, varied soul record
More soul than blues, Etta James' "Tell Mama" originally came out in 1968 as a twelve-track LP. And here it is in its remastered 2001 incarnation, bolstered by no fewer than ten bonus tracks which earns the reissue the subtitle "The Complete Muscle Shoals Sessions".
The sound is terrific, clear and realistic, as is the production by Rick Hall. And those who feel that Etta James' Chess recordings featured too many violins and not enough power need to pick up "Tell Mama" right away!

The original album was top-notch in its own right, featuring the all-time classic soul ballad "I'd Rather Go Blind", excellent covers of Ed Townsend's "I'm Gonna Take What He's Got", Otis Redding's "Security" and Jimmy Hughes' "Don't Lose Your Good Thing", and a couple of driving up-tempo numbers, most notably Don Covay's "Watch Dog" and the magnificent title track.
Etta James never sounded better than during these four 1967-1968 sessions, and the various musicians never set a foot (or a finger) wrong.

There really isn't a single weak track among the twelve songs originally issued. Even practically unknown songs like the swaggering soul stomper "My Mother In Law" and the slow "It Hurts Me So Much", which have never been covered by anyone and don't appear on any of Etta James' compilation albums, are highly enjoyable, and Etta's rendition of "Just A Little Bit" (AKA "I Just Want A Little Bit") is a supremely funky slice of soul-blues.

And the bonus tracks aren't rejects by any means. They include "Almost Persuaded", "Misty", the rocking "You Took It", a very good interpretation of Sonny Bono's "I Got You Babe", and two soulful takes on "Do Right Woman, Do Right Man", a song which has been interpreted by everybody from Aretha Franklin to the Flying Burrito Brothers.
I'm no big Etta James fan, actually, but this album is something special. I completely fell for it the first time I put it on, and to me "Tell Mama" is the best record Etta James has ever made, one of the finest, most cohesive soul and R&B records of the late 60s.
You really ought to give it a listen.

Still a classic
I was introduced to Etta James with Tell Mama, which I've always thought was a fantastic song. In 1984, I picked up a French pressing of "Peaches", a double LP of her best Chess material. I can still remember listening to that album for the first time. I was absolutely blown away! Not just with her voice, but with the quality of the songs, arrangements and sound. It became one of my most treasured albums, and there it stayed until I picked up the original Tell Mama CD in '90. Though it was in mono (I was at that time a snooty stereo guy), I thoroughly loved it. I was aware of how great Rick Hall, Fame and the whole Muscle Shoals scene was; how they turned out so many great records.

This is an essential reissue, as it includes all of the songs that Etta cut there. The unreleased stuff is nearly as good as the original album. I now find out that most of the original masters were mono only, for some reason. At least we get the stereo masters that exist. It is evident from the pictures and the quotes included in this package that there was a ton of mutual respect between the Muscle Shoals folks and Etta, and it shows in the music. As it turned out, these sessions gave Etta her last big hit, unfortunately. But it certainly wasn't the end of her producing great music; her ongoing career is a testament to that.

I've grown to love almost everything that Etta did for Chess, particularly the earlier stuff, when crossover was the primary aim. Her treatment of standards and ballads was exquisite. But when she came to Alabama, it was to cut Southern-fried soul, and she nailed it!

An essential Etta record, an essential soul record, an essential '60s record. 'Nuff said.

Blistering, bluesy R&B
The ever-vivacious Etta James is one of R&B's true greats, an artist whose work will always stand the test of time and this album, originally released in 1968, is one of her best-known and most powerful. More dynamic than expressive, James was a gal who clearly knew how to rock, capable of the same sort of expansiveness as Jimmy Rushing or even jump blues shouters such as Wynonie Harris, but also with a touch of the sleekness seen in Dinah Washington and Ella Fitzgerald. The "Tell Mama" album is a flawless, timeless crowd pleaser, packed with upbeat, compact material, a tailormade showcase for James' mousy snarl. Backed by the best of the Muscle Shoals crew, this is music that can't easily be faulted; with ten bonus tracks added on for good measure, this CD edition is pretty hard to resist.