J.S. Bach: Musikalisches Opfer
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Average customer review:Track Listing
- The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Thema Regium
- The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Ricercar a 3
- The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Conon perpetuus super Thema Regium
- The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Canon 1 a 2 (cancrizans)
- The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Canon 2 a 2 Violini in unisono
- The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Canon 3 a 2 per Motum contrarium
- The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Canon 4 (A) per Augmentationem, contrario
- The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Ricercar a 6
- The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Sonata sopr'll Soggetto Reale: Largo
- The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Sonata sopr'll Soggetto Reale: Allegro
- The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Sonata sopr'll Soggetto Reale: Andante
- The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Sonata sopr'll Soggetto Reale: Allegro
- The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Canon a 2 Quaerendo invenietis (9A)
- The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Canon a 2 Quaerendo invenietis (9B)
- The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Canon 5 a 2 per Tonos "Ascendenteque Modu
- The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Fuga canonica in Epidiapente (6)
- The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Canon 4 (B) per Augmentationem, contrario
- The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Canon perpetuus [per justi intervali] (8)
- The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Canon a 4 (10)
- The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Ricercar a 6
Product Details
- Amazon Sales Rank: #61431 in Music
- Released on: 2001-10-09
- Number of discs: 1
- Format: Import
- Dimensions: .23 pounds
Customer Reviews
Colourful!
This interpretation is a perfect match to Savall's equally beautiful Art of the Fugue. Here you find even more variety in the blend of instruments. I am not going to have only one version of this music and my first recommendation is Münchinger's more emotional recording on Decca. When it comes to colourful instrumentation, however, Savall is the winner, and the direction & playing needs no justification, it is simply wonderful, even if I doubt this folk music style reflects the spirit of the baroque era. The king's theme must have been very popular during the 18th century; you find it even in the song "Gråt Fader Berg" by the Swedish minstrel Carl Michael Bellman (1740-95).


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