Product Description

A girl mysteriously disappears on a yachting trip. While her lover and her best friend search for her across Italy, they begin an affair. Antonioni's penetrating study of the idle upper class offers stinging observations on spiritual isolation and the many meanings of love. Criterion is proud to present this milestone of film grammar in a new Special Edition double-disc set.

Product Details

• Amazon Sales Rank: #11122 in DVD
• Brand: Image Entertainment
• Released on: 2001-06-05
• Rating: Unrated
• Aspect ratio: 1.85:1
• Formats: Black & White, DVD, Letterboxed, Special Edition, Subtitled, Widescreen, NTSC
• Original language: Italian
• Subtitled in: English
• Number of discs: 2
• Running time: 143 minutes

Amazon.com essential video
Considered by many to be his masterpiece, L’Avventura positioned Michelangelo Antonioni as an international talent. What appears to be a search for a missing person is actually an examination of alienation and self-discovery found along a voyage through the morally decadent world of the idle rich. Less concerned with a smooth plotline, Antonioni tells his story through the use of symbolic images and flawless character development. Using 'real time’ camera shots and rich, landscape imagery, Michelangelo Antonioni creates an unpredictable world where nothing is ever resolved. Ironically, what makes L’Avventura so unpredictable is the high level of realism portrayed by each character and their environments. This isn’t your packaged, formulaic film with a happy ending. A tough one to watch but well worth it...and it gets better and better with repeat viewings. L’Avventura is quintessential Antonioini. Not to be missed. --Rob Bracco

Customer Reviews

An adventure in moviemaking.
Monumentally influential film from 1960, directed by Michelangelo Antonioni. A disaffected group of idle, rich Italians take a cruise to the volcanic islands south of Sicily. After they pause at one of the islands, one of their number, a beautiful young woman named Anna, suddenly vanishes. Her lover (Gabriele Ferzetti) and her best friend (Monica Vitti) scour the island for the missing girl -- no trace. Like any man in his right mind, Ferzetti's character Sandro almost immediately finds himself attracted to Vitti's Claudia -- she's taken aback at first, but only on a superficial level. The movie then chronicles the search for missing Anna -- and the burgeoning affair between Sandro and Claudia -- back in Italy. The rest you can see for yourself. What *L'Avventura* did for cinema was to shine light on the interiors of the human heart in a way that movies had been afraid to attempt before. The obvious charge one can lay against Antonioni's masterpiece is that it's slow and dull for that very reason -- a film character thinking about something doesn't exactly constitute action-packed cinema. Do understand that this movie is not for all tastes . . . but if you're reading this review, you're probably already curious and are considering buying the movie, to which I say, Take the plunge. *L'Avventura* is about ennui in our modern life -- ennui in our personal lives, ennui in our professional lives. Go ahead, snicker. It's easy to dismiss the subject as pretentious. Perhaps it IS pretentious -- but can you really deny the relevance of the subject matter? Can any man -- deep down in his heart of hearts -- not identify with Sandro, an overgrown boy unhappy in love and work? Can any woman not be impressed with Claudia's inner growth from shallow party-girl at the beginning of the movie to the Rock of Gibraltar she evolves into at the end? *L'Avventura* is a grown-up masterpiece for grown-ups. [Criterion furnishes us with an immersive experience for this movie. You get the brilliant transfer, of course, but you also get instructive commentary from critic Gene Youngblood, from which I certainly learned a lot. The second disc features a documentary about Antonioni made in the mid-60's -- it's very French, very pretentious, and very interesting. It also includes Jack Nicholson, of all people, reading Antonioni's mid-life-crisis screed against traditional morality, another essay in which the director displays a hilarious contempt for the utility of actors in film, and finally some personal recollections from Jack himself, who good-naturedly puts the intellectual director firmly back into place. This whole package is well worth the money, if what I've described is up your alley.]

Criterion DVD - 2-disc, anamorphic, new transfer & subtitles
...this Criterion DVD edition of L'AVVENTURA is a widescreen anamorphic 2-disc set, with the first disc movie-only and the second containing extras. I applaud putting the movie on its own disc, so that there could be less video compression and the picture quality could be at its best (whenever I see a single-disc DVD fully loaded with extras, I immediately wonder if the higher degree of compression needed would cause any compression artifacts on the picture). The picturesque photography of L'AVVENTURA really demands as perfect a video transfer as possible. I'm glad Criterion has delivered on that regard, for this DVD has simply one of the best black-and-white transfer I've ever seen. Efforts have been made to eliminate blemishes frame-by-frame, so this DVD is significantly better looking than Criterion's own laserdisc version made in 1989. There is a "restoration demontration" among the DVD extras that shows how the picture looks before and after the clean-up.

Subtitles have been significantly rewritten compared to the LD. With my limited knowledge of Italian I'm of the impression that the new translations are more literal, closer in meaning to the original dialogs, and have less paraphrasing and abbreviation. For instance, in an early scene where Anna confides to Claudia, the LD subtitle reads, "These separations are awful, believe me." On the DVD it becomes, "It's harrowing having to be apart, really." The use of "harrowing" seems more suitable than "awful" in conveying the connotations of the the Italian word "mostruoso" (atrocious), and "really" is the exact translation of "verimente". In another dialog later in the same scene, the LD subtitle is abbreviated into, "It's not easy to keep going like this...at a distance," whereas the DVD's translation is accurate almost word for word, "It's difficult keeping a relationship going, while one is here and the other there."

The best extra on the DVD is a terrific 1-hour documentary about Antonioni's work. It has numerous interviews of his collaborators (including Fellini) and acquaintances, all of whom give insightful answers about the genius of the director. It mentions a wonderful anecdote: several reporters and writers at Cannes signed a letter of support in reaction to the hostile reception of L'AVVENTURA by others (the full letter is reprinted on the DVD booklet). There is also a wonderful clip of a deleted scene from L'AVVENTURA. My minor quibbles are none of his films is dealt with in any length or depth, and not too many of clips of his films are shown.

Three extras from the LD have been retained on the DVD: the English theatrical trailer, Antonioni's eloquent statement on science versus moral (reprinted on DVD booklet), and the audio commentary by Gene Youngblood. Not on the DVD is the LD's photo gallery of then-and-now comparisons of the locations seen in the film. The DVD also has 3 audio segments: 2 of Antonioni's writings read by Jack Nicholson, and one of Nicholson himself lavishing praises on the director. Of the two Antonioni writings, the first is almost a duplicate of his "science versus moral" statement, and the second is an analysis of the purpose of a film actor.

Modern Masterpiece
This director creates meditative films that are certainly not propelled by action or overt themes; his audience is, thus, small, but devoted. The beauty of "L'Avventura" was not so apparent to me until I had the great pleasure of watching a new print on a wide screen the way it was conceived and intended. Admittedly, I'm a big fan of Monica Vitti; I'd probably pay to watch her sit and loll about in anything. This film exerts a certain pull over me because of its focus of spatial relationships and textures, its lovely compositions which make the emotional barreness of its characters all the more distressing. Sure, it's an acquired taste, and will probably not garner any new fans in the age of attention deficit disorder, but the pleasures of letting it slowly work its understated magic on one amount to much more than just surmising it's two and half hours of rich people being aimless. Antonioni cared about the beauty of the natural world, about humans retaining virtue and honesty and meaning in relationships. It may not rank as "entertainment" to watch a world where these qualities have seriously eroded, but it certainly does approach and sometimes achieve art.